查询词典 one-level

One maybe use it to collect information,to reveal facts,as it is oneself 's individual media;One maybe use it to show oneslf,to confide sentiment,as it is oneself 's random space;One maybe use it to forgather friends,to communicate aspiration,as it is oneself 's communication tool.

人们或者利用它来收集信息、揭露真相，把它当作自己的个人媒体；或者利用它来展现自我、倾诉个人情感，把它当作自己的一片天地；或者利用它来结交朋友、交流心声，把它当作自己的沟通工具。

To cheer him up, his worried father and foster mother built three palaces, one for cold weather, one for hot weather, and one for the rainy season.

为了让他振奋，他闷闷不乐的父亲和养母为他建造了三座宫殿，一座用于避寒，一座用于避暑，而另一座是雨季之用。

The builder will send one set of plans to the foundation contractor, one set of plans to the framer, one set of plans to the plumber, etc, etc.

建设者将派遣一组计划向基金会承办，其中一套计划向成帧，其中一套计划向水暖工，等，等。

An operational definition of time, wherein one says that observing a certain number of repetitions of one or another standard cyclical event (such as the passage of a free-swinging pendulum) constitutes one standard unit such as the second , is highly useful in the conduct of both advanced experiments and everyday affairs of life.

安业务定义的时间，其中一个说，观测了一些重复的一种或另一种标准的周期性活动构成一个标准的单位，如第二次，是非常有用的情况下先进的实验和日常事务的生活。

The giants themselves are so few in number one can wander the halls without ever meeting one — which is probably for the best, since no one is supposed to gain entrance.

风暴巨人本身的数量非常的少，冒险者可以在大厅里到处溜达都不会遇见一个风暴巨人--当然这最好不过了，因为风暴巨人是不允许任何人闯进来的。

The designs of the gap and the orifice vane MRF dampers for the vehicle are introduced. According to one of the primary gappy one s deficiencies compared with the orifice one that the magnetic flux density in the gap isn t strong enough,the design of three phases vane MRF damper with tangent magnetic core is proposed.

介绍了车用缝隙式阻尼型和孔式阻尼型叶片MRF减振器的磁路设计方案，并针对缝隙式阻尼型相对于孔式阻尼型间隙处磁感应强度小的不足，提出了采取切向放置铁芯的三阶段叶片式MRF减振器的设计。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Marriage is a university,one knows what he wants is a bachelor,one knows what others want is a master;one who can live his life as gayly as spring,don't leave himself regret also don't make regrets to others is a doctor.

婚姻是所大学，明白自己想要什么的，是学士；懂得对方想要什么的，是硕士；能把日子过得春天一般愉快，不给自己留下遗憾，也不给对方制造遗憾的，是博士。

Mumps one pound, that is what I have put down, but I daresay it will be more like thirty shillings -- don't speak -- measles one five, German measles half a guinea, makes two fifteen six -- don't waggle your finger -- whooping-cough, say fifteen shillings -- and so on it went, and it added up differently each time; but at last Wendy just got through, with mumps reduced to twelve six, and the two kinds of measles treated as one.

他继续算下去，每次算出的结果都不一样。不过最后温迪总算熬了过来，腮腺炎减到了十二先令六便士，两种麻疹并作一次处理。

No one, no one, no one can get in the way of what I feel for you.

没有人，没有人，没有人会影响我对你的感情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。