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The paper analyzes theoretically the influence law of length distortion after the reductions from measured side length to reference ellipsoid surface and then from side length on the reference ellipsoid surface to gauss perspective plane. It also discusses theoretical methods to restrict and the projection distortion influence.

从理论上分析了将实测边长归算到参考椭球面上和将参考椭球面上的边长归算到高斯投影面上的长度变形影响规律，讨论限制和减小这种投影变形影响的理论方法。

Quick story, sit side to side with a right handed person on your right.

快速的故事，坐在方方与右手的人在您的权利。

Left side and right side two revolve the triangle frame, puts on circle tube middle outside.

左边和右边的二个旋转的三角的架，放在圆的管的中间的外边。

We roomed together, played side by side on the football team--well, he was my best buddy back in the good old days.

我们是室友，而且在足球队里配合得很好，他是我过去美好的日子里最要好的朋友。

We roomed together, played side by side on the football team – why he was my best buddy back in the good old days.

我和他那时住一个房间，在同一支足球队里踢球，他是我当年最好的哥们儿。

We roomed together,played side by side on the football team--well, he was my best buddy back in thegood old days.

我和他那时住在一个房间里，在足球队里一起踢球，他真是我当年最好的朋友。

We roomed together, played side by side on the football team--well

这个人说：我真是迫不及待地想去参加 83 届的第十次同学会。

We roomed together, played side by side on the football team--well, he was mybest buddy back in the good old days.

我和他那时住在一个房间里，在足球队里一起踢球，他真是我当年最好的朋友。

Chapter 2 centres around the spiritual contents of her works. It penetrates through the skin to their core, that is, the tragic sense. Her works take the most ordinary people as characters. Unexpectable elements befall on these people, change their fate considerably. The helplessness of being fooled by destiny overshadows most of her works, leaving readers sign in vain. Then, her portrayal of characters bears a tinge of rootlessness, unsteadiness loneliness, filling the works with deep pensive mood. And finally, she exposes the ugliness of man from this covering of brilliance. Man dares not face his true being. What he shows and sees of himself tends to be his bright side. But his ugly side steels out, which gives himself a deadly blow.

第二章围绕作品的精神内蕴展开论述，侧重于由表及里的层层挖掘，悲剧意识构成王安忆作品精神内蕴的核心，其作品多写芸芸众生，在展现这些人的人生际遇时，难以预料的偶然因素总是改变着他们的命运，宿命感使作品笼罩在虚无的阴影之中，令人怅然；其次作家在写人物时，那种无根的漂泊感、孤独感，使作品有着深深的悲凉意蕴；再次就是对隐藏在绚烂表象之下的人的丑陋本质的发现，人总是无法面对自己真实的存在，看到的或表现出的总是冠冕堂皇的一面，但是那丑陋的一面总会在不经意中呈现出来，给人以毁灭的打击。

B. has violated the mediastinum, heart, blood vessels, and so on, or malignant pleural effusion, contralateral mediastinal and hilar side, or the opposite side or scalene supraclavicular lymph node metastasis also.

B。已侵犯到纵膈腔、心脏、大血管等，或有恶性肋膜积液，对侧纵膈腔、对侧肺门、同侧或对侧斜角肌或锁骨上淋巴结也有转移。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。