查询词典 not second to

Last but not least, a comment in view of the second part of the season which is close to start. The Milan supremo said:'Last year we made 39 points in the first part of the season and 22 in the second.

最后他谈到的了一个重要的问题，他对即将开始的下半赛季的看法如下：去年我们在上半个赛季得了39分，下半个赛季是22分。

The reason for this is that if we measure distant in, say, 'metres', the corresponding unit of time should not be the conventional 'second', but a more rational unit of time representing the interval of time necessary for a light signal to cover a distance of one metre, i.e.0.000,000,003 second.

这样做的原因是，如果我们用"米"来衡量距离，相应的时间的单位就不应该是传统的"秒"，而是用一个更合理的时间单位来代表光信号传播一米所耗的这段时间，比如0.000，000，003秒。

In view of product quality of cross wedge rolling semifinished product of automotive power-shift box middle shaft which has heavy sectional shrinkage, numerical simulation and experimental method were adopted to analyze single wedge rolling and second wedge rolling method. It is found out that contrast second wedge rolling, single wedge rolling will not make workpiece bend easily, and after rolling the workpiece has no neck shrinkage.

针对用楔横轧工艺生产具有大断面收缩率特点的汽车变速箱中间轴毛坯所存在的产品质量问题，利用数值模拟与实轧试验对汽车变速箱中间轴毛坯一次楔成形和二次楔成形进行了分析研究，发现采用一次楔成形方法加工汽车变速箱中间轴毛坯，轧件不易发生弯曲，中间断面收缩率最大处没有发生缩颈现象，心部质量也较二次楔成形好。

Students have grasped this kind of model in the primary stage, while apply it in practice they still repeat the theme of the former sentence, which means that Vietnamese students are not skillful at the discourse cohesion; in the middle stage, there are passive sentences and "catenulate"sentences, but some of the students bring on grammatical errors while assuring the cohesiveness of discourse; in the advanced stage, the second cohesive model disappears while amount of third cohesive way appears which even more than the second one, which shows that students no longer stand on the cohesiveness formally but to make the "zero"cohesive of discourse.

另外我们还在语料中发现了被动句的语体风格出现偏差的情况。在运用被动句的语篇衔接功能时，留学生普遍运用第一种主位推进模式。在初级阶段学生就已经基本掌握了这种模式，但有时会不必要地重复前句的主位，这说明留学生对汉语的语篇衔接还不够娴熟；有的学生不能够使用被动句完成语篇衔接，可能是受词汇量的影响。

Moreover the clock chip has the year, the month, Japan, divides, the second time function and designated when as well as the week demonstration function, chronometric data's renewal each second carries on automatically under the computer C language's actuation one time, but does not need the procedure to intervene its output state.

另外时钟芯片具备年、月、日、时、分、秒计时功能和多点定时以及星期的显示功能，计时数据的更新在计算机C语言的驱动下每秒自动进行一次，但不需程序干预其输出状态。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

One day 3 brother touch mice together, the old says: Present mice medicine also is used without giving thought to, I ate 3 packets to also do not have what thing yesterday, the second says grouchily: You eat medicine of 3 packets of mice what to calculate, should true kongfu just cries fierce, I now is the body with not bad King Kong, present mice clincher is right a bit action is done not have for me, like placing me to put a fart on my body just like mosquito.

有一天老鼠三兄弟碰在一起了，老大说：现在的老鼠药也不管用啊，昨天我吃了3包也没有什么事，老二不高兴的说：你吃3包老鼠药算什么啊，要有真功夫才叫厉害，我现在是金刚不坏之身，现在的老鼠夹子对我来说一点作用都没有，夹我一下就象蚊子在我身上放了个屁一样。

Besides these didactic works to catechumens, Tertullian wrote at the same period two books,"Ad uxorem", in the former of which he begs his wife not to marry again after his death, as it is not proper for a Christian, while in the second book he enjoins upon her at least to marry a Christian if she does marry, for pagans must not be consorted with.

除了这些说教工程慕道，良写在同一时期的两本书，&广告uxorem &，前，他没有回避他的妻子结婚，再次在他死后，因为它是不恰当的基督教，而在第二本书，他责成她至少要嫁给一个基督徒，如果她没有结婚，为异教徒不得consorted的。

Besides these didactic works to catechumens, Tertullian wrote at the same period two books,"Ad uxorem", in the former of which he begs his wife not to marry again after his death, as it is not proper for a Christian, while in the second book he enjoins upon her at least to marry a Christian if she does marry, for pagans must not be consorted with.

除了这些说教性工程，以慕道者，戴尔都良写道，在同一时期的两本书&，专案uxorem &，在前者，而他不禁问道：他的妻子没有结婚又是在他死后，因为这是不恰当的基督徒，而在第二本书，他嘱咐她至少要嫁给一名基督徒，如果她不娶，为异教徒绝不能

After the old deplanes, the machine on the second, preparation enters another more advanced system, restart, make choice of, see the second takes washbasin to arrive only water room shampoo, a suit is changed after coming back clean dress, right old 3 say:"The machine is being started, do not move, I and old 4 go seeing armour A..."

一天中午老大开机，选择进入其一，而后拿出饭盆泡上方便面，待面好之后正好进入系统。老大下机后，老二上机，准备进入另一个更高级的系统，重启，选定，只见老二拿起脸盆到水房洗头，回来后换上一身干净衣服，对老三说：&机器正启动呢，别动，我和老四去看甲A……&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。