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Can modify whole station program namely at most, 2007, I did my individual website, content of it doesn't matter, the page is simple, do not have discharge at all, because do not have time, also not was in charge of a website all the time, 08 year arrived, I have enough time bubble to be on the net, begin to care the station that has me to come, made the best of time to arrange the website one time, made some of self-help chain, sent dot rubbish to stick promotion to other forum, ah, do not see effect, wander in a few Ip everyday, really pained, the night of Yuanxiao, a person is dull, net of all night on preparation, admire to comparative on the net according to the door in the discovery on the net innocently fire, I had not heard of this thing before, do not follow to go up tide, do not have method ~~, one is searched on the net, stick in Baidu good found a few pieces of relevant pictures not easily, ah, stick to my forum immediately.

顶多就是能修改一下整站程序，2007年，我做了我的个人网站，没什么内容，页面简单，根本没流量，由于没时间，也就一直没管网站，08 年到了，我有充足的时间泡在网上，开始关心起我的站来，抓紧时间把网站整理了一番，做了些自助链，到其他论坛发了点垃圾贴推广，呵呵，不见成效，天天徘徊在几十个ip，真是苦恼，元宵之夜，一个人无聊，预备上通宵网，无意在网上发现&艳照门&在网上相当火，之前我还没听说这事，跟不上潮流，没办法~~，在网上搜索了一把，在百度贴吧好不轻易找到了几张相关图片，呵呵，马上贴到我的论坛上。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The central part of the book had a chapter on foragers, one on horticulture, one on animal herding, one on agriculture, and finally one on industrialist societies.

那本书把人类定义为和自然环境存在一定关联的一种群体。书的中心章节分别讲原始人采集果子、小规模农业、动物饲养、农业，最后降到工业社会。

The central part of the book had a chapter on foragers, one on horticulture, one on animal ITding, one on agriculture, and finally one on industrialist societies.

那本书把人类定义为和自然环境存在确定关联的一种群体。书的中心章节分别讲原始人采集果子、小规模农业、动物饲养、农业，最后降到工业大部分人里成员。

This process is makes the improvement in the original two person two-sided synchronized GTAW process which one time welding two-sides formings, we have carried on a series of welding testing on 8mm SUS304, this new process has be able to decrease weld defects on the tradition two person on both sides synchronized GTAW process, shortenned construction work period, increase welding quality, as well as eliminate tradition two person on both sides synchronized GTAW for SUS304 austenite stainless steel in easy emergence of incomplete joint penetration and porosity.

此工艺是在原有的双人双面同步钨极氩弧焊工艺基础上进行的，即将原有的一次焊双面成形改为两次焊成形，经过在厚度为8 mm的SUS304上进行的一系列焊接工艺试验，验证了这项新工艺既减少了传统工艺中繁琐的工艺过程和焊接工艺缺陷，缩短了施工工期，提高了焊接质量，又消除了传统8 mm SUS304不锈钢双人双面同步钨极氩弧焊过程中易出现的未焊透和咬边现象。

There are many serious misleading in how to apply the principle of "fraud exception", whereas, it is necessary to make a legal research on the principle of "fraud exception" in light of former researches. The article consists of two parts. In the first part, the author put emphasis on the principle of abstract independence, the definition, the establishment and development of the principle of fraud exception, the analysis of the fraud, the theory, the prerequisite and the procedure of apply the principle of "fraud exception" in order to establish the general principle and necessary procedure. In the second part, the author analysis the existing backward conditions oflegislation and judicial practice in China, and courts" attitude to the judicial remedy for the principle of " fraud exception", further, the author puts forward some suggestions on how to make the legislation on the principle of "fraud exception" perfect, and how to apply the procedure of judicial remedy for the principle of "fraud exception". Lastly, the author hopes that these suggestions could benefit to the judicial practice and the future legislation on the principle of "fraud exception.

我国在加入世界贸易组织后，按照国际惯例和国际公约处理国际贸易中的纠纷己成为一种必然趋势，鉴于我国法院对如何准确适用信用证欺诈例外原则存在着严重误区，使得在先前学者研究的基础上再一次研究欺诈例外原则很有必要，本文分两个部分，第一部分对信用证独立抽象原则、信用证欺诈例外原则的定义、确立与发展、对例外原则下欺诈的分析、理论基础、适用条件以及程序等六方面展开论述，从而确立信用证欺诈例外原则的一般原则和必要的程序：第二部分主要分析我国司法实践中信用证欺诈例外原则司法救济的立法以及司法现状，及法院对欺诈例外原则的态度，从而对如何完善我国法院欺诈例外原则的法律依据以及如何正确适用欺诈例外原则的司法救济程序提出一些构思，希望为欺诈例外原则在我国的司法实践以及为以后的相应立法提供有益的参考。

The result show that the position of free surface is higher because of frusta of brake, especial obvious in the head of frusta of brake; flux coefficient and pressure on dam are quite influenced by type of frusta and 3 A type frusta of brake relative to 2 type frusta of brake has bigger flux coefficient and smaller pressure on dam; Obvious influence of ability of discharge flow for different ratio of thickness of frusta and breadth of brake and pressure on dam reduces with increasing ration of thickness of frusta and breadth of brake, while bigger flux coefficient is obtained when tlb = 0.2.(7)The 3D free surface turbulent model established in the paper is comparatively well and truly simulates 3D flow over spillway with frusta of brake and series waterpower computation can be completed aim at different type of dam, type of frusta and disposal on the dam and different water height on peak of

结果表明，闸墩河海大学博士论文的存在抬高了水面线的位置，其中在闸墩头部尤其明显；墩型对流量系数和坝面压力影响较大，3A型闸墩相对于2型闸墩具有更大的流量系数和更小的坝面压力：不同的墩厚闸宽比t/b对泄流能力也将产生显著的影响，随着墩厚闸宽比的增加，坝面压力降低，而当t/b二0.2时溢流坝具有更大的流量系数。7本文建立的三维自由面湍流场模型能够比较准确地模拟带闸墩溢流坝三维过坝水流湍流场，可以针对不同的坝型、墩型、坝面布置形式以及不同的坝顶水头完成系列水力计算，为泄水工程建筑物的设计提供可靠的分析依据

The clearance cause more serious effect on the response of turret than that of the rotary table. This result agrees with the experimental response of roller gear indexing cam mechanism. In addition, some problems, such as the impacts on mechanism with clearance, effect on response for preload, effect for inertia of rotary table and stiffness of output-shaft, effect on wave of velocity and torsion for motor characteristic, and so on are investigated.

通过对扭转动力学模型的计算还对以下问题进行了研究：间隙造成的横越冲击的表现；预紧的存在对响应的影响；间隙的存在对有廓形误差的凸轮机构的动力学响应的影响；分度盘轴的刚度和载荷盘惯量对含间隙分度凸轮机构响应的影响；电机特性对转速波动和扭矩波动的影响等等。

Leifeng Pagoda was first built in Northern Song Dynasty 977 AD, two years of peace and rejuvenating the country, originally for the King of Wu and Yue Feng Qian-shu Tibetan Buddhism as a relic to pray for peace and prosperity Luo Ji-fat built, the original name of Princess tower, tower of brick-wood structure leifeng well-known high tower, and Chinese folk legend of White Snake widespread myth is closely related to the story in the embodiment of white snake Bai Suzhen have been a result of the pursuit of true feelings and sea monk imprisoned in Leifeng Pagoda, the Leifeng Pagoda and therefore the statement of history far and wide Leifeng Pagoda on the fire hit twice, the first declared in the Northern Song Dynasty and years, because of Fang La uprising, a torch outside the wooden structure burned to the tower to the Southern Song Dynasty years, have been rebuilt Leifeng Pagoda, West Lake, one of Dusk is the leifeng circulated Leifeng Pagoda at that time subjected to fire the second Jiajing in the Ming Dynasty, when the pirates violation of Hangzhou, Leifeng Pagoda burnt again, remaining tower stands on the shore of West Lake, this case continued until the end of the Qing, Leifeng Pagoda finally collapsed due to overwhelming cause of the collapse on the Leifeng Pagoda in history is also very controversial, in general there are two versions of the previous two years in the clean-up sites Leifeng Pagoda time, found that a considerable portion of the tower of brick side of a small hole in the cave there are Buddhist in the past, people have incorrectly relay erroneous messages will pass into a gold brick by brick, the tower blocks have take-home, resulting in the collapse of the tower argument argument, one of the two, due south is the land of plenty since ancient times, but Hangzhou is the House of silk and tea, the history of Hangzhou on the rich silk, and every year when the silkworms cocoon silk, a variety of reasons, tend to have a large number of cocoon death, Over the past superstition, misconception that cocoon cursed, while the Leifeng Pagoda is a town of white snake demon, thinking that would be the Pagoda bricks at home, they can withstand the erosion of Yao Xie, you have to take a sericulture, his family wealth take a course of time, in particular, Taki shaft damage due to the common people, coupled with those in power are indifferent Leifeng Pagoda finally at 13:40 on September 25, 1924 came crashing down

雷峰塔初建于北宋太平兴国二年公元977年，原本为吴越国王钱淑为奉藏佛螺髻发舍利子以祈祷国泰民安所建，原名叫皇妃塔，塔为砖木结构雷峰塔的知名度之高，与中国民间广泛流传的神话传说白蛇传密切相关，故事中白蛇的化身白素贞因追求人间真情而被法海和尚囚禁于雷峰塔下，雷峰塔因而声明远播历史上的雷峰塔曾两次遭遇大火，第一次是在北宋宣和年间，因方腊起义，一把火把外面的木结构塔身加以焚毁到了南宋年间，曾重修雷峰塔，西湖十景之一的雷峰夕照就是在那个时候流传的雷峰塔第二次遭受火烧是在明朝的嘉靖年间，当时倭寇侵犯杭州，雷峰塔再次把火焚，仅剩塔身屹立于西湖之滨这种情形一直持续到清末民初，雷峰塔终因不堪重负而倒塌了关于雷峰塔倒塌的原因，历史上也很有争论，一般来讲有两种说法，前两年在清理雷峰塔遗址的时候，发现有相当一部分的塔砖一侧有一个小洞，在洞里有佛经而在过去，老百姓们以讹传讹将经砖传成金砖，纷纷将塔砖拿回家，从而导致塔的倒塌此说法之一说法之二，由于江南自古就是鱼米之乡，而杭州又是丝茶之府，历史上的杭州就盛产丝绸，而每年蚕宝宝吐丝结茧之时由于多种原因，往往有大量的蚕茧死亡，过去的人迷信，误以为蚕茧中了邪，而雷峰塔是镇妖的白蛇，以为将雷峰塔的砖放在家里，就可以抵挡妖邪的侵蚀，你家养蚕拿一块，他家求财拿一块，久而久之，塔身特别是塔基由于老百姓的破坏，加上当权者的漠不关心，雷峰塔终于在1924年9月25日下午1点40分轰然倒塌

The pioneer of modern architecture Le Corbusier is a great architect. His greatness lies not only on his opposing against academism to raise the words of "architecture is the machine for living", but also on his extreme emphases on industry manufacture and machinery aesthetics; moreover, it lies on his set up of constitutive and aesthetic rules and criteria of modern architecture forms and on his pursuit and contribution to architecture forms, from the Villa Savoye to the Notre Dame du Haut.

现代主义建筑的先锋柯布西耶的伟大之处也许并不仅在於他反对&学院派&，提出&建筑是居住的机器&，也不仅在於他极端地强调工业制造和机器美学，更重要在於他建立起了现代建筑形态的构成和美的准则，在於他从萨沃伊别墅到朗香教堂一生都致力於建筑形态的追求。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。