查询词典 nonsense verse

Christopher Marlowe was the first English author to make full use of the potential of blank verse, and also established it as the dominant verse form for English drama in the age of Elizabeth I and James I. The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and Milton, whose Paradise Lost is written in blank verse.

克里斯托弗马洛是第一个英文作者充分利用的潜力，无韵诗，还建立了它的主导形式的诗句英语话剧时代的伊丽莎白一世和詹姆斯一，主要成就在英语韵诗发了言威廉莎士比亚，谁写的大部分内容，他的戏剧在unrhymed抑扬格五音，和米尔顿的失乐园是用无韵诗。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankind's necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankinds necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

VERSE 1 I lie awake at night See things in black and white I've only got you inside my mind You know you have made me blind VERSE 2 I lie awake and pray That you will look my way I have all this longing in my heart I knew it right from the start CHORUS Oh my pretty pretty boy I love you Like I never ever loved no one before you Pretty pretty boy of mine Just tell me you love me too Oh my pretty pretty boy I need you Oh my pretty pretty boy I do Let me inside Make me stay right beside you VERSE 3 I used to write your name And put it in a frame And sometime I think I hear you call Right from my bedroom wall VERSE 4 You stay a little while And touch me with your smile And what can I say to make you mine To reach out for you in time CHORUS BRIDGE Oh pretty boy Say you love me too

我醒着躺了一整夜看东西都没有色彩我的脑海中只有你的影子你让我看不见一切我躺着，祈祷着希望你能看到我的方向一直以来我只有这个愿望我知道从一开始就是对的噢，漂亮男孩，我爱你从来没有像爱你那样爱过别人噢。我的漂亮男孩告诉我你也爱我我需要你噢。我的漂亮男孩我真的需要你让我进入你的世界让我陪伴在你的左右我常常写下你的名字把它放进框框里我常常可以听到你喊我的声音从卧室的墙壁传来你停留了一会儿用你的微笑感动了我(此处我把touch翻译成感动不知道对不对，我想翻成&触摸&也对)我该怎么对你说你是我的我该怎么才能及时的把你追到手噢，漂亮男孩说你也爱我吧注：本人纯属自己翻译。意思肯定对，但是可通没有诗意

British artist and writer of nonsense verse, included in such works as his first Book of Nonsense (84').

李尔，爱德华：(82-888)英国艺术家和打油诗作家，作品包括在如他的第一部《无聊书》（84'年）等著作中

B Their poetical form: this does not refer to the elegiac verse (which Budde called the "inah-verse") of the first four songs-a verse-form which since the time of Amos is found in all the prophetic literature-but to the so-called acrostic form: that is, in ch.

他们的诗歌形式：这并非指的挽歌诗（其中布德称为" inah -诗"）的前四个歌曲一诗，形式之时起阿莫斯纳曼发现所有先知文学但所谓的acrostic形式，即：在

In the first, second, and fourth elegies each verse begins with a letter of the Hebrew alphabet, the letters following in order, as the first verse begins with Aleph, the second with Beth, etc.; in the third elegy every fourth verse begins with a letter of the alphabet in due order.

在第一，第二，第四和elegies每首诗开始与信希伯来文的字母，英文字母在以下秩序，作为第一首诗开始列，第二个与什么，等等；在第三挽歌每第四诗开始与信的英文字母排列在适当的秩序。

Certainly, verse language a type usually is with interfuse rhetoric in other verse, much more lexical righteousness in verse in common composing.

因而对多义性诗歌语句的改写也最能察看诗歌语言句式在诗歌实际表达中的应用情形，同时也最能体会诗歌语言句式在实际表达中的效果。

Centering on the general topic of new verse language there are three basic problems that cannot be avoided: 1 Language resources: how to seek the inherent resources of language for new verse in the dilemma of vernacular and Europeanized speech; 2 Quality of language: how to find "base material" that can promote self generation and renewal of language for new verse from the classics and pre...

围绕着中国新诗语言这一总的论题，有三个难以绕开的基本问题：第一，就新诗语言资源而言，如何在白话与欧化的历史两难处境中寻求适于新诗语言的内在资源；第二，就新诗语言质地而言，如何在古典与现代的现实张力中，在二者的差异性和延续性中摸索到促动新诗语言自我生成和更新的&基质&；第三，就新诗语言风格而言，如何在实行对口语与书面语的双重超越后，构建符合新诗语言特性的多样化风格。

I lie awake at night see things in black and white i've only got you inside my mind you know you have made me blind verse 2 i lie awake and pray that you will look my way i have all this longing in my heart i knew it right from the start chorus oh my pretty pretty boy i love you like i never ever loved no one before you pretty pretty boy of mine just tell me you love me too oh my pretty pretty boy i need you oh my pretty pretty boy i do let me inside make me stay right beside you verse 3 i used to write your name and put it in a frame and sometime i think i hear you call right from my bedroom wall verse 4 you stay a little while and touch me with your smile and what can i say to make you mine to reach out for you in time chorus bridge oh pretty boy say you love me too 下载: http://mp3.baidu.com/r?

MP3 第八首〈至少走得比你早〉，卢巧音和陆毅合唱的，是〈好心分手〉的国语版，觉得这首更好歌词：你没有想过我会说分手也许太习惯我在你左右虽然离开你有很多理由可看见你这样惊讶也足够我想得比你多陪你一起更寂寞我性格比你强怎样做你的绵羊我年纪比你小不信快乐找不到抬起头开了口最后我比你骄傲从此不坐你的牢想不到你的好记得和你的争吵想到老可到老可是和你做不到如果你爱得比我少至少我走得比你早你没有想过我会说分手除非以为我什么都忍受就算你这时候努力挽留不过是你不能接受我先走最后我比你骄傲从此不坐你的牢想不到你的好记得和你的争吵想到老可到老可是和你做不到如果你爱得比我少幸好我走得比你早轰轰烈烈地开口下载： http：//mp3.baidu.com/r？

According to our present broadcasting situation,the thesis proposes using new technology to update and reform the present HFC. It also suggests broadcasting using self-advantage and arranging EPON in order to win the supermarket.

论文从我国广电的现状出发，结合实际，积极倡导采用新技术更新、改造我国现有的HFC网络；倡导广电现阶段利用自身优势，部署EPON网络来赢取市场。

A new general kinetic equation was derived in which the effect of the removal of condensation water was taken into account completely, and was applied to the polyesterification kinetic study of AA/HPHP and AA/NPG. It was found that the reaction order of self-catalyzed polyesterification was not constant. For these polyesterifications, the reaction order was 2.5 at a low temperature, while 3.0 at a high temperature.

考虑缩合水的排除对反应体系的影响，用体积浓度单位推导出一个新的聚酯反应总包动力学方程，并应用到AA/HPHP和AA/NPG两个聚酯化反应的动力学研究中，研究发现，自催化聚酯反应的反应级数并不是固定值，对于AA/HPHP和AA/NPG两个聚酯化反应而言，低温时反应级数为2.5，高温时反应级数为3.0。