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But never was a fight managed so hardily, and in such a surprising manner, as that which followed between Friday and the bear, which gave us all (though at first we were surprised and afraid for him) the greatest diversion imaginable: as the bear is a heavy, clumsy creature, and does not gallop as the wolf does, who is swift, and light; so he has two particular qualities, which generally are the rule of his actions; first, as to men, who are not his proper prey; I say, not his proper prey; because though I cannot say what excessive hunger might do, which was now their case, the ground being all covered with snow; but as to men, he does not usually attempt them, unless they first attack him: on the contrary, if you meet him in the woods, if you don't meddle with him, he won't meddle with you; but then you must take care to be very civil to him, and give him the road; for he is a very nice gentleman, he won't go a step out of his way for a prince; nay, if you are really afraid, your best way is to look another way, and keep going on; for sometimes if you stop, and stand still, and look steadily at him, he takes it for an affront; but if you throw or toss any thing at him, and it hits him, though it were but a bit of a stick, as big as your finger, he takes it for an affront, and sets all his other business aside to pursue his revenge; for he will have satisfaction in point of honour; that is his first quality: the next is, that if he be once affronted, he will never leave you, night or day, till he has his revenge; but follows at a good round rate, till he overtakes you.

再没有什么战斗比"星期五"和大熊之间后来那场战斗更勇敢和更惊险的了。这场大战起初确实使我们感到很惊险，但最后却给了我们大家无比的娱乐。熊这种动物身体笨重，行动迟缓；不像狼那样一路小跑，又快又轻。因此熊具有两个特性，作为它的一般行动规则：第一、先说人，人不是熊的合适的猎物，我是说的"合适的猎物"；当然，像现在这种情况，地上全被大雪覆盖，熊极端饥饿时是否也会吃人，我就不敢说了。不过，人一般不要去攻击熊，除非熊首先攻击人；相反，要是你在树林里遇到熊，你不去惹它，它也不会惹你。不过你得特别小心，要对它特别客气，给它让路，因为它是一位非常可爱的绅士，就是王子，熊也不会给他让开一步的；如果你真的害怕，最好不要看它，继续走你的路。如果你停下来，站着不动，盯着看它，它就认为是对它的挑衅。如果你向它扔什么东西，打中了它，哪怕是一根只有手指头粗的棍子，它也认为是对它一种挑衅，就会不顾一切，实行报复；因为只有把荣誉挣回来他才会感到满足。这是熊的第一个特性。第二个特性是：熊一旦受到挑衅，就会日夜跟着你，直到报完了仇；哪怕绕上许多路，也要跟着你，直到把你抓住。

But never was a Fight manag'd so hardily, and in such a surprizing Manner, as that which follow'd between Friday and the Bear, which gave us all (though at first we were surpriz'd and afraid for him) the greatest Diversion imaginable: As the Bear is a heavy, clumsey Creature, and does not gallop as the Wolf does, who is swift, and light; so he has two particular Qualities, which generally are the Rule of his Actions; First, As to Men, who are not his proper Prey; I say, not his proper Prey; because tho' I cannot say what excessive Hunger might do, which was now their Case, the Ground being all cover'd with Snow; but as to Men, he does not usually attempt them, unless they first attack him: On the contrary, if you meet him in the Woods, if you don't meddle with him, he won't meddle with you; but then you must take Care to be very Civil to him, and give him the Road; for he is a very nice Gentleman, he won't go a Step out of his Way for a Prince; nay, if you are really afraid, your best way is to look another Way, and keep going on; for sometimes if you stop, and stand still, and look steadily at him, he takes it for an Affront; but if you throw or toss any Thing at him, and it hits him, though it were but a bit of a Stick, as big as your Finger, he takes it for an Affront, and sets all his other Business aside to pursue his Revenge; for he will have Satisfaction in Point of Honour; that is his first Quality: The next is, That if he be once affronted, he will never leave you, Night or Day, till he has his Revenge; but follows at a good round rate, till he overtakes you.

紧接着，星期五和那只大熊之间展开了一场最大胆、最惊人的大战。这场大战起初确实使我们胆战心惊，最后却使大家开怀大笑。熊的身体笨重，行动蹒跚，跑起来当然没有狼那样轻快。因此，他的行动有两个特点。第一，对人来说，他一般不把人当作猎食的对象；当然，像现在这样大雪遍地，极端饥饿的时候，这笨拙的大家伙是否也会吃人，那就很难说了。一般来说，要是在树林里遇到熊，你不去惹它，它也不会来惹你。不过，你得特别小心，要对它客气，给它让路，因为它是一位特别难以取悦的绅士，即使是一位王子走来，它也不肯让路。如果你真的害怕，最好不要看它，继续走你的路。如果你停下来，站着正视它，熊就认为是对它的侮辱。如果你向它丢点什么东西，打中了它，哪怕是一根小小的树枝，只有你手指头那么粗，熊也认为是一种侮辱。这时，它会把一切丢开不管，一心只想报仇，不达目的决不罢休。这有关它的荣誉问题，它一定要把面子挣回来才算满足。这是熊的第一个特点。第二个特点是，熊一旦受到侮辱，就会不分昼夜地跟着你，一直到报了仇才罢休，哪怕绕上许多路，也要赶上你，抓住你。

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

This paper has no intention to put forward the ubiquitous educational principles, but has the intention to look for the educational significance in the situation. Against the way so called "top to down" by which most of the educational study deduct the certain theory, this paper prefers to use the collaboration of the way of "top to down "and the way of "bottom to up", but the preferable way is "bottom to up": I go near the world of the teacher's life, listen to the voice of the teacher, I make an attempt to keep the teacher's real situation, motion, chance and feeling, I welcome to invite readers to give an ear to their stories and understand the teacher's personal practical theory, also, expect me to do tiny but deep-ground task for verbalism in the educational study by standing the position on the Chinese reality.

与当前教育研究中大量的从既有理论框架中推演出某种论点并加以论证的所谓"自上而下"的方式不同，本研究更倾向于采取"自下而上"与"自上而下"相结合并以前者为主的策略：走近教师的生活世界，倾听教师的声音，用叙事的方式尽可能保留实践中的情境、流动、机缘、感受，邀请读者一同倾听故事，并以此为基础展开对教师个人实践理论的理解，也期望通过立足中国现实土壤的研究为教育研究本土化做一点哪怕微不足道却是扎实的工作。

"Hi we're Vespertine from Spain. We wrote this song "Hope Will Come for China…the earthquake which happened on May 12th has been a horrible tragedy, as we read on newspaper and saw on TV, that tens of thousands of victims have lost their home, their family including their own lives. the desperate faces of parents and the dead children…these images and photos have been haunting in our heads and we feel deeply sad and sorry for the victims especially the people of Wen Chuan… While the positive attitude and strong spirit of the victims and the way Chinese people help each other have shown us the most respective side of human race.

我们是来自西班牙的Vespertine乐队，此次专为中国创作了这首名为《Hope Will Come》的歌曲……5月12日的这场地震是一次惨绝人寰的悲剧，我们在报纸上以及电视上看到数万人流离失所，失去亲人甚至自己的生命，父母亲们绝望的面孔与不幸死去的儿童……这些画面与图片在我们脑海里始终萦绕不去，我们为受灾的人们感到深刻的悲伤与难过，尤其是汶川的人们……而与此同时，灾民们积极的态度与坚强的灵魂，以及中国人民团结起来相互帮助的事实让我们看到了人性最值得尊敬的一面。

Among of those,"Fruit Candies" would remind everyone, by tasting candies as knowing candy culture, of their utter innocence with their memory of sweet taste from candies;"Girls in mountain town" would concentrate in studying and packing of gifts from 18 towns in Maioli;"Inkstone" then would assist Art House which has stood in Erhshui City Government, Changhua for 80 years by way of a new design for four elements of Chinese ancient writing tool in manner of both being practical and beauty as well as by way of a new creation of Corporation Identification System;"Farming and Moon" would design for local stylish restaurants, including image post, business card, flags and package of gifts etc.;"Emi Township's Tourism Industry" would re-design popular specialty giving different values on farm products: oriental beauty tea, dry persimmon, flavored vinegar and tangerine to aim at drawing tourist coming to this town in the mountain.

本次展出作品件件充满不一样的惊奇，其中「菓子糖」用记忆中甜蜜蜜的糖果滋味，唤起大家的童心，边吃糖边了解糖果文化；「山城细妹」专注於研究并包装苗栗十八乡镇的伴手礼；「董坐石砚」则是协助彰化二水已有八十年历史的艺术馆，用实用与美感兼具的方式包装文房四宝并建立企业识别系统；「耕野月眉」则是为地方特色餐厅设计形象海报、名片、旗帜与礼盒包装等；「峨嵋乡观光产业」将地方名产：东方美人茶、柿饼、调味醋、桶柑重新包装，赋予农产品不同的身价，吸引游客莅临山城，欢迎大家一同前来观赏。

At every turn Chiang emphasized the word "loyalty." His soldiers' undershirts were stamped with the character for loyalty. His army officers rose and fell on the basis of their loyalty. His ministers were hired and fired on the degree of their loyalty. Citizens were adjured to be loyal to their ancestors, to the state, to the Chinese way of life.

他反复强调一个&忠&字：士兵穿的背心上印着忠字，军官的升降取决于其忠诚程度；部长的任免视其忠诚程度而定，还叫平民百姓要忠于祖先，忠于国家，忠于中国的生活方式。

By the detail discussion onthe hardware of the smooth path control system of single-chip microcomputer developed and the system software including new type continuous smooth path software, the analyzing of international standard program languageISO andthe attempt to developmental application in the smooth path control systemand experiment have been done, the description of the smooth path of the non-circular curive such as ellipse, hyperbola, parabola and their realignment has been realized by the way directly to input their parameters. The correctnesson the priciple and the method of the continuous smooth path control and the forthright on programing method hayed been proved by the experiment, new way to realize higher accracy continuous smooth path control has been developed.

通过对所研制成功的单片微机平滑轨迹控制系统硬件和包括新型的连续平滑轨迹生成软件在内的系统软件的详细描述，进行了国际通用标准编程语言△ISO标准编码的分析和在平猾轨迹控制系统中扩展应用的尝试和实验，实现了椭圆、抛物线、双曲线等非圆曲线及其组合的直接参数输入的平滑轨迹轮廓描述，并通过实验证明了连续平滑轨迹控制原理及方法的正确性和程序编制的简捷性，为实现高精度连续平滑轨迹控制开辟了一条新的途径。

From the medle ages sculpture,we can see that people in that period take human sculptures merely as a decorative part of an achetecture;The Rassanance make people regained their natural inner strength,and people express their admiration to the heros,using the pose of human sculpture. The great master Rodin reach the peak in making the full use of human pose,as a way of artistic expression. While doing so. he turned the the development of sculpture into a new track-the way of expression itself. From then on,in the hands of some mordern sculptors,human pose and the distinctive personal expression ways of each sculptor and the matiral.

运动。均衡等理想美的追求；中世纪教堂人物雕塑姿势的僵直和微妙反映了当时雕塑成为建筑的依附以及教徒对上帝的态度；文艺复兴使人们找回自身的力量，对英雄的崇敬和力量的赞美通过人物雕塑充满生机的姿势体现出来；罗丹对人物姿势表现力的把握达到了一个高峰，同时他把雕塑引向了形式本身，在他以后的一些现代雕塑家手中，人物姿势和艺术家各具个性的艺术手法。

Up awkward with their things... gone. You say that time is money and money is time So you got mind in your money and your money on your mind But what about... that crime that you did to get paid And what about... that bid, you can't take it to your brain Why you on about those shoes you'll wear today They'll do no good on the bridges you've walked along the way All that money that you got gonna be gone That gear that you rock gonna be gone The house up on the hill gonna be gone The gold -- on your grill gonna be gone The ice on your wrist gonna be gone That nice little Miss gonna be gone That whip that you roll gonna be gone And what's worst is your soul will be gone And its gone... gone... going... Gone... everything gone... give a damn... Gone be the birds when they don't want to sing... Gone people... up awkward with their things... gone.

你说，时间就是金钱，金钱就是时间，让你想到你的钱，你的钱你心中想什么，但什么……这种犯罪行为，你没有领到工资和什么……这申奥你不能把它给你的大脑，你为什么谈这些鞋你穿今天，他们会做不好在桥上你曾走过的路，所有的钱，你gonna干了，齿轮摇滚你gonna干了内务进山gonna干了金牌--在你的晚餐 gonna干了冰你的手腕gonna白费了，可爱的小小姐gonna干了，鞭你滚gonna干了什么最坏的是你的灵魂将会消失，消失……消失……如何……消失……一切消失……给予管不了……消失的鸟类时，他们不想唱……消失的人……起来很尴尬的事情……消失

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷