查询词典 not mind
- 与 not mind 相关的网络例句 [注:此内容来源于网络,仅供参考]
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Pal is by mind communicate with each other unfasten, each other be does not need speech, do not need very many communication, mind agrees with real very important, worth value too, you are willing to have no feeling in reserve and friend share in mind, you not good mood have already got littleness bailment letter give relief to unfasten, your joy mood can because share but let happiness redouble, because I hope you all can meet receive some more concern and warm, share homefelt world together!
好朋友是靠心灵相通了解,彼此是不需言语,不需太多的沟通,心灵契合真的很重要,也值得珍惜,你愿意把心里的感受毫无保留的与朋友分享,你不好的的心情已经得到些许的寄托函纾解,你喜悦的心情会因为分享而让快乐倍增,因为我希望你们都能接收到更多的关心与温暖,一同分享内心的世界吧!!!!
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He must be aware that the mind of Europe—the mind of his own country—a mind which he learns in time to be much more important than his own private mind—is a mind which changes, and that this change is a development which abandons nothing en route, which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen.
他必须相当了解欧洲的思维、本国的思维——他迟早会知道这比他自己的思维更重要——是一种变化的思维,而且这种变化是一种发展,这发展不会在中途丢弃任何事物,它没有把莎士比亚、荷马或者马格林达时期绘画者们的作品,当做落后时代的累赘。
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He must be aware that the mind of Europe梩he mind of his own country梐 mind which he learns in time to be much more important than his own private mind梚s a mind which changes, and that this change is a development which abandons nothing en route,which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen.
他必须明了欧洲的心灵,本国的心灵----他到时候自会知道这比他自己私人的心灵更重要几倍的----是一种会变化的心灵,而这种变化是一种发展,这种发展决不会在路上抛弃什么东西,也不会把莎士比亚,荷马,或马格达钵时期的作画人的石画,都变成老朽。
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Father said not to mind him, he said that he could just as well stay home , and that he was sure that he could put in the time woking in the garden; he said that there was a lot of rough dirty work that he could do, like digging a trench for the garbage, that would save hiring a man, and so he said that he'd stay home; he said that we were not to let the fact of his not having had a real holiday for three years stand in our way; he wanted us to go right ahead and be happy and have a big day, and not to mind him.he said that he could plug away all day, and in fact he said he'd been a fool to think there'd be any holiday for him.
父亲叫我们不必管他,他说他留在家里也不错,而且他相信他能利用这段时间在花园里干点活;他说那里有一大堆他可以干的粗活和脏活,比如挖个垃圾坑什么的,这就免得雇人来干了,所以他愿意留在家里;他说我们也用不着顾虑他三年来一直没有过过一个真正的假日这回事;他要我们马上出发,快快活活地过这个节,不要为他操心。他说他能够整天埋头干活,而且,真的,他还说,本来,他有过个什么节这种想法就是想入非非。
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It was now calm, and I had a great mind to venture out in my Boat, to this Wreck; not doubting but I might find something on board, that might be useful to me; but that did not altogether press me so much, as the Possibility that there might be yet some living Creature on board, whose Life I might not only save, but might by saving that Life, comfort my own to the last Degree; and this Thought clung so to my Heart, that I could not be quiet, Night or Day, but I must venture out in my Boat on board this Wreck; and committing the rest to God's Providence, I thought the Impression was so strong upon my Mind, that it could not be resisted, that it must come from some invisible Direction, and that I should be wanting to my self if I did not go.
这时,海面上已风平浪静,我很想冒险坐小船上那失事的船上看看。我相信一定能找到一些对我有用的东西。此外,我还抱着一个更为强烈的愿望,促使我非上那艘破船不可。那就是希望船上还会有活人。这样,我不仅可以救他的命,更重要的是,如果我能救他活命,对我将是一种莫大的安慰。这个念头时刻盘据在我心头,使我日夜不得安宁,只想乘小船上去看看。我想,这种愿望如此强烈,自己已到了无法抵御的地步,那一定是有什么隐秘的神力在驱使我要去。这种时候,我如果不去,那就太愚蠢了。所以,我决意上船探看一番,至于会有什么结果,那就只好听天由命了。
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It is said that the importance of excusing conditions in criminal responsibility is derivative, and it derives from the more fundamental requirement that for criminal responsibility there must be 'moral culpability', which would not exist where the excusing conditions are present On this view the maxim actus non est reus nisimens sit rea refers to a morally evil mind Certainly traces of this view are to be found in scattered observations of English and American judges—in phrases such as 'an evil mind with regard to that which he is doing ',' a bad mind ', or references to acts done not ' merely unguardedly or accidentally , without any evil mind.
有人说,刑事责任中的免责条件的意义是派生性的,而且,其派生于这样一项更基本的要求,即对于刑事责任来说,必须存在"道德上的可责性",而这在出现了免责条件的场合,是不存在的。按照这一观点,"无犯意即无犯罪"的法谚便关涉到一种在道德上邪恶的心理。在英、美法官的分散的评论中——在诸如"与其正在做的事相关的一种邪恶的心理"、"一种不良心理"之类的措辞中,或在对"不只是没有提防地或意外地,没有任何恶意"地实施的行为的提及中——肯定会发现这一观点的迹象。
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The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.
散漫在高波作品中的人与物没有根源,也许它们是源于个人瞬间的兴趣和记忆,有关知识的、情感的和在脑子里存储的图象信息随之而来,也可以随之而去,只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念,它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述,它们的结果最终都是通向虚无的边缘,尽管那些形象似乎可以唤起我们丰富的联想,比如《灰色的脸》,它绝不是西游记中二郎神的天犬,在《河床》中不牢靠的拱桥,肯定不是寓指天堂里的彩虹,《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗,而是被人为所驱使的赛狗。
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Man has the broad in mind Mind is broad , not merely mean not care, not petty to the girling, mean not belittling, slandering, envying the person around even more, can accept to correct suggestions of others modestly.
胸怀宽广,并不仅仅意味着对女孩子不计较、不小心眼,更意味着对周围的人不贬低、不诋毁、不妒忌,对别人正确的意见能虚心接受。
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This method of making money rather than playing a lasting stations, but the lightning tactics, hitting task items immediately hand, do not hold when the Po, a late loss is a good shot dozens of gold, I take Indiana for teacher and student training activities activities in mind the first day went to a small brush strange hole Savage, a character selling immediately, as soon as I said it was私聊a two kyanite characters with me for a small mind with him immediately, because characters The scene was too much, 50 the following far too many scenes of monster, as expected, the price of the afternoon on the characters down to the 5J each, so the task now pick up these characters, small mind do not hesitate to throw away directly......
这个赚钱的方法不是打持久站,而是闪电战术,打到任务物品马上出手,别拿着当宝,晚一分出手损失就是好几十金,我就拿夺宝师徒练的活动来说,活动的第一天小记就去野人洞刷怪,一出字符马上叫卖,马上就有人私聊我说用一个2级蓝晶石跟我换一个字符,小记立马跟他交易,因为字符的获得的场景太多,50级以下怪物的场景太多太多,不出所料,当天下午字符的价格就降到了5J每个,现在做任务捡到这些字符,小记毫不犹豫直接扔掉。。。。。。
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The author discovered in the exploration, firstly, in Zhu Xi"s reading view both pays great attention the reader to text"s assurance, causes the reader as not to be separated from the text so as to do surpasses the text threshold the understanding, and pays great attention the reader individual experiences seepage to the influence of the reading result which causes the reader not only book not on only, displays the reader individuality fully; Next, Zhu Xi's opinions pays attention to the familiarity with fine thinking, thought that is familiar with fine thinking is the understanding foundation, thinking in reading, reading in thinking, can have a feeling to become aware, also pays great attention to fulfilling experience, thought that the reader wants to experience attentively at the same time, pursues internal conjunction of the reader's and the author's mind, pursues a kind of communication of mind, on the other hand we must use the practice to experience, and to pursue the reader's reading result and the life exchange, only then such reading result can penetrate thoroughly; Finally, Zhu Xi's view also pays great attention the knowledge that soaks thoroughly the penetration. It is thought that the reader must proceed in an orderly way, neither anxiously nor slow, work carefully and make steady progress from the easy to the difficult, and using analogy to make the knowledge interpenetration, learn with a lively mind, and increase reader's ability for the next reading .
在探索中笔者发现,首先,朱熹的阅读观中既注重读者对文本本身的把握,使读者不至于脱离文本做超出文本阈限的理解,又注重读者个性经验的渗透对阅读结果的影响,使读者不唯书不唯上,充分发挥读者个性;其次,朱熹阅读观还注重熟读精思的重要性,认为熟读精思是理解的基础,在读中思,于思中读,才能有所感悟,又注重体验践行,认为读者一方面要用心体验,追求读者与作者心灵内部的契合,追求一种心灵的对话,另一方面要用实践去体验,追求读者阅读结果与生活之间的交流融通,只有这样的阅读结果才能深入透彻;最后,朱熹阅读观还注重知识的浃洽贯通,认为读者读书要循序渐进,不急不缓,由易到难一步一个脚印去做,并运用类推的方法使知识相互贯通,活学活用,使读者的下次阅读受益。
- 相关中文对照歌词
- Newport State Of Mind (You're Not From Newport)
- I'm Not Leavin' You (It's All In Your Mind)
- It's Your Body Not Your Mind
- When The Mind Is Not Live
- 推荐网络例句
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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.
索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。
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The relationship between communicative competence and grammar teaching should be that of the ends and the means.
交际能力和语法的关系应该是目标与途径的关系。
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This is not paper type of business,it's people business,with such huge money involved.
这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。