查询词典 on the canvas

The artist depicted a splendid fiery-red cloudscape on the canvas, underlying two portraits, one is of Mao Tse'dong and the other is the artist himself.

画面右端隐约出现毛泽东的身影，而左边似乎是艺术家本人的自画像。

The figurativeness highlights the spirituality, making it more poignant, and thr ough the simple narrative expression on the canvas, the viewer is empowered with a more profound impression.

抽象的意义对于精神的提示更为强烈，使人自觉从单纯的画面叙事记忆中沉淀出更深层次的感触。

There was dancing now on the canvas in the garden; old men pushing young girls backward in eternal graceless circles, superior couples holding each other tortuously, fashionably, and keeping in the corners—and a great number of single girls dancing individualistically or relieving the orchestra for a moment of the burden of the banjo or the traps.

此刻花园里篷布上有人在跳舞。

That is, the problem that how the creation and extinction called the origin of cosmic order can be pictorially embodied on the canvas through the medium or plastic language, is his facing agony.

也就是说，问题是怎么样通过中间或塑造的语言在画布上形象地表达出创造与灭绝和宇宙秩序起源的关联，这是他所要面对的苦恼。

Click the right-angle shaped cursor on the canvas in the upper left corner (0,0) to place the imported sketch at that location.

按一下直角形光标画布上的左上角（ 0，0 ）将进口的示意图上的位置。

That might explain why Luo is enchanted by specimen. He staged a scene of a museum that displays the pieces of his memories and mental pictures through the laying out and reconstituting the cross-sections of rocks. The procedures only exist in a momentary flash on the canvas. Though there are similarities between Luo's themes and those of Japanese photographer Sugimoto Hiroshi, Luo's objects are at greater ease than Hiroshi's. This is the reflection of Luo's sentiment, an attitude of self-complacent that elder Chinese literati had.

这也就不难解释罗荃木对于标本的偏好，并将场景直接地自博物陈列中撷取，这拼凑自艺术家记忆或相片的过程正如将摊平剖析过后再度构造出的山石，成为了只存在于画布中某个过去的瞬间；但有趣的是，这些标本都存在着一种自在，这份感觉是无法在杉本博司摄影中看到－这是艺术家自己对于外在世界情感的写照，超然幽淡的生活状态，并可呼应宋时以写生观察自然、寄情自然的文人思维。

Although ,this approach, inherits the traditional Chinese painting techniques: hook, wrinkle, dyeing, thick, pale, dry, wet, yin, yang, forward, back, true, real, sparse, dense and remain, etc. Ultimately ,the results are very different ------the grass on the canvas is not only a simple fragrant thoroughwort which just has three or five leaves, but also a shape of the abstract and real, a cluster of weed which interweave death and life, fresh and new, warm and brilliant, unrestrained and tenderness------ grasses, weeds, absolute weeds.

这种手法，虽然传承了传统国画的技法：钩、皴、点、染，浓、淡、干、湿，阴、阳、向、背、虚、实、疏、密和留白等表现手法，结果却大相径庭，最终在画布或宣纸上形成的，不是简单的三五根摆拍的兰草，而是抽象又真实的形，一蓬纠缠着干枯与死亡，鲜嫩与新生的，热情与烂漫，奔放与温柔的草，野草，绝对的野草。

She was so exciting that she was pacing rapidly in front of me during the almost entire course. I can feel how important are these works to her. These painting are really beautiful, especially the colors. No matter what form of the art: imitating practices,life drawings or creating paintings, she always takes her own way and never attached to the experiences from others. Though she wields her brush on the canvas like a bucking bronco, yet good in reining it. She finally has found the destining home of her life.

让我看她的画，她是如此的心情激动，几乎一直在眼前急急地走动，我能感受到这些画对于她是多么的重要，这些画真是美丽极了，色彩尤其出色，不论是临摹，写生还是创作，她都是我行我素，从不依附别人的感受，天马行空，而又极善于控制，她终于找到了自己生命的归宿。

It might be hard to comprehend the "box" theme at the first sight; but viewers will realize the metal piece, leather, and even clamping ring on the canvas are all dissembled from artist's collected box.

初看作品，可能很难理解主题中&箱子&一词的含义，但如果仔细审视，便会发现画面中铁块、皮毛，甚至锁环，它们都是从艺术家收集的&箱子&上拆卸下来的。

Through illusion, the author, skittering away from the present moment, draws images on the canvas. As Merleau-Ponty stated, his body works as a medium and perceives whatever the living world offers. The contents of his works are his world; in other words, I exist in the works. This is what he calls "le corps proper".

Maurice Merleau-Ponty﹐(1908-1961)所说「我是身体的全部」透过我的身体知觉当作媒介，藉由著身体感受生活世界所给予的一切，所得内容物就是我的世界，也就是我的存在所有物。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失