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The motet, one of the most important musical form of the high Middle Ages and Renaissance, developed initially during the Notre Dame period out of the clausula , especially the forms: clausulae, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration; conductus , which was a song for one or more voices to be sung rhythmically, most likely in a procession of some sort; and tropes, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant; that is, one of the voies,(usually three, though sometimes four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voices sang organum.

所有这些形式都保留一个共同点，那就是它们的发展都基于圣咏，也就是说，几乎总是在最低声部的男高音（通常是3到4个人）演唱圣咏，伴随着这自由沉着的长音，其他人在高声部演唱奥尔加农。

With only one entity type involved and with a one-to-one relationship, the conversion requires only one table.

一元的一对一只需要一个表格

Results In the 14 cases, 13 achieved bone union and one nonunion. The mean time of union was 12 weeks. The wrist mean motion range was about 90% of the healthy lateral wrist and mean gripping strength was about 95%. Twelve patients suffered from no pain, one patient from slight pain, and one patient with nonunion from medial pain. According to Cooney's clinical evaluation system, the outcome was fine in 10, good in three and bad in one patient.

结果 14例中有13例愈合，1例不愈合，平均愈合时间为12周，平均腕关节活动度为健侧的90%，握力为健侧的95%，12例患者没有疼痛，1例轻度疼痛，另外l例不愈合有中度疼痛，除1例不愈合患者外，其余都能胜任原有的工作，按Cooney's评分10例优，3例良，1例差。

As indicated by the cross-hatching in Figure 6B, the center-most PDL has one nearest neighbor PDS above it along the vertical dimension, one nearest neighbor PDS below it along the vertical dimension, one nearest neighbor PDS to the right in the horizontal dimension, and one to the left along the horizontal dimension.

如图六B中交叉区块所描绘者，最中间的光电二极体PDL部位的垂直方向上有一最靠近的光电二极体PDS部位位於其上方，一个最靠近的光电二极体PDS部位位於其下方，以及一个最靠近的光电二极体PDS部位位於水平方向上的左方，一个最靠近的光电二极体PDS部位位於水平方向上的右方。

Ah! when one does have it, one is no longer a dupe, one does not stupidly allow one's self to be exiled like Cato, nor stoned like Stephen, nor burned alive like Jeanne d'Arc.

等到酒肉消化完了，便往坟墓里一钻了事。

After disinfection and medical activities before, samples were taken from three points in a diagonal of a relatively closed space with area not more than 30 square meters. In general, one point was from diagonal center, and the other two points from the two ends with one meter distance to walls. When the area exceeded 30 square meters, samples were collected from five points, one was from the center, and the other four points from four angles with one meter distance to walls, and the altitude was 80-150 cm from vertical distance to the ground. The total number of microbes not more than 200cfu/m^3 was considered qualified.

消毒后和进行医疗活动之前，相对封闭的空间，面积≤30平方公尺时，在一条对角线上取3点采样，一般是中心和两端距墙壁1米处各取1点；面积＞30平方公尺时，应取中央及四角距墙壁1米处共5点采样，布放高度为垂直地面80cm~150cm，微生物总数≤200cfu/立方公尺为合格。

To sit still and observe that one is neither identical with one's thoughts and impulses as they arise continuously and discursively in one's mind, generating desire, anxiety, fear and guilt, nor indeed limited by them, is to be aware of the possibility of controlling one's thoughts and of moving toward a new kind of spiritual freedom.

只有纹丝不动地打坐并意识到自己既没有与内心持续杂乱地萌发着的致使产生欲望、焦虑、恐惧和内疚感受的各种思绪和冲动同一，也确信没有受制于它们时，方能感知到克制自己内心思绪和通往新的精神自由的可能性。

The truth is that, just as in the other imitative arts one imitation is always of one thing, so in poetry the story, as an imitation of action, must represent one action, a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole.

事实是，正如在其他模仿技艺中人们总是只模仿一个事物，诗歌中也是如此，作为对行为的模仿，故事必须呈现一个行为，一个完整的行为，这一整体由数个事件构成，其相互关联极为紧密，以至其中任何一个事件只要调换了位置或者消失就会使这一整体分离混乱。

All one has to do is to fulfill one's well-known-to-all, prescribed, objectively verifiable obligations, which, by the way, include providing different opinions and dissuasion when appropriate, and one can rest assured that the other party owes one the fulfilling of its obligations.

这些都不用担忧，我只需要履行我众所皆知的、规定的、能够客观证实的义务和责任，而这些义务和责任也包括了适当时提供不同意见或劝谏，我就可以很放心，对方也必然会反过来履行对我的义务和责任。

This is why Kantian ethics lies hidden the unique impetus important for the ethics of psychoanalysis. For Lacan, to do one's duty is different from enjoyment. To do one's duty, one needs no excuse; one has to follow his desire without being burdened by the sense of guilt.

这就是为何康德的伦理学潜藏著对心理分析的重要贡献，对拉冈而言，尽义务不需要藉口，只需跟隨自己的欲望而不必担负任何罪疚感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。