查询词典 nothing if not

I liv'd in this Condition near two Years more; but my unlucky Head, that was always to let me know it was born to make my Body miserable, was all this two Years fill'd with Projects and Designs, how, if it were possible, I might get away from this Island; for sometimes I was for making another Voyage to the Wreck, though my Reason told me that there was nothing left there, worth the Hazard of my Voyage: Sometimes for a Ramble one way, sometimes another; and I believe verily, if I had had the Boat that I went from Sallee in, I should have ventur'd to Sea, bound any where, I knew not whither.

我在这种情况下又过了将近两年。在这两年里，我头脑里充塞着各种各样的计划，一心设法逃离孤岛，尽管我自己也知道，我那倒霉的头脑似乎生来就是为了折磨我的肉体。有时候，我还想上那条破船去察看一番，尽管我也知道，船上已没有什么东西值得我再次冒险出海了。有时候，我又想乘小舟东逛逛西走走。我毫不怀疑，如果我现在有我从萨累逃出来时坐的那条小船，早就冒险出海了；至于去什么地方，那我也顾不上了。

If thousands more people are to die in the coming weeks, let those who oppose any action now, however modest its effect, then explain why they favoured a policy of doing nothing. And let them try to describe the circumstances in which the new-found responsibility to protect might actually be invoked if it is not just to join the UN's scrapheap of dashed expectations, broken promises and dismal betrayals.

如果在未来几周内，还会有几千人死亡的话，那么看那些现在反对采取行动的人（尽管他们的反对并没有多大作用）如何自圆其说；也让他们说明在何种情况之下，新制定的保护受压迫人民的责任原则才能名副其实，而不是沦为联合国那些粉碎期望、背信弃义的众多空头支票之一。

Remember that the ruling faculty is invincible, when self-collected it is satisfied with itself, if it does nothing which it does not choose to do, even if it resist from mere obstinacy.

记住：你的支配部分是不可征服的，如果它不做任何非它所愿的事情，即使它是出于纯粹的顽而进行抵制的，那么当它自我镇定时，它也是满足于自身的。

Now I'm not the responsibility police and these women are hardly role models, however the Sex and The City movie would have been a far more empowering story for women if Carrie had told that emotionally unavailable, flip flapping, good for nothing, Mr Big to go take a run and jump In fact, I would have applauded if she had gone to the apartment, hurled herself into his arms, shagged him, and then bade him goodbye and walked out of the penthouse with her head held high, leaving him dazed and confused

我不警察，事故一出，就忙着负责追究责任，原本剧中设定几位主角也并非女姓楷模。但如果Carrie能叫那个一直以来不能给其承诺，态度总阴晴不定，死不足惜Mr Big从此在自己眼前消失，这部电影对于广大女姓观众来说，将会多么意义深刻范本啊。

If in the fellowship of service I seek to attach a friend to myself, so that others are caused to feel unwanted; if my friendships do not draw others deeper in, but are ungenerous, then I know nothing of Calvary love.

若在服侍主的团契中，我竭力吸引某个朋友与我亲密，以致其他的人有被遗弃的感觉；若我的友谊不是吸引其他的人更深加入团契，而是吝啬狭窄的，那我就还是丝毫不懂得加略山的爱。

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

These Thoughts so oppress'd my Mind, that I began to give over my Enterprize, and having haled my Boat into a little Creek on the Shore, I stept out, and sat me down upon a little rising bit of Ground, very pensive and anxious, between Fear and Desire about my Voyage; when as I was musing, I could perceive that the Tide was turn'd, and the Flood come on, upon which my going was for so many Hours impracticable; upon this presently it occurr'd to me, that I should go up to the highest Piece of Ground I could find, and observe, if I could, how the Sets of the Tide, or Currents lay, when the Flood came in, that I might judge whether if I was driven one way out, I might not expect to be driven another way home, with the same Rapidness of the Currents: This Thought was no sooner in my Head, but I cast my Eye upon a little Hill, which sufficiently over-look'd the Sea both ways, and from whence I had a clear view of the Currents, or Sets of the Tide, and which way I was to guide my self in my Return; here I found, that as the Current of the Ebb set out close by the South Point of the Island; so the Current of the Flood set in close by the Shore of the North Side, and that I had nothing to do but to keep to the North of the Island in my Return, and I should do well enough.

我思想压力很大，不得不考虑放弃原定的计划。我把小船拉进沿岸的一条小河里，自己迈步上岸，在一块小小的高地上坐下来沉思。我心情忧郁，心绪不宁。我害怕死，又想前去探个究竟。正当我沉思默想之际，只见潮流起了变化，潮水开始上涨。这样，我一时肯定走不成了。这时，我忽然想到，应该找一个最高的地方，上去观察一下潮水上涨时那两股急流的流向，从中我可以作出判断，万一我被一股急流冲入大海，是否有可能被另一股急流冲回来。我刚想到这一层，就看见附近有一座小山；从山上可以看到左右两边的海面，并对两股急流的流向可以一目了然，从而可以确定我回来时应走哪一个方向。到了山上，我发现那退潮的急流是沿着小岛的南部往外流的，而那涨潮的急流是沿着小岛的北部往里流的。这样，我回来时，小舟只要沿着北部行驶，自然就可以被涨潮的急流带回来。

Fix not thy heart on that which is transitory; for the Dijlah, or Tigris, will continue to flow through Bagdad after the race of caliphs (19) is extinct: if thy hand has plenty, be liberal as the date tree; but if it affords nothing to give away, be an azad, or free man, like the cypress.

你的心不要固定在变幻的上面，因为Dijlah，底格利斯河，在哈里发绝种以后，还是奔流经过巴格达的；如果你手上很富有，要像枣树一样慷慨自由；可是，如果你没有可给的呢，做一个Azad，自由的人，像柏树一样吧。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Often Mila and Oa will simply order the potatoes, pasta, gnocchi or risotto and vegetables if nothing else is offered upon a menu for vegetarians, and have rarely if ever found that the restaurants will not comply with their request.

如果菜单上没有什么提供给素食者的话，Mila和Oa经常简单点土豆、面食、汤团或调味饭及蔬菜，并很少发现餐馆不能满足这些要求。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。