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In complex 1,Cucan be described as a four-coordinated square planar geometry.Compound 8 is the sodium salt of plumbagin and exists as ionic compound.Compounds 9-16 are the rare earth complexes of plumbagin with La,Y,Dy,Sm,Gd,Nd,Erand Eu.Compound 17 is binuclear Y complex.18 is mononuclear Ycomplex with plumbagin and another ligand from Plumbago Zeylanica.Compounds 19-21 are the ternary complexes with plumbagin and 2,2\'-bpy and phen as assistant ligand.In 19, the geometry of Cucan be described as five-coordinated distorted square pyramid that exists in a dimer through the weak bonding,and 1-D chain structure is formed by intermolecular hydrogen bonds.

化合物1的单晶结构分析表明1具有四配位平面四边形结构，化合物8是白花丹素的Na盐，以离子化合物形式存在；化合物9～16为白花丹素的La，Y，Dy，Sm，Gd，Nd，Er，Eu的稀土金属配合物；化合物17是白花丹素的双核钇结构；化合物18为白花丹素的单核钇结构，该配合物除了含白花丹素外，还有来自白花丹植物中的另一个单体化合物也参与配位；化合物19～21是以2，2\'-联吡啶和邻菲咯啉等含N配体为辅助配体，具有白花丹素—含N配体—金属离子的三元配合物，化合物19是白花丹素和2，2\'-联吡啶与Cu的配合物，具有五配位的四方锥构型，通过Cu…O弱的成键作用形成二聚体，再通过分子间的氢键作用进一步形成一维链状结构，化合物20和化合物21是白花丹素分别与2，2\'-联吡啶和邻菲咯啉的Zn配合物，都具有六配位八面体构型的双核锌配合物，呈一维链状结构，化合物20中链与链之间的大量氢键将一维链扩展成二维层，分子间的π-π堆积作用进一步形成三维结构。

Objective To investigate the clinical effect o f selective posterior rhizotomy und er microscope in children with cereb ral palsy.

目的探讨应用显微技术选择性脊神经后根切断术治疗儿童脑性瘫痪的临床效果。

He is j ust a scrounger, w h o lives on ot h er people.

他正是一个小偷，专靠损害别人过日子。

Sinistra,则是:A star on the right hand of the Serpent Bear er O phi uchus the hand that is holding the tail of the serpent Serpens...

根据条文的描述，中天是落在摩羯座开始区域，木星强势的话应是落在射手座，临近摩羯座，木星强的人就是比普通的要幸运。

T# O; I q4 N I Can I ask you a p er sonal question?

我能问你一个私人问题吗？

O thou, whate'er thou art, whose heart exults!

你，无论你是谁？你的心在飞扬！

Devouring Time blunt thou the lion's paws, And make the earth devour her own sweet brood, Pluck the keen teeth from the fierce tiger's jaws, And burn the long-lived phoenix, in her blood, Make glad and sorry seasons as thou fleet'st, And do whate'er thou wilt swift-footed Time To the wide world and all her fading sweets: But I forbid thee one most heinous crime, O carve not with thy hours my love's fair brow, Nor draw no lines there with thine antique pen, Him in thy course untainted do allow, For beauty's pattern to succeeding men.

饕餮的时光，去磨钝雄狮的爪，命大地吞噬自己宠爱的幼婴，去猛虎的颚下把它利牙拔掉，焚毁长寿的凤凰，灭绝它的种，使季节在你飞逝时或悲或喜；而且，捷足的时光，尽肆意摧残这大千世界和它易谢的芳菲；只有这极恶大罪我禁止你犯：哦，别把岁月刻在我爱的额上，或用古老的铁笔乱画下皱纹：在你的飞逝里不要把它弄脏，好留给后世永作美丽的典型。

Devouring Time, blunt thou the lion's paws, And make the earth devour her own sweet brood; Pluck the keen teeth from the fierce tiger's jaws, And burn the long-lived phoenix in her blood; Make glad and sorry seasons as thou fleets, And do whate'er thou wilt, swift-footed Time, To the wide world and all her fading sweets; But I forbid thee one most heinous crime: O, carve not with thy hours my love's fair brow, Nor draw no lines there with thine antique pen; Him in thy course untainted do allow For beauty's pattern to succeeding men.

一九 饕餮的时光，去磨钝雄狮的爪，命大地吞噬自己宠爱的幼婴，去猛虎的颚下把它利牙拔掉，焚毁长寿的凤凰，灭绝它的种，使季节在你飞逝时或悲或喜；而且，捷足的时光，尽肆意地摧残这大千世界和它易谢的芳菲；只有这极恶大罪我禁止你犯：哦，别把岁月刻在我爱的额上，或用古老的铁笔乱画下皱纹：在你的飞逝里不要把它弄脏，好留给后世永作美丽的典型。

Devouring Time, blunt thou the lion's paws,And make the earth devour her own sweet brood;Pluck the keen teeth from the fierce tiger's jaws,And burn the long-lived phoenix in her blood;Make glad and sorry seasons as thou fleets,And do whate'er thou wilt, swift-footed Time,To the wide world and all her fading sweets;But I forbid thee one most heinous crime:O, carve not with thy hours my love's fair brow,Nor draw no lines there with thine antique pen;Him in thy course untainted do allowFor beauty's pattern to succeeding men.

饕餮的时光，去磨钝雄狮的爪，命大地吞噬自己宠爱的幼婴，去猛虎的颚下把它利牙拔掉，焚毁长寿的凤凰，灭绝它的种，使季节在你飞逝时或悲或喜；而且，捷足的时光，尽肆意地摧残这大千世界和它易谢的芳菲；只有这极恶大罪我禁止你犯：哦，别把岁月刻在我爱的额上，或用古老的铁笔乱画下皱纹：在你的飞逝里不要把它弄脏，好留给后世永作美丽的典型。

In r eply t o your lett er of Janua ry 25 , we a re pleased to inform you t hat the firm mentioned in your let ter was set up twelve yea rs ago .

今复你 1 月 25 日来信，并乐于告你，你来信中所提及的那家公司是在 12 年前设立的，公司注册资本为 10 万美元，他们经营批发及零售业务。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。