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They were impressed with Charcot and went on to use hypnosis in their own way, but disagreed with their teacher that it was a neurological phenomenon.

他们都深受Charcot的影响，并继续以自己的方式应用催眠法。不过，他们不同意老师认为催眠是一种神经学现象的观点。

Suzanne Vega - Tom's Dinner I am sitting in the morning At the diner on the corner I am waiting at the counter For the man to pour the coffee And he fills it only halfway And before I even argue He is looking out the window At somebody coming in "It is always nice to see you" Says the man behind the counter To the woman who has come in She is shaking her umbrella And I look the other way As they are kissing their hellos I'm pretending not to see them And instead I pour the milk And I open up the paper There's a story of an actor Who had died while he was drinking It was no one I had heard of And I'm turning to the horoscope And looking for the funnies When I'm feeling someone watching me And so I raise my head There's a woman on the outside Looking inside. Does she see me?

清晨， 我坐在拐角处的小饭馆在吧台前，等那个男人给我倒咖啡他居然只倒了一半的量---我正想跟他抗议他看向窗外，有人快要进来"见到你总是很高兴"吧台后的男人对进来的女人说女人正抖落伞上的水珠我转头看向另一边他们亲吻对方装着没有注意他们我倒了些牛奶打开报纸有篇关于一个演员的文章在他饮酒时死去不过是某个人物罢了我开始看星象栏目寻找有趣的东西突然感觉有人在注视我于是抬起头外面有个女人正看向里面她看见我了么？

Secondly, the thesis tries to find out aspects on the works of art that are on the surface of impersonal existence, associated with art and people, and most likely to draw people's attention other than their reality. These aspects are images and forms, especially the using of lines, which is the most living form in my study of Chinese painting. The topic extends from the using and exhibition of lines in the sketching and art creation, further to the intuition, which is the way and measure of obtaining the form of the works of art. Intuition is a nonfigurative emotional activity that melting the sensibility and logos of human being. The thesis discloses that emotion is the momentum of art intuition.

然后试图找到艺术作品这一客观实物上最为表层的、与艺术、与人相关的，除了它的实在以外最容易被关注的部分---形式，尤其是我所学习的中国画中，线这一最具生命感的形式，在花鸟写生和创作中的运用和体现，进而深入到艺术作品的形式获得的途径和方法---直觉，这种人类感性和理性相融合的情感的复杂抽象活动，并揭示出艺术直觉的动因是情感，人们为了满足某种心灵的需要而进行艺术的直觉和积累。

Flies have only a dozen muscles for maneuvering, but they're loaded with sensors. In addition to their compound eyes, which permit panoramic imagery and are excellent at detecting motion, they have wind-sensitive hairs and antennae. They also have three light sensors, called ocelli, on the tops of their heads, which tell them which way is up.

苍蝇能利用的肌肉只有12条，但感应器遍布全身，除了具有全景视角、侦查动作功能绝佳的复眼之外，还有对风敏感的毛与触角；此外，苍蝇头顶上还有三个作为光感应器的单眼，能辨别哪边是上面。

The tactile directional map is similar to regular directional maps in function. Yet, due to the fact that it requires specified Braille explanation and larger tactile elements, the information density on the tactile directional map is relatively lower. Consequently, a tactile directional map is normally not as delicate and not as comprehensive as a regular directional map. The purpose of this study is to examine the appropriate size of various elements on the tactile directional map and to develop a set of design principles in order to create one that better meets the need. It first explores the way the visually impaired use the tactile directional map and inquires about their views and suggestions.

一般导引地图上有指示性图示，超越文字的藩篱，能让大多数人能理解，且可简化版面的设计；然而触觉地图虽与一般地图相类似，但增加了点字说明和一些触觉元素，可是却鲜少有图像，这是由於点字和一些触觉元素的特性使然，因而使得触觉导引地图上的资讯密度相对较低，造成触觉导引地图缺乏像明眼人导引地图一样地设计完善，也没解释这麽清楚、更缺少图像化的设计，若是维持和一般导引地图相同的资讯密度，则触摸导引地图的面积会过大，超出了一般人手部可触及的范围，造成了视障者触读的不便，这都会使得资讯残缺及迷失，甚而产生一些不可知的危险状况。

The upper classhave their own life ;the middle class (well-to-do businessmen ,professional people of all kinds)have a rather different way of life from the upper class ;so do the working class (chiefly manual and unskilled worker ) we think that british society is base on family life and the fanily is a self-contained economid and children living together alone in their own house .

上层阶级有自己的生活；中产阶级（富有的商人，各种专业人士）的生活方式与上层阶级非常不同；劳动阶级也是这样（主要是手工及无需技能的工人）我们认为英国社会基于家庭生活，家庭是独立的经济实体，孩子们住在一起并单独住在他们自己的房间里。

Song Feel is expressing his central concept on creation in such a symbolistic way that audiences are led to simultaneously push both visual and psychological dimensions into maximum limit, and that the daily things we have ignored for a long time slowly have their familiar surfaces come out and make their internal logic gradually disclosed.

松泌先生引导观者将视觉和心理的两个维度同时推向极限，使得眼前这些日常生活中我们早已视若无睹的事物慢慢褪去了我们熟悉的外壳逐渐显露出其内在的逻辑，艺术家正用一种象征主义的方式表现其创作的核心观念。

The only way whereby any one divests himself of his natural liberty, and puts on the bonds of civil society, is by agreeing with other men to join and unite into a community for their comfortable, safe, and peaceable living one amongst another, in a secure enjoyment of their properties, and a greater security against any, that are not of it.

任何人放弃其自然自由并受制于公民社会的种种限制的唯一的方法，是同其他人协议联合组成一个共同体，以谋他们彼此间的舒适、安全和和平的生活，以便安稳地享受他们的财产并且有更大的保障来防止共同体以外任何人的侵犯。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手，论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向，即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点，与注重人与命运、人与现实的冲突，从而自觉追求冲突内涵的挖掘是非主流现实主义的核心；主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则；主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

Based on a variety of books and materials, foreign or domestic, this thesis deals with the recent development and application, the past, present and future for solar energy and solar cells, analyzes the great senses of solar energy and solar cells for the development of economic, and analyzes their structure photovoltaic effect and conservation efficiency. The writer also elaborates the working principles and application characteristic of solar cell, various factors that may lead to bad conservation efficiency of solar cell. Based on the the working principles and application characteristic of solar cell, emphasizes on some ways of improving photovoltaic conservation efficiency for solar cell, for example: the appropriate thickness of solar cell, the low resistance, the phalanx of solar cell, the film of reduce the reflect of solar rays, and so on, and designs simply the feasible way, then give out the CAD frame chart .

本文是在收集了大量的国内外图书资料的基础上，对太阳能和太阳能电池的广泛应用领域、过去、现在和未来进行了探讨，分析了太阳能和太阳能电池的对我国经济发展的重大意义，阐述了太阳能电池的工作原理和应用特性，论述了影响太阳能电池光电转换效率的因素，重点介绍了几种提高太阳能电池光电转换效率的方法，例如：合适的太阳能电池厚度、降低太阳能电池的串联电阻、采用太阳能电池方阵、采用光伏发电自动跟踪系统、采用减反射膜和折面型抛物柱太阳能聚光器，并对以上可行的方法进行了简单综合设计，实现了 CAD 框图。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。