查询词典 on the horizon

B "Sidelights" means a green light on the starboard side and a red light on the port side each showing an unbroken light over an arc of the horizon of 112.5 degrees and so fixed as to show the light from right ahead to 22.5 degrees abaft the beam on its respective side.

舷灯是右舷的绿灯和左舷的红灯各在112.5o 的水平弧内显示不间断的灯光。其设置应使灯光从船的正前方到各自一舷的正横后22.5o 内分别显示。

But before long Yin Chaoyu realized that only depending on the "apparent horizon" will make the whole picture a little bald, even the result by doing this way has made the artist have a good mastery over the pictures. The further thought of Yin Chaoyu is to form the more complex and more satisfactory vision structure at the same time of insisting on the simplicity.

可以不久之后尹朝宇就认识到仅仅依靠"地平线"会让整个画面稍显单调，即便这样做的结果已经令创作者非常具有对画面的控制力，尹朝宇进一步的想法是在坚持单纯性的同时形成更复杂而完满的视像结构。

"These children lounged on the seashore in the summer, gazing endlessly at a cloudless blue horizon, they drank warm Pepsi-Cola decanted into glass bottles in the city of Novorossiisk and dreamed that some day the distant forbidden world on the far side of the sea would be part of their own lives."

"夏天，这些孩子在海滨上闲逛，无休止地凝视着万里无云的蓝色地平线，喝着在新罗西斯科市装入玻璃瓶中的温暖的百事可乐，梦想着有一天，大海遥远的另一边的禁区将成为自己生活的一部分。"

II 15 Thou on whose stream, mid the steep sky's commotion, 16 Loose clouds like earth's decaying leaves are shed, 17 Shook from the tangled boughs of Heaven and Ocean, 18 Angels of rain and lightning: there are spread 19 On the blue surface of thine a{:e}ry surge, 20 Like the bright hair uplifted from the head 21 Of some fierce Maenad, even from the dim verge 22 Of the horizon to the zenith's height, 23 The locks of the approaching storm. Thou dirge 24 Of the dying year, to which this closing night 25 Will be the dome of a vast sepulchre, 26 Vaulted with all thy congregated might 27 Of vapours, from whose solid atmosphere 28 Black rain, and fire, and hail will burst: oh hear!

二 在你的湍流中，在高空的骚动中，纷乱的云块就像飘零飞坠的叶子，你从天空和海洋相互交错的树丛抖落出传送雷雨以及闪电的天使；在你的气体波涛的蔚蓝色的表面，恰似酒神女祭司的头上竖起缕缕亮闪闪的青丝，从朦胧的地平线一直到苍天的顶端，全都披散着即将来临的一场暴风骤雨的发卷，你就是唱给垂死岁月的一曲挽歌，四合的夜幕，是巨大墓陵的拱顶，它建构于由你所集聚而成的气魄，可是从你坚固的气势中将会喷迸黑雨、电火以及冰雹；哦，请听！

II 15 Thou on whose stream, mid the steep sky's commotion, 16 Loose clouds like earth's decaying leaves are shed, 17 Shook from the tangled boughs of Heaven and Ocean, 18 Angels of rain and lightning: there are spread 19 On the blue surface of thine a{:e}ry surge, 20 Like the bright hair uplifted from the head 21 Of some fierce Maenad, even from the dim verge 22 Of the horizon to the zenith's height, 23 The locks of the approaching storm.

你无形，但枯死的落叶被你横扫，有如鬼魅碰到了巫师，纷纷逃避：黄的，黑的，灰的，红得像患肺痨，呵，重染疫疠的一群：西风呵，是你以车驾把有翼的种子催送到黑暗的冬床上，它们就躺在那里，像是墓中的死穴，冰冷，深藏，低贱，直等到春天，你碧空的姊妹吹起她的喇叭，在沉睡的大地上响遍，（唤出嫩芽，象羊群一样，觅食空中）将色和香充满了山峰和平原。

Twas on a chill night, when the moon shone pasty-faced above the horizon, balanced on the towers of Lord British's castle, that the events I am about to relate took place, some years ago now.

那是一个寒冷的夜晚，月亮从地平线升起，苍白的光洒在不列颠的城堡上，一切看起来和谐而安详。像这样的夜晚，不列颠尼亚大君和黑君王殿下这两个好对手通常会相约坐在一起下棋，并在同时讨论些发生在不列颠尼亚上大大小小的事情。

On the gr ounds that …) Never look down to test the ~ before taking your step: only he who keeps his eye fixed on the far horizon will find his right road.

不要没迈步就低头查看地面。只有放眼盯住地平线的人才能找到正确的路。

In the horizon of the Shandong essayists, they have been working to be creative prose, self-development and Qilu culture combines closely together, and thus at large to the nature, society, human, small to life ,concept, human, on the all aspects of subjective judgments, there are those who have rational statement said on historical experience and ethical culture, there are those idealists having watch feelings in the process of looking for the cultural and spiritual roots, there are also those intellectuals call for the moral on the worrying about the ecological environment, the implication of the display is the convergence and recycling with the spirit of Qilu culture in the new era.

在山东散文作家的文学视域里，他们一直努力将散文的创作、自我的发展与齐鲁文化紧密地揉合在一起，因而在对大至自然、社会、人类，小至生命、观念、人性等各个方面的主观判断中，既有反思者在历史遭遇与道德文化面前的理性言说，也有理想主义者在寻根文化和精神过程中的守望情怀，更有忧心忡忡的知识分子在生态关怀中的道德呼吁，这些意蕴的展示正是新的时代洪流下齐鲁文化精神的汇聚与再造。

At sea aboard USS Abraham Lincoln on Nov. 2, 2002, lightning fills the horizon, and lights up the flight deck and air wing aircraft parked on the ships forward elevator and bow.

在海上亚伯拉罕林肯号航空母舰上的11月2日， 2002年，闪电填补了视野，发亮的飞行甲板和空中固定翼飞机停泊的船舶语着电梯和弓箭。

Knife killer hoarse voice of wind and string music to take you to see who is outside the city killing one of the seven re-Sha Yi Blood-stained white gauze under siege is not fat Surprisingly, six Army Good-bye is not life and death over the red line then, and wrapped that 1000 turns the ages Weirenzuojia Road scars of old wounds who It can not turn a hair in a flourishing tea Tasui bloodshed Jiangshan fireworks painting the enemy how you answer to his eyebrows a little carmine, but the world is worth mentioning is always a busy bloodshed on the Peach Pitt would like to see you again Leiruyuxia dumb dumb to listen to the sword high-rise buildings is that a life of dying Qingta Who you are guilty of peach blossom which counted the most is the impeccable Merry hexagram painted floor, do not leave heaters Sipan Piper bounce everywhere who distracted to grant the soul and the reversal of colors allow China refuses to uphold the contrast wax Shuo Ai end of the day off to spend does not love his innocent hexagram which counted for the final review of the world you are the moon illuminate the horizon who would have been the last Reeds Jiangshan neighing horses that embrace the quiet hubbub over heaven and earth wind chill Yung Hua Xie board after the monarchs of the sky Kokonoe Sa Da Pagoda to see a night meteor back to the moment people are also afraid of the silent days of the branches had grown Kuteng time upstairs on the dream has been lightly graze under the prospect of a still standing for you ah flick clothing on the snow side by side to see the vast Heaven and Earth

刀杀手丝竹嘶哑的声音带您去看看谁是城外打死一名七重沙毅血溅包围下，白色纱布不是脂肪令人惊讶的是，六军再见不是生命和死亡在当时的红线，并打开包裹的1000岁的老Weirenzuojia道伤口疤痕谁把它不能在一个繁荣的茶Tasui头发流血江山烟花画你的敌人如何回答他的眉毛有点胭脂红，但世界值得一提的是，总是忙于在桃皮特流血希望再次见到你Leiruyuxia哑哑听剑高楼大厦是，死亡青塔你是谁的桃花计算有罪的生命是最无可挑剔的风流卦画楼，不要离开加热器西潘反弹琵琶谁分散各地给予的灵魂，颜色逆转让中国不坚持对比蜡说爱的最后一天花费不爱他的无辜卦的计算为世界里，你是谁照亮月球本来江山嘶鸣马最后芦苇的怀抱后，天空九重萨大塔的君主到了天地风寒雍华希婀板安静喧哗地平线最后审查看到一个夜晚流星回到时刻人民也是各分行之沉默天恐怕已经成长Kuteng的梦想已被轻易下一个仍然站在您的前景放牧时间啊楼上的积雪一边弗利克衣物方看到广阔的天地

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。