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occidental相关的网络例句

查询词典 occidental

与 occidental 相关的网络例句 [注:此内容来源于网络,仅供参考]

Whereas, occidental culture places more emphasis on goal's significance. some proceses are aiming to achieve goals. leaders own absolute canniness and active mind, as well as capability to analyze mutual relationship and communication in teams, leading an outstanding and refined team as their assistant.

而在西方文化背景中更加强调目标的重要性,一些过程都是为目标而努力,领导着要有着绝对精明和活跃的思维,以及分析团队中的相互利益关系及沟通能力,领导一个出色而精练的团队为其辅助。

Chimborazo is located in the Cordillera Occidental of the Andes of central Ecuador, 150 km (93 mi) south-southwest of the capital Quito.

钦博拉索山位于南美洲的厄瓜多尔,是一座圆锥形的死火山,海拔6272米,位于厄瓜多尔首都基多西南偏南150公里。

He was conversant in Chinese and Occidental culture,and formed his theory of Chinese culture construction on that special condition.

他集中西文化于一身,在特殊的历史背景下着重从文化的角度来考虑中国的发展问题,逐渐形成了关于中国文化建设的思想。

In fact,in the eyes of Grand Lamas,these Occidental religions are never worth debating or disproof.

他没有生死这说,所以当然也没有更大的神来决定他的生死。

As an exterior power,which based their reign on the Pharaoh Egypt and merged the autocracy of the Greek,and so formed a model of power including two type of character of the Oriental and the Occidental.

在这三百年里,有两个不同的统治阶段,即马其顿王国阶段(公元前332一公元前304年)和托勒密法老阶段(公元前304一公元前30年),后者是严格意义上的托勒密埃及时期。

Ray Irani, chairman and chief executive of Los Angeles-based Occidental Petroleum Corp., said his company plans to bid.

总部位于洛杉矶的西方石油公司(Occidental Petroleum Co。)董事长兼首席执行长伊拉尼说,他的公司打算竞标。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手,归纳出西方现代"表现"观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

In the period of Globalization, the Occidental orientalism should be eradicated in order to shape the Chinese image and healthily promote the relations between Chinese-Occidental countries.

在全球化迅猛发展的今天,要打造中国的国家形象,推进中西关系的健康发展,必须破除西方人的东方主义。

Sinology is a result of communication between Chinese and occidental culture ,and it is also occidental understanding of Chinese culture under occidental own culture .

西方汉学是中西文化交流的结果,是西方人在自身文化背景下对中国文化的解读。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手,归纳出西方现代&表现&观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

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