查询词典 nothing but

"Rampantly infected by 'the aesthetics of separation,' many people simply cannot think clearly, and before they have even really made a serious effort, they give up on their marriages, in the end suffering even greater regret and pain," says Chen. Marriage is not all or nothing, but is the art of compromise.

在泛滥的『分离美学』感染下，会让一些人在根本没想清楚、也还没有付出足够努力前，就糊里胡涂地放弃了婚姻，结果造成更大的遗憾和伤害，」陈艾妮强调，婚姻不是全有或全无的，而是一种妥协的艺术。

Though there're plenty of UPs and DOWNs, we'll get the confidence to redissolve even if we're nothing but precipitation!

即使坎坷不平，我们也要保持自信：总有使沉淀再溶解的办法！

It is resolvedly whole, self-contained, desiring nothing but rightness, content which restricted completion.

它坚定完整，独立成长，除了长得挺拔，什么也不需要；虽爱限制而依然完美，它便感到满足。

It is resolvedly whole, self-contained, desiring nothing but rightness, content with restricted completion.

它坚挺完整，独立成长；除了长得挺拔正直，别无所求；虽受限制而依然完美，它便感到满足。

It is resolvedly whole, self-contained, desiring nothing but rightness, content with restricted completion.

然而松树却饱经锻炼，什么也不需要，什么都能忍受，它坚定完整，独立成长；除了长得挺拔正值，别无所求；虽受限制而依然完美，它便感到满足。

It is resolvedly whole, self-contained, desiring nothing but rightness, content with restricted completion.

它坚定完整，独立成长；除了长得挺拔正直，别无所求；虽受限制而依然完美，它便感到满足。

It is resolvedly whole, self-contained, desiring nothing but rightness, content with restricted completion.

它坚定完整，独立成长；除了长得挺拔正直，别无所求；虽受限制而依然完美，它变感到满足。

T is resolvedly whole, self-contained, desiring nothing but rightness, content with restricted completion.

它坚定完整，独立成长；除了长得挺拔正直，别无所求；虽受限制而依然完美，它便感到满足。？

Nothing but to hesitate,to rush.What have I been doing in that eight-thousand-day rus h,apart from hesitating?

只有徘徊罢了，只有匆匆罢了；在八千多日的匆匆里，除徘徊外，又剩些什么呢？

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。