查询词典 o'er

Dashing throw the snow,in a onehorse open sleigh.O'er the fields we go laughing all the way,bells on bobtail ring,making spirits bright,what fun it is to ride and sing a sleighing song tonight.

冲破大风雪，我们坐在雪撬上，快奔驰过田野，我们欢笑又歌唱，马儿铃声响叮当，令人精神多欢畅，我们今晚滑雪真快乐，把滑雪歌儿唱。

And the star-spangled banner forever shall wave O'er the land of the free and the home of the brave!

你看星条旗将永远高高飘扬在这自由国家，勇士的家乡。

And the foolish penguins cower in the crevices of rocks, while alone the Stormy Petrel proudly wheels above the ocean, o'er the silver-frothing waters.

蠢笨的企鹅，胆怯地把肥胖的身体躲藏到悬崖底下……只有那高傲的海燕，勇敢地，自由自在的，在泛起白沫的大海上飞翔！

Still the valiant Stormy Petrel proudly wheels amond the lightning, o'er the roaring, raging ocean, and his cry resounds exultant, like a prophecy of triumph

这是勇敢的海燕，在闪电之间，在怒吼的大海上高傲地飞翔。这是胜利的预言家在叫喊

But o'er the shrinking land sublimely rides.

粗野的海风从遥远的海西升起

And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon that is dreaming, And the lamp-light o' er him streaming throve his shadow on the floor; And my soul from out chat shadow that lies floating on the floor Shall be lifted-nevermore!

那只鸟鸦并没飞走，它仍然栖息，仍然栖息，栖息在房门上方苍白的帕拉斯半身雕像上面；它的眼光与正在做梦的魔鬼的眼光一模一样，照在它身上的灯光把它的阴影投射在地板；而我的灵魂，会从那团在地板上漂浮的阴影中解脱么——永不复焉！

And o'er his cold ashes upbraid him

敌兵会轻蔑这阵亡了的将军

Worsworth著名的"The Daffodils":I wandered lonely as acloud/That floats on high o'er vales and hills.

(我象一片白云孤独的游荡，飘越过溪谷和群山。)便是典型的弱强节奏。读熟之后，大声朗诵，一定获益非浅。

If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably

倘苦我从濒临大海那峻峭的悬崖之颠栽下去，就会无可避免地在空间并列着往下栽！

Those lines that I before have writ do lie, Even those that said I could not love you dearer, Yet then my judgment knew no reason why, My most full flame should afterwards burn clearer, But reckoning time, whose millioned accidents Creep in 'twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp'st intents, Divert strong minds to the course of alt'ring things: Alas why fearing of time's tyranny, Might I not then say 'Now I love you best,' When I was certain o'er incertainty, Crowning the present, doubting of the rest?

我从前写的那些诗全都撒谎，连那些说&我爱你到极点&在内，可是那时候我的确无法想象白热的火还发得出更大光辉。只害怕时光的无数意外事故钻进密约间，勾销帝王的意旨，晒黑美色，并挫钝锋锐的企图，使倔强的心屈从事物的隆替：唉，为什么，既怵于时光的专横，我不可说，&现在我爱你到极点，&当我摆脱掉疑虑，充满着信心，觉得来日不可期，只掌握目前？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。