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Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台,张艺谋影片中的采用了时间的滞后性策略,影片中的故事本文时间均选择了过去:十九世纪三十、四十年代,抗战前期,六七十年代;影片中的本文空间均选择了远离文化中心的边缘地带,通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境;将处于社会边缘的女性放置在其中,利用观众位置的双重性认同结构,巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态:即重复再一次对女性的观看,满足东西方男性的窥视欲望。

Among them 3 kinds of pattern are more familiar, it is mode of forum public relations, the small number of people gives out gigantic voice through occupying the platform such as forum, BBS by force, flooded popular true sound; 2 it is the network shoves a hand, prove through plan and lack but the operation with apparent directivity, the purpose; that achieves attack competitor or information to distribute searchs engine the 3rd kind namely, the search engine that holds market dominant position often screen inimical or the website that does not pay, put the content that with oneself interest positive closes in search result front row, one when intervene the practice that searchs a result made industry goes regular.

其中三种模式比较常见,一是论坛公关模式,少数人通过霸占论坛、BBS等平台发出巨大的声音,淹没了大众的真正声音;二是网络推手,通过策划以及缺乏论证但是指向性明显的操作,达到攻击竞争对手或信息散布的目的;第三种就是搜索引擎,占据市场优势的搜索引擎往往屏蔽不友善或不付钱的网站,并将与自己利益正相关的内容放在搜索结果前列,干预搜索结果的做法成为了业界的一条潜规则。

A person who does not deliberately dispose of all his thoughts alike in cumbrous draperies and flimsy disguises may strike out twenty varieties of familiar everyday language, each coming somewhat nearer to the feeling he wants to convey, and at last not hit upon that particular and only one which may be said to be identical with the exact impression in his mind.

一个人写文章,只要他不是立志要把自己的真意用重重锦绣帐幔、层层多余伪装完全遮掩起来,他总会从熟悉的日常用语中想出一二种说法,一个比一个接近他所要表达的情感,只怕到了最后,他竟会打不定主意要用哪一种说法才能恰如其分地表达自己的心意哩!

A person who de ws not deliberately dimples of all his thoughts alike in cumbrous draperies and flimsy disguises may strike out twenty varieties of familiar everyday language, each coming somewhat nearer to the feeling he wants to convey, and at last not h it upon that particular and only one which may be said to be identical with the exact impression in his mind.

我讨厌那些白占地方的东西,讨厌满载一大堆空纸盒的车招摇过市,也讨厌堆砌那些大而无实际内容的词汇。

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye. In the last three weeks of the course, we will be watching films from the 1980s and you'll choose one of them as a subject for an extensive written critique.

这门课不讲无声电影,我们将从1927年放映的第一部有声电影'爵士歌手'开始,下周我们也将观看1933年放映的'掘金人',一部非常能表现萧条时期逃避注意的电影,有一些电影对你们来说可能很新奇,象Frank Capra的'为什么我们会打架',别的你们可能在电视上已经看过了,象James Deane主演的'没有目标的反抗'或Stanley Cooper的'医生的怪癖',但是我希望你们对即使很熟悉的电影,也采取一种崭新的观点去看,在本课程的最后三周内,我们会观看一些80年代的影片,同时你们需要从中选出一部电影作为撰写深入评论的对象。

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye.

这门课不讲无声电影,我们将从1927年放映的第一部有声电影'爵士歌手'开始,下周我们也将观看1933年放映的'掘金人',一部非常能表现萧条时期逃避注意的电影,有一些电影对你们来说可能很新奇,象F rank Capra 的'为什么我们会打架',别的你们可能在电视上已经看过了,象 James Deane 主演的'没有目标的反抗'或 Stanley Cooper 的'医生的怪癖',但是我希望你们对即使很熟悉的电影,也采取一种崭新的观点去看,在本课程的最后三周内,我们会观看一些80年代的影片,同时你们需要从中选出一部电影作为撰写深入评论的对象。

Through see much of a beautiful girl's son, is busy at the chat, or beat the time of poker at the other people, hope cornfield lonesomely, or devote one's mind ground to looking at those trees of wayside, the shape is each different leaf, having of the color and luster is fresh and bright, having of withered Huang dreary, but is a similar veins and arteries clear, the veins is clear, embellishing full the tree trunk of summer, leaf of cleft, cover up not to live birds twitter, hide not to live a familiar story, acquaint with of person, be like right against the face damp but tiny and cool breeze.

经常看到一个美丽的女孩子,在别人忙着聊天,或者打扑克的时候,寂寂地望着麦田,或者专注地看着路边的那些树,形状各异的的叶,有的色泽鲜亮,有的枯黄黯淡,却是一样的经络分明,纹理清晰,缀满了夏天的树干,叶的间隙,掩不住鸟啼,藏不住熟悉的故事,熟悉的人,像迎面而来潮湿而微凉的风。

The high school life was rather boring.There was a time when I thought I would never enjoy sunshine anymore.However,the other day,I went back home with thick piles of books in hand.Suddenly,I came across something red with letters of "Carlsberg" printed in front of it when I passed by a sports shop.How familiar polo shirt it was!How sincere my feeling was!How moved I was.In order to have a look at that flaming shirt hanging on, afterwards,I got accustomedto doing that as though my unhappiness would be gone with the wind on seeing the red shirt.It was not untill that moment did I realize I still remained my blue sky and warm sunshine.After all,the haze would be disappearing.

高中生活真的很枯燥,曾经我认为我已不再拥有阳光,可是当一天我捧着厚厚的书回家,经过沿途一家体育用品商店的时候,一身鲜亮的红色,正前方印着嘉士伯字样的球衣如此真切地出现在我面前时,一种久违的阳光,一种久违的温暖,一种久违的亲切让我的心感动不已,以后的每天我都经过那家商店,看着那件火红色的球衣高高地挂在那儿,一切不快乐都随风远去了,那一刻我觉得一切都是充满希望的,就像阴沉的天空终会云开雾散一样,我还是拥有一片碧蓝的天空,拥有一片阳光。

But the film treats Congo's tragedy with a light touch. Rather, most of the orchestra's problems will be familiar to amateur musicians the world over. Mr Diangienda berates his choir for failing to practise the difficult bits of the symphony, warning them sternly that they will not perform if they are not up to scratch. Trésor Wamba, a tenor, struggles to persuade his teenage friends that the concert won't send them to sleep.

然而这部纪录片对于刚果的灾难只是随意触及,电影中所表达的管弦乐队的大部分问题,都是全世界业余音乐家所熟悉的,迪安吉达指责合唱队不能战胜乐曲中的难点,警告他们如果没达到标准就不能上音乐会表演;男高音万巴(Trésor Wamba)劝他十几岁的朋友们来音乐会,保证他们不会听睡着;还有一名歌手米瑞乐。

The pseudoscience of city planning and its companion, the art of city design, have not yet broken with the specious comfort of wishes, familiar superstitions, oversimplifications, and symbols, and have not yet embarked upon the adventure of probing the real world.

城市规划的伪科学以及与其相伴的城市设计艺术,还没有告别伪善的祝颂安慰,常见的迷信,过度的简单化以及符号,还没有踏上探索真实世界的冒险征程。

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