查询词典 of no account

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

To rejecting the account that blizzard company files, brand appoint the explanation says,"STARCRAFT:GHOST " implication is respectively " astrological " and " ghostliness ", belong to easy generation the vocabulary of bad influence, no matter angle says to not agree with with socialistic morality fashion from which, the literal brand that if do not check,can have a large number of same quality floods brand field.

对于驳回暴雪公司申请的原因，商标委解释说，"STARCRAFT：GHOST"的含意分别是"占星术"和"幽灵"，属于易产生不良影响的词汇，无论从哪个角度说都与社会主义道德风尚不符，如不制止则会有大量相同性质的文字商标充斥商标领域。

Many prominent U.S. financial figures, both in and out of government, have stated that our current-account deficits cannot persist. For instance, the minutes of the Federal Reserve Open Market Committee of June 29-30, 2004 say:"The staff noted that outsized external deficits could not be sustained indefinitely." But, despite the constant handwringing by luminaries, they offer no substantive suggestions to tame the burgeoning imbalance.

许多重量级的美国财经学者，不论是当政的或是在野的，都一再重申，目前的经常帐赤字绝非常态，举例来说，美国联邦准备公开市场操作委员会于 2004 年 6 月 29-30 日的会议记录中便提到，幕僚群已注意到我们绝对无法负荷长期大量的外部赤字，尽管一些重量级人物不断大声疾呼，但实际上他们还是无法提出彻底解决贸易赤字的具体方案。

Many prominent US financial figures, both in and out of government, have stated that our current-account deficits cannot persist. For instance, the minutes of the Federal Reserve Open Market Committee of June 29-30, 2004 say:"The staff noted that outsized external deficits could not be sustained indefinitely." But, despite the constant handwringing by luminaries, they offer no substantive suggestions to tame the burgeoning imbalance.

许多重量级的美国财经学者，不论是当政的或是在野的，都一再重申，目前的经常帐赤字绝非常态，举例来说，美国联邦准备公开市场操作委员会于2004年6月29-30日的会议记录中便提到，幕僚群已注意到我们绝对无法负荷长期大量的外部赤字，尽管一些重量级人物不断大声疾呼，但实际上他们还是无法提出彻底解决贸易赤字的具体方案。

But while it gives fear and hope to all, it makes us sufficiently sensible that though there is no crime in its own nature inexpiable, yet a whole criminal life may be so; that it is extremely dangerous to affront mercy by new crimes and new expiations; that an uneasiness on account of ancient debts, from which we are never entirely free, ought to make us afraid of contracting new ones, of filling up the measure, and going even to that point where paternal goodness is limited.

但是它在给与人们恐惧和希望的同时，它使我们有足够的能力意识到虽然没有了不可救赎的罪，然而整个人生都可能是不可救赎的；用新的罪行和新的救赎去侮辱宽恕是非常危险的；因过去的罪过所产生的不安感，由此我们将永远无法完全的自由，应当会让我们害怕再行新的罪，害怕罪行不断地增加，直到我们的父的仁慈再也无法容忍。

Despite the historical trappings,"The Legend of 1900" is by no means a true historical account of actual events (other than Jelly Roll Morton, who was a real person).

忽略影片中那些富有历史气息的标志，《1900传奇》所呈现的绝非真实的人事（除了Jelly Roll Morton之外）。

Moreover all the vessels, out of which king Solomon drank, were of gold: and all the furniture of the house of the forest of Libanus was of most pure gold: there was no silver, nor was any account made of it in the days of Solomon

撒罗满王所有饮器都是金的，黎巴嫩林宫的一切器具，都是纯金的，没有一件是银子的；银子在撒罗满时代并不值什么。

The libertarian account of this imposes no constraints on the "distribution" of natural resources.

自由主义者对这一结构的解示对资源的所谓"分配"未加限制。

By t'he account of our average line officer in Korea, under the conditions of the fighting there, the 3.5 launcher is of greater utility in any situation than the small bazooka, and he sees no argument for retention of the latter within the infantry weapons system.

在冬季战斗中，我们的巴祖卡主要用来摧毁敌方机枪，敌方占据的建筑物和其他大目标。并没有将其作为迫击炮的替代火力用于短距离战术对抗中的趋势。

Technological determinism may contain a kernel of truth but it suggests a misleadingly simple view of history. This is well illustrated in Friedman's account of the demise of the Soviet Union. Acknowledging that there "was no single cause," he goes on

技术决定论可能包含着部分真理，但它意味着一种过分简单化的关于历史的观念，这在弗里德曼对苏联灭亡的分析中展露无余，在肯定了"并非出于单一原因"的前提下，他写道

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。