查询词典 number one

The dynamic changes of the number of T or B lymphocytes and the content of immunoglobulin G, IgM, IgA in peripheral blood, the number of CD〓, CD〓 lymphocyte subpopulation, T〓 cells and IgG, IgM, IgA antibody-producing cells, the ratios of CD〓 and CD〓 T cells in immune organs (thymus, bursa of Fabricius and spleen) and immune tissues (cecal tonsils and Harderian glands), the content of IgA, IgM, IgG in local fluid (tear, tracheal fluid, intestinal fluid and bile) of one-day chicks infected with chicken infectious anemia virus and CIAV-infected chicks immunized with Newcastle disease vaccine were determined respectively by immunohistochemistry, immunogold-silves and immunoenzyme staining in order to reveal mechanism of immunopathogenesis of chicks infected with CIAV and influence of immune responses of CIAV-infected chicks to ND vaccine.

中文题名雏鸡感染鸡传染性贫血病毒后免疫变化和对新城疫疫苗的应答及其免疫机理副题名外文题名 Immune changes of chicks infected with chicken infectious anemia virus and immune response and mechanism to Newcastle disease vaccine immunity 论文作者郑世民导师刘忠贵教授学科专业基础兽医学研究领域\研究方向学位级别博士学位授予单位东北农业大学学位授予日期2002 论文页码总数105页关键词鸡传染性贫血病雏鸡新城疫疫苗馆藏号BSLW /2003 /S858 /9 本项研究采用免疫组织化学、免疫胶体金及免疫酶方法，首次对CIAV感染1日龄雏鸡和CIAV感染雏鸡ND疫苗免疫及vNDV攻击后，其外周血液的T细胞、B细胞数量和IgG、IgM、IgA含量；中枢免疫器官胸腺和法氏囊，外周免疫器官脾脏及呼吸道和消化道局部粘膜免疫组织哈德尔腺和盲肠扁桃体的ANAE〓、CD4〓、CD〓T细胞、IgG、IgM、IgA抗体生成细胞数量和CD〓与CD〓T细胞比值以及泪液、气管液、肠液、胆汁的IgA、IgM、IgG含量的动态变化规律和CIAV感染对ND疫苗的免疫保护率等进行了全面系统地研究。

When Zeilberger studied Sister Celine's Method in the late 1970s, he realized that one can prove a hypergeometric identity by checking a finite number of special cases. In the book "A=B" [37, p. 70], it is pointed that it is an interesting research question to ask how small we can make this a priori estimate of the number.

当Zeilberger在70年代后期研究Sister Celine方法的时候，他意识到一个超几何恒等式可以通过验证有限项来证明，在书《A=B》中进一步指出，研究这个项数的先验估计到底能达到多么小是一个有趣的问题。

Executive director will be elected by the Council, in exercise of the Governing Council's intersessional 18th Article I, III, V, VI, VII, VIII, IX, 10 of the terms of reference of the Council is responsible for (an executive director will not exceed the number of directors will the number of one-third).

常务理事会由理事会选举产生，在理事会闭会期间行使第十八条第一、三、五、六、七、八、九、十项的职权，对理事会负责（常务理事会人数不超过理事会人数的三分之一）。

It does not force the Masoretic syllables into grooves that are Latin, Greek, Arabic, or Aramaic. It is independent of the shifting of accent; and postulates just one thing, a fixed and harmonious number of accents to the line, regardless of the number of syllables therein.

它不强制masoretic音节到沟槽是拉丁语，希腊语，阿拉伯语，或阿拉姆语，它是独立的转移口音；和假设的只是一件事，一个固定的，和谐的数目，以口音的路线，不论有多少音节。

One is Bardina vorticity modification, and the other is Richardson number modification. Prediction results show that Bardina method has a superior capacity to Richardson number modification. Since DSM model has improved predictive results of the reversed velocity and tangential velocity, it is a potential method to predict strong swirling nonisotropic turbulent flow in stead of the longer convergence time.

本文采用了基于旋转体系使湍流脉动加强和削弱两种作用的修正方法对k-ε双方程的湍流耗散率方程进行修正，计算结果表明，从旋转体系可使湍流能量加强出发的Bardina涡量修正方法，预报回流区范围缩小，更加接近于试验值，其计算结果优于使湍流脉动削弱的Richardson修正。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

5Under powerful offensive denfense,failing in resolving the offending problems is one of the leading reasons that it lost in the world men ' s basketball championship;the quantity of the fast attacks from chinese team lags behind a lot,compared with the opponents.Moreover,the difference of the quantity of success,the gap of score and fast attacks after stealing is very obvious; scoring could only be attributed to receive and shoot,play by oneself and free throw.Scoring method is simple and unscattered;strategic offenses lag behind the opponent obviously.Both free throw after active offense and rebound control could not defeat the rivals.The stealing and offense succeeding percentage also fall behind. The offense efficiency lags more behind;the number of two – piont shot lags behind the opponent while the field goal percentage ranks a little higher than opponent.The number of three-point shot is similar, but the field goal percentage is obviously different;chinese team ' s front court rebound falls behind the opponent apparently.However,the second offense scoring is a little higher;chinese team ' s assists lags behind a lot;chinese team ' s stealing lags behind a lot;chinese team ' s turnovers distingguish a lot with opponents.

在强对抗的攻击性防守下中国队不能解决好进攻的问题是世锦赛失利的最主要的原因之一；中国队的快攻次数与对手的差异具高度显着性，成功次数的差异具显着性，得分的差异具高度显着性，断球后发动快攻的差异具显着性；得分主要集中在接球得分、单打得分、和罚球得分这三个方面，得分手段单一而且集中；战术进攻与对手呈差异有高度显著性，作为主动进攻的罚球和争夺篮板球都比对手低；抢断与对手的的差异具显着性，进攻成功率与对手的有一定的差距，进攻效率的差距更大；2分球的投篮次数与对手的具有高度显著性差异，命中率比对手稍高一点，3分球投篮次数相当，命中率具有显著性差异；中国队的前场篮板球与对手相比具有显著性差异，但是二次进攻得分却比对手略高一点；中国队与对手的助攻相比有显著性差异；中国队的抢断与对手相比具有高度显著性差异；中国队的失误与对手相比具有高度显著性差异。

No matter developed country or developing countries, on one hand a number of enterprises, through expanding, annexing, purchasing and forming the huge enterprise group; A large number of small and medium-sized enterprises grow vigorously too on the other hand, they still have their irreplaceable function on the development of productivity.

无论发达国家还是发展中国家，一方面一批企业通过扩张、兼并、收购形成规模巨大的企业集团；另一方面大量中小企业也蓬勃发展，它们对生产力的发展仍有其不可替代的作用。

The amount of passes of the top 8 teams is 443 times, much more than the last world cup game; the everage number of passes of each team in one game in the group stage is more than the number in the knock-out stage. The most efficient of passes took place in the midfield, then the defensing third and the attacking third the last.

本文综合采用了文献资料法、专家访谈法、逻辑分析法、观察统计法、数理统计法和比较分析法对参加第18届世界杯足球赛的八强球队在比赛中的传球情况进行统计分析后，从宏观上对这些球队在传球这一数据上所体现的基本特征及影响要素进行分析研究，从研究中得出以下结论： 1。

Depilating is Baidu collects page number to decrease considerably, of course this is to be aimed at your former Baidu to collect a page number, odd quantity should is former 10% to 50% differ, baidu depilates happen when be updated greatly commonly, this also is the likelihood that the institute of home page heavy heart that a moment ago said brings one of consequence.

拔毛就是百度收录页数大幅减少，当然这是针对你原先的百度收录页数而言的，剩余量应该为原先的百分之十到百分之五十不等，百度拔毛一般发生在大更新的时候，这也是刚才说的首页沉底所带来的可能后果之一。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。