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Die for you Lay down my life for you The only thing that means everything to me 'Cause when you're in my arms You make me prouder than Than anything I ever could achieve And you make everything that used to seem so big Seem to be so small since you arrived On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings And I often wonder why, Someone as flawed as I Deserves to be as happy as you make me So as the years roll by I'll be there by your side I'll follow you wherever your heart takes me Cause you make everything that used to be so big Seem to be so small since you arrived On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings Now anyone who's felt the touch of heaven in their lives Will know the way I'm feeling, looking In my baby's eyes That's why I can't bear to be too far away I know that god must love me cause He sent you to me on angel's wings On angel's winds, an angelical formation Angel's wings, like letters in the sky Now I know no matter what the question Love is the answer It's written on angel's wings Love is the answer It's written on angel's wings

死为下我的生活置于地面你放置为你对我意谓每件事物的唯一事物'引起当你是在我的双臂中的时候，你使我比比较骄傲任何事我曾经可以达成而且你制造每件事物以过去一直像是如此大的像是到是如此小的自你你以后到达在天使的风天使的风之上，一天使的形成天使的翅膀，像信在那天空现在我知道无论什么那问题爱是那答案它是写在天使的翅膀天使的翅膀之上和我时常奇迹为什么，依照有缺点的某人当我该得到是像你一样快乐使我当年我的卷将被你的身边在那里我无论你的心在何处带将跟随你我引起你制造每件事物以致於用当如此大的像是到是如此小的自你你以后到达在天使的风天使的风之上，一天使的形成天使的翅膀，像信在那天空现在我知道无论什么那问题爱是那答案它是写在天使的翅膀天使的翅膀之上现在任何人谁有感觉天堂的触觉在他们的生命中将会知道方式我正在感觉，顺便探访我宝贝的眼睛以致於是我为什麽不能忍受在太远处以致於我知道以致於那个神一定爱我引起他对我在天使的风上天使的翅膀，一只天使的形成天使的翅膀上送你，像信现在在天空中我知道无论什么问题爱是答案它在天使的翅膀爱之上被写是它在天使的翅膀上被写的答案

Milene music inc Transcribed by paul gongola Whatever happened to good time sally I don't see her 'round no more She used to be all over me It ain't like that no more Sally had the best game there was in town Now the good girl just can't be found Whatever happened to good time sally I don't see her 'round no more The heat is on, everybody has gone underground The heat is on, everybody hiding out just like jesse james My old home town Lord, it don't seem the same Well, I walked in this place, I was just lookin' for a game Everybody here wanted to know my name I said hush, hush up your mouth, I'll introduce my own self To this house I was born in the back woods, I was raised up like a slave Having me a good time now is all I crave I spotted me a barroom queen, skin tight blue jeans That same old midnight show I took her to the side and I said I won't be satisfied Until you tell me everything you know Whatever happened to big time buddy I don't see him 'round no more I heard tell that they got him in jail But I don't know what they got him for They caught him with an airplane Talkin' 'bout some cocaine Nobody knows for sure Whatever happened to good time buddy I don't see hem 'round no more The heat is on, everybody has gone underground The heat is on, everybody hiding out just like jesse james My old home town Lord, it don't seem the same [size=-2][size=-2][size=-2][size=-2][size=-2]Let The Music Take Control (Hiro's Groove)- Hiro-kun's Theme Everybody needs a hero Whose not afraid to start from zero Somebody who will stand up When everyone is falling down Hiro will stand his ground Stay Hiro is on the way He's grooving, prooving He knows how to live Stay Hiro is on the way He's got a whole lot of Soul to give * Dacing like a hero HIro let your body go Dancing like a hero Let the music take control Even if you Dace 'till you're the last one standing You won't be alone Dancing like a hero When the groove is in your bones Hiro Yeah you know he's got the power To get in the groove and rock for hours He's ready and he's able Just keep turning those tables on He'll boogie all night long

这里的每个人都想知道我的名字我说：嘘，嘘你的嘴，我将介绍一下我自己这房子我出生在丛林，是我，就像一个奴隶我现在有了一段美好的时光是我渴望我发现我的王后，皮肤紧了酒吧间更蓝色牛仔裤那个老午夜表演我带她到一边和我说我不会满意直到你告诉我，你知道的一切不管发生了一次大群组我看不出他的圆我听说他们得到了他在监狱但我不知道他们得到他他们发现他和一架飞机废话'布特有些可卡因没人知道不管发生什么事，好时光好友我看不出有任何更多的圆边热是，每个人都已经在地下热是，每个人都躲就像杰西·詹姆斯我的旧的家乡耶和华阿，这似乎不太一样 [2][尺寸大小== 2][2][尺寸大小的=== 2]，[2]的大小让音乐带控制- Hiro-kun的主题每个人都需要一个英雄谁不害怕开始从零吗有人会站起来当每个人都要塌下来吗宏会忍受他的地保持宏已经在路上了他的槽，这种皮革被证明他知道如何生活保持宏已经在路上了他有一大堆灵魂*邻台铁大庆像个英雄让你的身体去。宏跳舞，像个英雄让音乐带的控制即使你戴斯直到你最后一站你不会感到孤独跳舞，像个英雄在你的槽的时候骨头呢宏是的，你知道他所拥有的权力对进入工作状态和摇滚了好几个小时他已经和他的能力只是不停地转动那些桌子上他会彻夜跳舞

On some days life kept pace withthe gondola, as we nosed through the side-canals and the boatman uttered his plaintive musical bird-cry of warning; on other days, with the speed-boat bouncing over the lagoon in a stream of sun-lit foam; it left a confused memory of fierce sunlight on the sands and cool, marble interiors; of water everywhere, lapping on smooth stone, reflected in a dapple of light on painted ceilings, of a night at the Corombona palace such as Byron might have known, and another Byronic night fishing for scampi on the shadows of Chioggia, the phosphorescent wake of the little ship, the lantern swinging in the prow and the net coming up full of weed and sand and floundering fishes; of melon and prosciutto on the balcony in the cool of the morning; of hot cheese sandwiches and champagne cocktails at the English bar.

黑发梅林小法师长相可爱，金发亚瑟王子也还不错，王女有几分像Keira Knightley，Heroes中的画家Issac摇身一变成为和亚瑟同龄的兰斯洛特骑士。设定完全颠覆经典。剧情一般，服装道具场景等也因为经费关系做的很粗燥。无奈剧中几个小弟看上去十分水灵养眼，所以我也不计较，继续看下去了。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Thus Satan talking to his neerest Mate With Head up-lift above the wave, and Eyes That sparkling blaz'd, his other Parts besides Prone on the Flood, extended long and large [ 195 ] Lay floating many a rood, in bulk as huge As whom the Fables name of monstrous size, Titanian, or Earth-born, that warr'd on Jove, Briareos or Typhon, whom the Den By ancient Tarsus held, or that Sea-beast [ 200 ] Leviathan, which God of all his works Created hugest that swim th' Ocean stream: Him haply slumbring on the Norway foam The Pilot of some small night-founder'd Skiff, Deeming some Island, oft, as Sea-men tell, [ 205 ] With fixed Anchor in his skaly rind Moors by his side under the Lee, while Night Invests the Sea, and wished Morn delayes: So stretcht out huge in length the Arch-fiend lay Chain'd on the burning Lake, nor ever thence [ 210 ] Had ris'n or heav'd his head, but that the will And high permission of all-ruling Heaven Left him at large to his own dark designs, That with reiterated crimes he might Heap on himself damnation, while he sought [ 215 ] Evil to others, and enrag'd might see How all his malice serv'd but to bring forth Infinite goodness, grace and mercy shewn On Man by him seduc't, but on himself Treble confusion, wrath and vengeance pour'd.

V2：撒但这样对他最亲近的伙伴说着，把他的头抬出火焰的波浪上面，两只眼睛，发射着炯炯的光芒，身体的其他部分平伏在火的洪流上，又长又大的肢体，平浮几十丈，体积之大，正象神话中的怪物，象那跟育芙作战的巨人泰坦，地母之子，或象百手巨人布赖利奥斯，或是古代那把守塔苏斯岩洞的百头神台芬，或者象那海兽列未坦，就是上帝所创造的一切能在大海洪波里游泳的生物中最巨大的怪物：据舟子们说，他有时在汹涌的挪威海面上打瞌睡，常有小舟夜航而遇险的时候，以为他是个岛屿，抛锚扎在他的鳞皮上，碇泊在他身旁的背风处，在黑夜的笼罩中等待姗姗来迟的黎明。大魔王就是这样横陈巨体，被锁在炎炎的火湖上面，既不能起立，也不能昂起头来，但由于那统治万汇的天神的意志和他的洪量，让他自由地得逞阴谋，他心想危害别人，却终于加重自己的罪行，刑上加刑，让他懊恼地看见自己一切的恶意怎样在他所引诱的人身上带来无穷的善意、恩惠和怜悯，而在他自己身上却招来了三倍的慌乱、惩罚和报复。

On silvery sandbanks hippos and alligators sunned themselves side by side.

银色的沙滩上，河马和短吻鳄靠在一起晒太阳，河水变得宽阔，流过好多长满树木的小岛。

If you're not a snorkelling fan then i would suggest you go for the sunset side, as the hard winds blowing sometimes on the sunrise side can get quite annoying.

如果你不是一个潜水迷，那么我建议你去西面，东边有时会有很强的风，这很讨厌。

Greek antiquity gives us a pictorial clue when it represents in statues, on cameos, etc., Homer and Archilochus side by side as ancestors and torchbearers of Greek poetry, in the certainty that only these two are to be regarded as truly original minds, from whom a stream of fire flowed onto the entire later Greek world.

到此，我们将首先探讨这颗新芽怎样先在希腊世界出现，后来又发展为悲剧与酒神祭曲。关于这点，古希腊人自己就给我们一个象征的答案。

The development and the prosperity of Bangka is the result of the Indonesian natives working side by side with the hardworking Chinese Indonesians who had shed blood and tearsover four or five generations on their beloved adopted country.

邦加岛的繁荣和发展，就是靠千千万万热爱居住国，有拼搏精神的四五代华人血汗和生命的无私奉献和许多当地土著人民并肩战斗的结果。

And on the limit of Zebulun, from the east side to the west side: Gad one part.

48：27 挨着西布伦的地界，从东到西，是迦得的一分。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。