查询词典 not seek

But if, in your fear, you would seek only love's peace and love's pleasure, then it is better for you that you coveryour nakedness and pass out of love's threshing-floor, into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.

但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。

But if, in your fear, you would seek only love's peace and love's pleasure, then it is better for you that you cover your nakedness and pass out of love's threshing-floor, into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught

但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。

But if, in your fear, you would seek only love's peace and love's pleasure, then it is better for you that you cover your nakedness and pass out of love's threshing-floor, into the seasonless world where you shall laugh, but not all of your laughter, and weep, not all of your tears.

但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。

But if, in your fear, you would seek only love 's peace and love's love' love' pleasure, then it is better for you that you cover your nakedness and pass out of love 's threshing-floor, into the seasonless world love' where you shall laugh, but not all of your laughter, and weep, but not all of your tears.

但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。

But if, in your fear, you would seek only love's peace and love's pleasure, then it is better for you that you cover your nakedness and pass out of love's threshing-floor, into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all ofyour tears.

但是如果你出于畏惧而去寻求爱的和平与爱的欢乐，那你最好掩起自己的赤裸，离开爱的打谷场，踏入那没有季节的世界，在那里，你会开怀，但不是尽情欢笑，你会哭泣，但不是尽为泪水。

They teach you to be proud and unbend ing in honest failure, but humble and gentle in success, not to substitute words for actions, not to seek the path of comfort, but to face the stress and spur of difficulty and challenge

它们教导大家在做出真诚努力而失败的时候保持自信和不折不挠，成功的时候保持谦虚和风度，不要只说不做，不要耽于安逸，而要面对各种困难和挑战的压力和鞭策

Their existing is out of our mind in the past. In their composition, you cannot find historical burden and depressed spirit which were found easily in fore generations rather than see unconstraint way in the aspect of existing and writing.Contemporarily, their novels also had deep sorrow which was not fit for their ages, and it could become a proof that they also would not be regarded as gangsters who only knew to seek for enjoyment, and they also wanted to look for one new life and resources of thought.

他们是我们以前不曾在意的一种存在，在他们的写作中，找不到前几代人的历史的负重与精神压抑，我们看到的，是无拘无束、自由自在的生存与书写的方式，同时，他们的小说也有与他们的年龄不太相称的伤感和沉痛，这证明他们也不愿意只做享乐的群氓，他们也想寻找新的生活和思想资源。

I have not spoken in secret, in a dark place of the earth; I have not said," even in the secret of my unsearchable decree,"Seek ye me in vain.

我没有在隐密黑暗之地说话，即使在我测不著的命令之隐密中，我没有说，你寻求我是徒然的。

You told me you ran away from your Virginian home to seek adventure on the frontier, and that you knew no one in all this wild country. You even said you could not, or would not, work at farming.

也许我的妹妹和我和你一样不适合这里的生活；但是我们和我们的叔叔在一起，因为他是我们唯一的亲人了。

And he says unto them, Be not affrighted: All of you seek Jesus of Nazareth, which was crucified: he has risen; he is not here: behold the place where they laid him.

006 那少年人对他们说：不要惊恐！你们寻找那钉十字架的拿撒勒人耶稣，他已经复活了，不在这里。请看安放他的地方。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。