查询词典 object-oriented

At first, in this paper the national and international literature of team and team motivation is summarized. Secondly, based on the analysis of theoretical scientific research personnel and team, the teamwork motivation model is built, and it is achieved that teamwork improves the team output. Later,we lead the reputation that is regarded inexplicit incentive into the scientific research personnel"s utility function, establish a model of their reward, analyze the parameter of reputation"s effect to factor in the contract. After that, it analyses traditional training object selection and whole training object selection among the scientific research team to draw the conclusion that the traditional training object selection has obvious limitations and the whole training has evident advantages. In the end, based on the theoretical study of the psychological contract, we can obtain the effective paths of forming psychological contract among the scientific research team.

本文首先对团队和团队激励方面国内外的文献进行了详尽的综述；其次，在对科研人员及科研团队理论分析的基础上，建立了适合科研团队激励机制的基于团队合作的激励模型，得出成员间互相合作将提高科研团队的产出；然后，将声誉效应和职业生涯时间引入科研团队成员报酬契约，建立了科研团队成员的报酬激励模型，分析声誉系数和职业生涯时间对契约中各要素的影响；接着，通过博弈论知识分析了科研团队培训对象选拔制度，得出以下结论：传统培训对象选拔制度在以团队为主的组织中存在着明显的局限性，全员培训制度具有明显的优势；最后，在对心理契约理论研究的基础上，得出了缔结科研团队心理契约的途径。

Finally, a light is a Behavioral Object, which means that it can have a behavior attached to it (some Virtools classes, such as classes that store internal data only, can not have behaviors attached to them). Since a light is also a Behavior Object, any behavior that can be applied to a Behavior Object can also be applied to a light.

最后，一个灯也是一个行为对象，意思是说它能拥有属于这个类的所有行为（一些Virtools类，例如存放在内部的数据都不属于它们）因为灯也是一个行为对象，任何能应用到行为对象的行为都可以应用到这个灯上。

In the past, the estimation of an object in motion is done by using inertial sensor. The conventional approach can not apply to the object under a linear acceleration. Although, in most cases, the object to be measured work under linear acceleration.

以往使用量测惯性的感测器所组合成的姿态估测器，大部分都只能在没有运动加速度的状态下使用，可是实际上我们想量测姿态的对象，是很难不具有运动加速度的。

In addition,3-d subspace in quotient image method doesn't suffice to represent all images of an object under varying illuminations.Therefore,an improved method based on image on 9-d linear subspace constructed using 9 images of object under the configuration is presented to overcome these deficiencies.And 9 images of another object under the configuration are generated.

此外，商图像方法中简单的三维点光源模型无法很好地近似任意光照情况，因此，提出一种基于九维线性子空间的改进的商图像方法，并利用改进后的商图像方法合成对象在统一配置光源方向下的9幅图像，克服了Lee所提方法的不足。

Also, if you have a complex network where objects refer to each other by object ID, you want to be able to obtain a pointer to an object in any module of your program without worrying if another module or another application has that object opened.

同时，如果有一组彼此之间通过 ID相互引用的对象，你可以在任何一个模块中取得某个对象的指针而不用担心别的模块或程序已经将其打开了。

The acceleration of an object is directly proportional and in the same direction as the net force on the object, but inversely proportional to the mass of the object.

一个物体的加速度与它所受的净力直接成比例且具有相同的方向，而与这个物体的质量成反比，或。

So they have a wider exploring space when meeting the new subject of oil painting portraits----the new men in 21st century. So this thesis holds that: do not be influenced by the popular trend of that time while opening to outside world; learn from those masters and predecessors system and selectively and inherit the excellent methods, forms and artifices. So that we can improve the artistes' ability of holding and expressing continuously who is as the subject of the oil painting portraits. In the light of the object, we should seize the character of the time from the object observantly; find and express the affecting character moving the subject on any ordinary object.

据此，笔者对21世纪的油画肖像画创作探索的思路为：在秉承开阔艺术胸怀的前提下不为流行之风所动，对前辈大师进行有选择地、系统地学习，继承借鉴其优秀的创作方法、创作形式和创作技巧，不断完善充实当代油画家作为油画肖像画创作主体的把握和表现能力；在表现客体对象方面，力求敏感地把握客体对象身上所渗透的时代气息，在面对的每一个普通表现对象身上都能找到并表现其能打动创作主体的特质。

Observational error is that in observational course, observational subject, due to variety causcing error factors to disturb, has acquired related information observing. Object which fruquently do not match with the object of practical instance. So that he commits distort reflection is the oriqinal appearance of observational object. The observational error has some characters of objectivity.

观察错误实际上发生在观察主体自觉或不自觉地运用自身理论知识结构对观察客体的相关信息进行加工处理，进而作出观察结论的过程，而并非发生在观察客体进行直观反应的过程。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说，不存在这样一种状态，画家为了画出自己的感觉，他们应该"纯洁"地不带"偏见"地去向自然学习，去面对物体直截了当地写生，而为了获得这种能力，在学习绘画的初始阶段，就必须训练学生们用自己的眼睛(在绘画课室里，老师总是质问学生，你的眼睛在哪里，你的感觉在哪里)去观察对象，然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆"，或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面，以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。