查询词典 o'er

I stood in Venice on the Bridge of Sighs, a palace and prison on each hand; I saw from out the wave of her structure's rise, As from the stroke of the enchanter's wand; A thousand years their cloudy wings expand around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, where Venice sat in state, throned on her hundred isles.

我站在威尼斯的叹息桥上，一边是宫殿，一边是牢房。举目看时，许多建筑物忽地从河里升起，仿佛魔术师挥动魔棍后出现的奇迹。千年的岁月用阴暗的翅膀将我围抱，垂死的荣誉还在向着久远的过去微笑，记得当年多少个藩邦远远地仰望，插翅雄狮之国的许多大理石的高房：威尼斯庄严地坐镇在一百个岛上！

In a brand new pair of brogues, I rattled o'er the bogs

踩上一双新皮鞋，我从泥沼边跑过

Spring goeth all in white robert bridges 春之女神着素装罗伯特·布里季 spring goeth all in white, crowned with milk-white may; in fleecy flocks of light, o'er heaven the white clouds stray; white butterflies in the air; white daisies prank the ground; the cherry and hoary pear, scatter their snow around.

春之女神着素装，山楂花冠乳白光；天上分明一群羊，白云朵朵自来往；粉蝶空中时蹁跹；廷命菊花饰郊原；樱桃梨树共争艳，四处非花如雪片。

Though it pass o'er the graves of the dead and the hearths of the living

就算犁过死者的墓碑和生者的灶台

We pray for it o'er hecatombs of slain

面对上帝我们为这些牺牲祈祷

If they's tuh be fresh ortherings--just when Aw gettin used tuh two maisters if Aw mun hev a mistress set o'er my heead it's loike time tuh be flitting.

又要有新鲜的差使啦——我才习惯了两个东家，又有个女主人到我头上来啦，真像是时光流转，世事大变哪。

If they's tuh be fresh ortherings--just when Aw gettin used tuh two maisters, if Aw mun hev a mistress set o'er my heead, it's loike time tuh be flitting.

我一进来，他抬起眼睛，从我呆呆的神色中看出了意思，便垂下眼睛，没有吩咐什么，也没有说一个字。

O'er willowy meads and shadow'd waters creeping

当它从柳荫草地和溟朦水域掠影

Star panting o'er a land of death, heroic land

钉死在十字架上——被叛徒出卖了的星

I wandered lonely as a cloud That floats on high o er vales and hills .

我像一片白云孤独的游荡，飘越过溪谷和群山。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。