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But the pleasure here is not that of Tragedy. It belongs rather to Comedy, where the bitterest enemies in the piece (e.g. Orestes and Aegisthus) walk off good friends at the end, with no slaying of any one by any one.

但这里的愉悦不是悲剧的愉悦，它更像来自喜剧，在剧中不共戴天的仇敌（如俄瑞斯忒斯和埃癸斯托斯）在结尾处成为好朋友，一起退出，谁也没有杀死谁。

If arrive now,furniture sells go looking, the antependium of fact of the sort of severe on desk upper berth tight is not popular trend any more it seems that, one kind controls wide tablecloth illuminative table to become newly emerging force by one feet.

假如现在到各大装修市场或家具卖场去看一下，那种在桌上铺上严严实实的桌布似乎已经不是流行的趋势了，一种由一尺左右宽的桌巾装饰的餐桌倒成为新生力量。

Although he's bitter as hell, Genn sends you to do one last task - eavesdrop on Sylvannas in the cathedral. As you eavesdrop on her, she is told to cease the application of plague bombs in Gilneas by one of Garrosh's generals. However, as he leaves, Sylvannas tells her High Executor to continue dropping Plague bombs. Well wtf, since when is Sylvannas more of a baddy than Garrosh?

尽管格雷迈恩怒火中烧，但他还是先让你去探听下希尔瓦娜斯的虚实，你潜入教堂去偷听希尔瓦娜斯的军情，当你潜入教堂时，她正在同加洛什派来的督军交谈，应对方的要求她终止了投放瘟疫炸弹的计划，但当后者走后，她立即要求手下继续投放瘟疫炸弹。

You can only be marked by one creature at any one time.

你在同一时间只能被一名生物标记。

The last block consists of just one line containing 0 0 0, i.e. three zeros separated by one space.

最後一个区段由～所组成正直的排成一行包含 0 0 0，也就是三被分开一空间的零。

A book entitled "Jerusalem sicut Christi tempore floruit", written by one Adrichomius and published in 1584, gives twelve Stations which correspond exactly with the first twelve of ours, and this fact is thought by some to point conclusively to the origin of the particular selection afterwards authorized by the Church, especially as this book had a wide circulation and was translated into several European languages.

一本书，题为&耶路撒冷sicut基督临时floruit &，写的一个Adrichomius并发表在1584年，使12站完全相符的第一个12的我们，这实际上是想点一些决定性的原产地的特殊选择事后授权的教会，特别是这本书有一个广为散发，并译成多种欧洲语言。

Such bricks will be made out of lead covering the "lead brick" with gold by cheaps and swindlers.

被动句中的by引出的宾语，一般说来，如果是人称代词你我他等，均可省略，someone no one不由by来引出如果是名词不能省略，但当今英语也都可省略了

A Pigeon, severely pressed by thirst, seeing a glass of water painted upon a sign, supposed it to be real, so dashing down at it with all her might, she struck against the board ,and, breaking her wing, fell helpless to the ground ,where she was quickly captured by one of the passers-by

有一只鸽子，渴极了，看见一块招牌上画着一杯水，以为是真的，便用尽一切力量急扑下来，她撞在这块木板上，碰破了翅膀，无力地掉在地上，很快就被一个过路的人捉住了。

The judges and conservators appointed by the apostolic see, if they are not graduates in either civil or canon law, are obliged, on being asked by the parties concerned or by one of them, to take an assessor who is not under suspicion with the parties and to judge the case according to his report .

法官和修复指定的使徒看，如果他们没有毕业生在任何民事或教会法，有义务，在被要求有关各方或其中之一，采取评谁没有受到怀疑与有关各方和判断的情况下按照他的报告。

By comparing three sites — an organic farm in western Maryland, a park in a Baltimore suburb and the one by the inner harbor — Ziska planned to study three circumstances: the present, the mid-century future as predicted by the climate-change panel and something in between.

通过三个地点的对比——分别是位于马里兰州西部的一个有机农场，位于州府巴尔的摩郊区的一个公园和一个位于巴尔的摩市中心的公园，齐思卡计划对三种环境条件进行研究：目前条件，联合国政府间气候变化委员会所预测的本世纪中期条件和这两者之间的条件。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。