查询词典 one by one

Rhyming text and illustrations follow the activities of a group of twelve monsters that diminishes one by one.

书中的十二个小怪物会随着故事的发展一个接一个地减少。

The article refers to the rules of arising subject "Comparative Music "in the west and analyze comparatively one by one on five parts or eighteen aspects , The contents of words ,writing style, setting, Literature characteristics, musical characteristics, lyric characteristics formative characteristics, descriptive characteristics, histrionic, melody rhythmicity, harmonic beauty, structure beauty, artificial beauty, colour beauty, time beauty, socialinfluence, opinion on society ,as soon, then demonstrate and appraise it on the aspects of aesthetics and artistic.

作者风格、创作背景；歌词的文学性、音乐性；作品的抒情性、造型性、描绘性、戏剧性；音乐的旋律美、节奏美、和声美、结构美、技巧美、风格美、时代美；社会影响、历史评价等五大部分18个方面逐一进行了比较性分析研究，从美学和艺术学的高度，对其进行了论述和评价。

Cao Yushu total right to build wells at coal mine near a period of construction work to be fully affirmed the work of the next stage of requirements: First, be aware of Coal Mine Safety Elm Well the importance of pre-production and further enhance the sense of responsibility and sense of mission , we must bear in mind the "second pioneering" historical mission, to take more effective and more practical methods of work, the scientific arrangement of the work, carefully organize construction work, the remaining project duration inverted one by one to ensure that mine pre-production schedule; second, is necessary to study the construction process to solve difficulties and problems arise, focus on strengthening the soft rock supporting and construction process of research, trial and error comparison, mine worked out well for Elm soft rock supporting a new road.

曹总对榆树井煤矿筹建处近一时期的矿井建设工作予以了充分肯定，并对下一步的工作提出了要求：一是要认识榆树井煤矿安全试生产的重要意义，进一步增强责任感和使命感，要牢记肩负的"二次创业"历史使命，采取更加有效、更加务实的工作方法，科学安排各项工作，精心组织施工，对剩余工程逐项倒排工期，确保矿井按期试生产；二是要及时研究解决施工过程中出现的困难和问题，重点加强对软岩支护和施工工艺的研究，反复试验比较，摸索出适合榆树井煤矿软岩支护的新路子。

The reason that we obtain it to be possible in the different domain, has the different influence, is his romaunt one by one, lets us worship, envies.

我们得出之所以它可以在不同的领域，有着不同的影响，都是他一个一个的传奇故事，让我们崇拜，羡慕。

But it is just the Gump like this who creates trends one by one, from rugger to jog across America, from representing for table tennis bat to investing in computer field, numberless people have got inspiration from him, although he is unintentional in doing these which make himthe pioneer of the trends in that era.

就是这样阿甘却创造了一个又一个的潮流，从橄榄球到横穿美国，从带言乒乓球拍到投资计算机领域，加之无数人从他那里得到灵感，尽管这都是他无心为之，却使他成为了时代潮流的先锋。

They were saddened, and one by one they said to him,"Surely not I?"

他们就忧愁起来，一个一个的问他说："是我吗？"

One by one they came, called like servile beasts to their master. To him.

他们一个接一个地来了，对古尔丹看来，就像充满奴性的野兽受到主人的召唤一样。

However, one by one they straggled in at last and took shelter under the tent, cold, scared, and streaming with water; but to have company in misery seemed something to be grateful for.

不过，他们终于一个接一个地冲回了露营地，在帐篷底下躲起来，又冷又怕，浑身精湿。好在在这样恶劣的环境下，大家守在一块，总算是不幸中的万幸。

Several fierce flames are shot to Po. He dodged two then breaks a flowerpot. He makes accurate shot with pieces of broken flowerpot to the outlet of flames. Flaming mechnisms are operated with burning oil so they explodes one by one since the outlets have been obstructed. Later, Po seems to notice something and jumps upward all at once. As soon as he jumped, many steel spears shoot out vertically. A person with inferior martial art must be stabbed into a hedgehog shape. Po, though, shocks away all spears with a heavy both-handed slash which sends out intense collision energy and even makes a shallow pit on the ground. Po lands in the pit then runs to the wall.

只见几道猛烈的火焰向童博射去，童博闪过两道，然后打碎一个花盆，把花盆碎片向火焰射口准确的打过去，火焰机关是靠射出点燃的油，出口一但被堵，就一个个自己炸毁了，之后童博不知察觉什麼突然向上跃起，地面立刻向上垂直射出许多钢矛，要是武功稍差之人，一定被插成刺猬一样，可是童博双手持剑向下用力一劈，猛烈的剑气不但震开所有钢矛，还把地面打出个浅坑，童博落在浅坑中，一转身向墙边跑了过去

One by one, each of my classmates shrank slowly back into their seats.

所有同学一个接一个地慢慢缩回到他们的座位上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。