查询词典 one-pair

To sit still and observe that one is neither identical with one's thoughts and impulses as they arise continuously and discursively in one's mind, generating desire, anxiety, fear and guilt, nor indeed limited by them, is to be aware of the possibility of controlling one's thoughts and of moving toward a new kind of spiritual freedom.

只有纹丝不动地打坐并意识到自己既没有与内心持续杂乱地萌发着的致使产生欲望、焦虑、恐惧和内疚感受的各种思绪和冲动同一，也确信没有受制于它们时，方能感知到克制自己内心思绪和通往新的精神自由的可能性。

The truth is that, just as in the other imitative arts one imitation is always of one thing, so in poetry the story, as an imitation of action, must represent one action, a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole.

事实是，正如在其他模仿技艺中人们总是只模仿一个事物，诗歌中也是如此，作为对行为的模仿，故事必须呈现一个行为，一个完整的行为，这一整体由数个事件构成，其相互关联极为紧密，以至其中任何一个事件只要调换了位置或者消失就会使这一整体分离混乱。

All one has to do is to fulfill one's well-known-to-all, prescribed, objectively verifiable obligations, which, by the way, include providing different opinions and dissuasion when appropriate, and one can rest assured that the other party owes one the fulfilling of its obligations.

这些都不用担忧，我只需要履行我众所皆知的、规定的、能够客观证实的义务和责任，而这些义务和责任也包括了适当时提供不同意见或劝谏，我就可以很放心，对方也必然会反过来履行对我的义务和责任。

This is why Kantian ethics lies hidden the unique impetus important for the ethics of psychoanalysis. For Lacan, to do one's duty is different from enjoyment. To do one's duty, one needs no excuse; one has to follow his desire without being burdened by the sense of guilt.

这就是为何康德的伦理学潜藏著对心理分析的重要贡献，对拉冈而言，尽义务不需要藉口，只需跟隨自己的欲望而不必担负任何罪疚感。

Encore The Black Album FUCK THE ROCK VERSION, THIS IS THE REAL SHIT Lyrics by Will Tian Thank you, thank you, thank you, you're far too kind Now can I get an encore, do you want more Cookin raw with the Brooklyn boss So for one last time I need y'all to roar Now what the hell are you waitin for After me, there shall be no more So for one last time, nigga make some noise Who you know fresher than Hov'? Riddle me that The rest of y'all know where I'm lyrically at Can't none of y'all mirror me back Yeah hearin me rap is like hearin G. Rap in his prime I'm, young H.O., rap's Grateful Dead Back to take over the globe, now break bread I'm in, Boeing jets, Global Express Out the country but the blueberry still connect On the louvre but the yacht got a triple deck But when you Young, what the fuck you expect? Yep, yep Grand openin, grand closin God damn your man Hov' cracked the can open again Who you gon' find doper than him with no pen just draw off inspiration Soon you gon' see you can't replace him with cheap imitations for DESE GENERATIONS Can I get an encore, do you want more What the hell are you waiting forrrr?*sighs* Look what you made me do, look what I made for you Knew if I paid my dues, how will they pay you When you first come in the game, they try to play you Then you drop a couple of hits, look how they wave to you From Marcy to Madison Square To the only thing that matters in just a matter of years As fate would have it, Jay's status appears to be at an all-time high, perfect time to say goodbye When I come back like Jordan, wearin the 4-5 It ain't to play games witchu It's to aim at you, probably maim you If I owe you I'm blowin you to smithereeens Cocksucker take one for your team And I need you to remember one thing I came, I saw, I conquered From record sales, to sold out concerts So muh'fucker if you want this encore I need you to scream,'til your lungs get sore This man is MADE! He's KILLIN all y'all jive turkeys Do y'all want mo

情感的禁区刘德华曲：天野滋词：陈浩贤街中飘雨车蓬半开我心湿透水独自飞驰追忆挥不去忧虑当天的我不曾爱惜你痴心暗许常令你独垂泪弄得爱路极崎岖今天的你已跟他去心已被窃取孤单的我只有叹唏嘘踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区街灯映照车头撇湿满窗的雨水就象我心头抑郁心中满苦泪车厢中我心神更加仿佛空虚连夜我未能睡内心悔恨如有罪当天的你已消失去心若冷水今天的我只有叹唏嘘愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区今天的你已跟他去心已被窃取孤单的我只有叹唏嘘踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区踏快车雨中追但愿停车跟你聚但我知你的心尽是情感的禁区愿你知我空虚但愿重新跟你聚但我知你的心尽是情感的禁区本站歌词来自互联网本站歌词来自互联网。。。

For by using the word one admits that one is tampering with reality; by a fresh act of doublethink one erases this knowledge; and so on indefinitely, with the lie always one leap ahead of the truth.

因为我们在使用这个词的时候就承认了我们在篡改现实；那么做一下双重思想，我们就会抛开这种意识。这么反反复复进行下去，谎言总是比真理先走一步。

The Article divides socialist essence into historical one and essence of value based on ontology,and correspondingly divides the evaluation of socialism into historical one and value one based on epistemology.Meanwhile,it shows the logically isomorphic relation between the dual essence of socialism and the evaluation,and restores the relation into efficiency and fairness one.

理论界在探讨邓小平关于社会主义本质论时存在两大缺失：一是未能从本体论上区分社会主义历史本质与价值本质的关系；二是没有把社会主义二重本质与认识论上的二重评价即历史评价与价值评价结合起来，并把它们的关系还原于效率与公平的关系。

What makes one and one two, is a participation of the dyad, and what makes one one is a participation of monadin unity.

"是什麼让一个和一个两个，是一个参与的对子，以及如何使一个是一个参与的单子团结"

The reversal was seen in only one epiphysis and one physis after one day of ambulation and in all rest after 7 days of ambulation. The abnormality was not seen in histologic study after one or 7 days of ambulation.

自由行走1天以后，仅一个骨骺软骨和一个生长板可见缺血的完全恢复，自由行走7天后全部的缺血均见恢复，增强MR及相应组织学发现均未见异常改变。

I cannot explain by any possible Energy of Words, what a strange longing or hankering of Desires I felt in my Soul upon this Sight; breaking out sometimes thus; O that there had been but one or two; nay, or but one Soul sav'd out of this Ship, to have escap'd to me, that I might but have had one Companion, one Fellow-Creature to have spoken to me, and to have convers'd with!

看到这一情景，我心里产生了一种说不出的求伴求友的强烈欲望，有时竟会脱口而出地大声疾呼："啊！哪怕有一两个人--就是只有一个人能从船上逃出性命也好啊！那样他能到我这儿来，与我作伴，我能有人说说话也好啊！"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。