查询词典 one by one

Add more strokes one by one, only as long as you stay efficient, never practice butterstruggle, you main focus is to minimize up and down motion of your head and shoulders, keep you head in the line, keep low profile, channel all your energy forward, practice all the skills we've learned in the previous 2 drills.

一点点加入更多的动作，只在保持效率的的情况像尽可能长，绝对不要挣扎，你的注意力应该集中在头和肩膀的最小化的上下动作上，保持你的头成一线，保持低的姿势，把所有的能量引导向前，练习之前学习的两个技术。

Then one by one wash vegetables, potatoes, carrots, tomatoes, peeled, cut an inch-long diamond-shaped cabbage, potatoes cut hob block, carrot slices, tomatoes cut small pieces, shred onion, celery dice, slice sausage stand.

然后，由一个洗涤蔬菜，土豆，胡萝卜，西红柿去皮，一，切一寸长菱形卷心菜，土豆切滚刀块，胡萝卜切片，西红柿切小块，洋葱切丝，芹菜骰子，片香肠的立场。

Installs all of them one by one.

所有的人一个一个安装。

One by one, all the kidnappers were knocked out.

一个接一个，所有的绑匪都被击倒了。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文学批评放在了与其他艺术品类平等的位置，并且从审美的高度衡量文学批评，认为批评是&独立的批评&，也是&艺术的批评&，其意义非常深远，具有文学批评革命性的改变这一意味在里面；第二章&文学批评是一种发现&指的是李健吾强调批评家主体意识对文本的渗入，要求发挥批评家的主体作用和审美判断能力，笔者将此概括为：&批评是自我的发现&、&批评是作家心灵的发现&、&批评是作品中人性的发现&三个方面，并一一进行阐释；第三章重点论述李健吾文学批评的模式。

We hunger to inquire of each other, to compare notes and assure ourselves that it was all really true, as one by one the scents and sounds and names of long-forgotten places come gradually back and beckon to us.

当那些早已忘掉的地方，它们的气味、声响和名称一个个飞回来向我们招手时，我们就渴望互相询问，交流信息，好让自己确信这一切都是真实的。

Sometimes goldfinches one by one will drop/From low-hung branches...

&有时从低垂的枝桠上／金翅雀一只只跳下来…／然后立即飞走，好象受一时奇想的激发&

Every spell they cast was countered, and the magisters began to fall, one by one, until only the archon himself and the lamp-lighter were left, locked in a battle of magic and will.

每一个他们所施放的魔法都被反制。于是魔法领主们开始倒下，一个接一个，直到只剩下执政官和点灯人两个人还活着，被困在了这场魔法与意志的较量之中。

As the time passed, the matryoshka has its own style, which the different size has been wrapping one by one, let the man think that is interesting. From the 14th century until now, originated at the earliest stage from south of Moscow 70 kilometer Russian old town Zagorsk's matryoshka, for generations artisan's exquisite carving and the pictorial skill as well as Russia national culture's accumulation, has received various countries' child and the friend's affection.

随着时间的推移，套娃形成了特有的风格，大小不一的娃娃一个套着一个，让人更觉有趣。14世纪至今，最早起源于莫斯科以南70公里的俄国古镇Zagorsk的套娃，由于世世代代工匠精湛的雕刻和绘画技巧以及俄罗斯民族文化的积淀，受到了各国小朋友和大朋友的喜爱。

From Maxwells equations, the vectorial and scalar wave equations for 3D, 2D and 1D are given out one by one using the slowly varying envelope approximation.

从电磁场的Maxwell方程组出发，分别导出了缓变包络近似条件下矢量及标量波动方程的三维、二维、一维形式，然后对其横向和纵向数值处理方法分别作了介绍。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。