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Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

伟大的幽默艺术家认为真理拥有了所有的光芒，因此他们希望着重关注社会行为的矛盾，不是通过研究预测的结局，宇宙的目的，或者自然的法则等这些超过社会的象征而得到的一种假象或者对现实的超越。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

此外，一些黑人小说的风格，像Jean Toomer的Cane，就接近于表现主义或者超现实主义，这种巧合是否给流行描述黑人主人公与命运对抗的主题提供了一个反衬点，或者经常被更加自然的表达模式所传达的主题？

Great comic artists assumes that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or trnascend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

Great comic artists认为真理总有根据，因此寻求强调社会行为中的矛盾，而不是掩盖或者超越这些矛盾；而掩盖超越使用的是超社会神的终结，宇宙的目的和自然的法则。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

大喜剧家们认为真理需要各种启示，因此他们开始强调社会活动中的各种矛盾，而不是掩饰或者通过非社会象征的神圣结局和喜剧目的、自然规律来超越它。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

这样，对于数学家们来说是非常惊诧的，例如，薛定谔方程式并不是氢原子的准确描述，而只是某种程度上的近似值。它近似于另外一种描述磁性偶极子相对效果的方程，而这个方程本身又是一套不定量子场论方程的近似值。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

尽管这些分子能够透过可见光，阳光的大部分热量？都集中在这个波段，但是它们吸收长波，从地表来的红外辐射，或者将有些辐射折射回空中。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over (gloss over: v.掩盖) or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

伟大的喜剧艺术家们认为，真理可呈现出各种不同的表现形态，故而他们力图强调社会行为中的对立矛盾，而不是通过诉诸于那些代表着神圣目标、字宙目的、或自然法则的超社会象片符号去掩饰或超越它们。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

早在20世纪50年代，许多研究前工业时代欧洲（我们可将其粗略定义为1300年至1800年间的欧洲）的历史学家们开始研究更多的欧洲人群，而不仅仅局在只占人口总数2％到3％的那些至今还充斥着历史书籍的政治、社会、精英人物：国王、将军、法官、贵族主教和地方要人。

Let no man seek [ 770 ] Henceforth to be foretold what shall befall Him or his Childern, evil he may be sure, Which neither his foreknowing can prevent, And hee the future evil shall no less In apprehension then in substance feel [ 775 ] Grievous to bear: but that care now is past, Man is not whom to warne: those few escapt Famin and anguish will at last consume Wandring that watrie Desert: I had hope When violence was ceas't, and Warr on Earth, [ 780 ] All would have then gon well, peace would have crownd With length of happy dayes the race of man; But I was farr deceav'd; for now I see Peace to corrupt no less then Warr to waste.

但愿今后谁也不再预知他自己或子孙将发生的事，发生的，确是灾祸，那是不能预防的，而且他对未来的灾祸所感到的痛苦，和实际感觉到的祸患一样难以承当。忧患终于过去了，警戒对于人，是没有用的。少数逃脱了饥饿和哀恸的人，仍以徘徊于水漫的旷野告终。我曾希望在地上暴行停止，战争绝迹时，万物俱兴，由于和平使人类获得持续的幸福日子。可是我大错特错，因为我看见和平所腐蚀的，多于战争所毁坏的。

As we have learned, guilty suspect Zhang Minfeng, alias " Ding Wei ", begin to be a purpose in order to seek profit from October 2006, open a name to be " lubricious bound forum " website, to escape blow of public security body, use DNS gangplank technology for many times on the technology, put the server in the United States, all of website staff member is single-track connection, the website does not save entry log, change ceaselessly the domain name of the website, to home, blow has apparent antagonist.

据了解，犯罪嫌疑人张民峰，化名&丁伟&，从2006年10月开始以牟利为目的，开设名为&色界论坛&的网站，为了逃避公安机关打击，在技术上多次使用DNS跳板技术，并把服务器放在美国，网站工作人员全都是单线联系，网站不保存登录日志，并不断更换网站的域名，对国内的封堵、打击具有明显的对抗性。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。