查询词典 on the contrary

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的"人"的精神，"人"的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过"文明"浸染的个体，代表人类之原本的自然天性，在"自然"与"文明"两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；"文明"下，个体性被剥夺，"文明"已堕入文明的对立面，拉摩的侄儿在"我"丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的"我"。

The fiber length has only little influence on the basic density within the growth rings, and significant correlation at 0.01 levels was found between the basic density and the fiber length among the different rings. Only slight negative correlation was found between the basic density and the fiber width within the growth rings, but significant positive correlation at 0.01 levels was indicated between the basic density and the fiber width among the growth rings, contrary to that of fiber length. It was demonstrated that significant positive correlations at 0.01 levels between the basic density and fiber double wall thickness, fiber length to width ratio and double wall thickness to diameter ratio, significant negative correlations at 0.01 levels between the basic density and fiber diameter and diameter to width ratio, only slight negative correlation between the basic density and fiber width both in the same growth rings and among the different growth rings. No significant correlation was found between the basic density and the vessel morphological features, nor was the tissue proportion in the same growth rings. But among the different rings, it was found there was significant positive correlation at 0.01 levels between the basic density and the fiber proportion among the different rings, and significant negative correlation at 0.01 levels between the basic density and vessel-elements proportion and ray proportion, only slight negative correlation between the basic density and the parenchym proportion. Significant or no significant negative correlation was found between the basic density and the microfibril angle in the same growth rings, but significant negative correlation was found between the basic density and the microfibril angle among the different growth rings.

生长轮内纤维长度对基本密度的影响不大，而在不同生长轮间纤维长度与基本密度达极显著正相关，纤维宽度与此相反，同一生长轮内纤维宽度与基本密度极显著负相关，不同生长轮间只有微弱负相关；基本密度与纤维双壁厚、长宽比、壁腔比在生长轮内和生长轮间均呈极显著正相关，而与胞腔直径、腔径比均呈极显著负相关，仅与纤维宽度呈微弱的负相关；导管形态对基本密度的影响不显著；同一生长轮内组织比量对基本密度的影响也不显著，但不同生长轮间基本密度与纤维比量呈极显著正相关，与导管比量和木射线比量呈极显著负相关，与轴向薄壁细胞比量仅呈不显著负相关；生长轮内基本密度与微纤丝角呈显著或不显著负相关，但在生长轮间这种负相关达到极显著水平。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的&人&的精神，&人&的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过&文明&浸染的个体，代表人类之原本的自然天性，在&自然&与&文明&两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；&文明&下，个体性被剥夺，&文明&已堕入文明的对立面，拉摩的侄儿在&我&丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的&我&。

The individual whose visual organs while the above was going on were at this juncture commencing to exhibit symptoms of animation was as astute if not astuter than any man living and anybody that conjectured the contrary would have found themselves pretty speedily in the wrong shop.

正在发生这些事的当儿，此公两眼开始显露勃勃生机。即使不比别人更敏锐，至少也跟他同样敏锐。任何曾经做过相反推测的人，都会立即发现自己搞错了。

On the surface, is due to Germany to raise the discount rate arising from a separate, but their deep-seated reason is that EU member states co-ordination of monetary policy, thereby fundamentally contrary to the Joint floating exchange rate system requirements, and macroeconomic policy does not Coordination with EU Member States the difference between economic development are closely linked.

从表面上看，是由于德国单独提高贴现率所引起，但是其深层次原因是欧盟各成员国货币政策的不协调，从而从根本上违背了联合浮动汇率制的要求，而宏观经济政策的不协调又与欧盟内部各成员国经济发展的差异紧密相连。

Magnet, which can offer adsorbability enough to keep the robot working on the vertical walls, is kept close to the outside surface of the pedrails. Front-wheel driving is adopted as the driving system and the two front-wheel are drived by two elctromotors, respectively. When the two motors are running with the same direction, the robot walks straightly. When the two motors are running with the contrary velocity, the robot can swerve.

本文设计的压力容器检测爬壁机器人采用履带式移动机构，双履带构成爬壁机器人的基本框架；采用永磁吸附方式，将永磁片贴在履带的外表面，可提供足够大的吸附力，结构简单；采用前轮驱动，两个驱动轮分别由电机驱动，当两电动机转速一致时，机器人沿直线行走，当两电动机差速时，可实现爬壁机器人整体转弯。

One the one hand,"children" has the environment and background, which are specific to themselves. This is unlike the previous image, which is merely some kind of emergence from "darkness". In this way, the works get their own "context" and offer the viewers more evidence to interpret his works, which leaves the picture all the more complex and rich. On the other hand, the image of "children" with closed eyes makes its appearance in the picture besides that of "children" with wide-opened eyes. This new image does not indicate that the communication channel between Peng Jianzhong and his viewers was stopped. One the contrary, it is endowed with the implication of some kind of "introspection".

一方面，&孩子&有了隶属于自己的环境背景，而不是像之前的人物形象仅仅是从&黑暗&中的某种浮现，这让作品拥有了自己的&语境&，也让观赏者拥有了释读作品的更多凭据，由此画面变得更加得复杂与丰富；一方面，&孩子&们除了睁大双眼的之外，还出现了闭目的形象，这一新的形象并非表示出彭建忠与他的欣赏者之间沟通交流的渠道关闭，却具有了某种&内省&的意涵，或许彭建忠已经从先前匆忙中的&拯救&，进而发展为针对人类自身危机处境的深层探究以及&拯救&本身的意义叩问。

One the one hand,"children" has the environment and background, which are specific to themselves. This is unlike the previous image, which is merely some kind of emergence from "darkness". In this way, the works get their own "context" and offer the viewers more evidence to interpret his works, which leaves the picture all the more complex and rich. On the other hand, the image of "children" with closed eyes makes its appearance in the picture besides that of "children" with wide-opened eyes. This new image does not indicate that the communication channel between Peng Jianzhong and his viewers was stopped. One the contrary, it is endowed with the implication of some kind of "introspection". Probably, Peng Jianzhong has switched from the previous hasty "salvation" to the deep exploration into the crisis situation of human beings themselves as well as inquiry into the meaning of "salvation" itself.

一方面，&孩子&有了隶属于自己的环境背景，而不是像之前的人物形象仅仅是从&黑暗&中的某种浮现，这让作品拥有了自己的&语境&，也让观赏者拥有了释读作品的更多凭据，由此画面变得更加得复杂与丰富；一方面，&孩子&们除了睁大双眼的之外，还出现了闭目的形象，这一新的形象并非表示出彭建忠与他的欣赏者之间沟通交流的渠道关闭，却具有了某种&内省&的意涵，或许彭建忠已经从先前匆忙中的&拯救&，进而发展为针对人类自身危机处境的深层探究以及&拯救&本身的意义叩问。

He takes the point that all kinds of laughter are attribute to mechanization because of people's absentmindedness,but the"mechanization" is contrary to "the changing stream of life",which represents the effect of"something mechanical encrusted on the living",that is cosmic effect.

1(p.2)他把一切可笑的滑稽都归结为人类的&心不在焉&而导致事物所走向的机械化。他认为，人类社会是&不断变化的生命之流&，是不应该有机械的东西搀合在里面。所以，一旦心不在焉就会产生&镶嵌在活的东西上面的机械的东西&[1](p.25)的效果。

"Unless the contrary appears on the face of the bill, the holder may treat it as an inland bill."

除非票面有相反之表示，否则执票人得视之为本地汇票。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。