查询词典 no side

Such birds do us good,though we no longer take omens from their flight on this side and that; and even the most superstitious villagers no longer take off their hats to the magpie and wish it good-morning.

这些鸟对我们有益，虽然我们不再从它们的飞行姿势来占卜吉凶，连最迷信的村民也不再对喜鹊脱帽行礼、祝它早安了。

Such birds do us good, though we no longer take omens from their flight on this side and that; and even the most superstitious villagers no longer take off their hats to the magpie and wish it good-morning.

这些鸟对我们是有益的，虽然我们不再从它们的飞翔姿态来占卜吉凶，连最迷信的村民也不再对喜鹊脱帽行礼，祝它早安了。

Please put the excavators on Hatch No.4 deck, one on each side, and the road rollers in Hatch No.2 tweendeck hatchway.

请把掘土机放在四舱甲板，一边一个，并把压路机装在二舱二层舱舱口位。

Selection above average grade 2 degrees open of carnation does keepfresh experiment to indicate:The carnation that uses clear water and Hollands antistaling agent,The 10th day flower petal color appears black and obscure,petal b ecome soft , Blossom head and side appears dry and shrink,Can't bloom well,but carnation it use huaxianzi keep fresh liquid can open well,The sideHave no curl and dry ,The color is gorgeous and bright,Life-span of flower be no lower than 20 days.

选取的中上级2度开的康乃馨做的瓶插试验表明：使用清水和荷兰保鲜剂的康乃馨，第10天时花瓣出现颜色发暗发黑、发软、花头花边干缩不能充分绽放，而使用花鲜子保鲜液的康乃馨能充分开放、无卷边糊边、颜色鲜艳发亮，花期不低于20天。

The female was mainly characterized by symmetrical convex gential segment, the same thorn length on either sides of the fourth sections, and no serrated ridges on the third section in the fifth thoracic appendage. No convex on the left side and long hook-like tip were found in the fifth thoracic appendage of the males.

其主要特征是：雌性生殖节左右两侧的凸起对称，雌性第五胸肢的第四节末端刺毛左、右肢等长，第三节刺毛的外缘不具锯齿；雄性第五胸肢基节左侧不具突起，末端节也不具有长钩状突起。

IT lay down in a hollow, rich with fine old timber and luxuriant pastures; and you came upon it through an avenue of limes, bordered on either side by meadows, over the high hedges of which the cattle looked inquisitively at you as you passed, wondering, perhaps, what you wanted; for there was no thoroughfare, and unless you were going to the Court you had no business there at all.

府邸低低地坐落在一个山谷里，谷中遍布优质成材的老林和片片郁郁葱葱的牧场；你穿过一条菩提树的林荫道，便到了府邸；道旁两边都与牧草地接壤，牛群在你经过时越过草地边高高的树篱探询地瞧着你，也许心中纳罕，想知道你要的是什么哩；因为那儿没有通行大道，除非你要上庄院去，可那儿根本没有什么跟你相干的事。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

D its lonely hours and dreary, When we Close the aching sight, Musing sadly, lorn and weary, Trusting that tomorrow's light May reveal a day more cheery; Amid affliction's darker hour, When no hope beguiles our sadness, When Death's hurtling tempests lower, And forever shroud our gladness, While Grief's unrelenting power Goads our stricken hearts to madness; When from friends beloved we're parted, And from scenes our spirits love, And are driven, broken-hearted, O'er a heartless world to rove; When the woes by which we've smarted, Vainly seek to melt or move; When we trust and are deluded, When we love and are denied, When the schemes o'er which we brooded Burst like mist on mountain's side, And, from every hope excluded, We in dark despair abide; Then, and ever, God sustains us, He whose eye no slumber knows, Who controls each throb that pains us, And in mercy sends our woes, And by love severe constrains us To avoid eternal throes.

小时的孤独和凄凉，当我们关闭疼痛视觉，沉思可悲的是，洛恩和厌倦，相信明天的光线可能揭示出一个更愉快的一天；一片痛苦的黑暗时刻，当我们不希望翻滚的波涛上面悲伤，当死亡的飞驰暴风雨低，我们永远裹尸布高兴，虽然悲伤的不懈动力Goads我们灾区的心以疯狂；当从我们可爱的朋友分手，从场面我们的精神的爱，并驱动，伤心，O'er是无情世界的罗夫，当其中我们元气疾苦，妄想寻求融化或移动，当我们的信任和迷惑，当我们爱和被剥夺，当计划o'er 像我们反复思量山区一边薄雾破灭，从每一个希望排除，我们在黑暗的绝望遵守，那么，和以往任何时候都维持我们的上帝，他的眼睛没有沉睡知道，谁控制每一个跳动的痛苦我们，在我们的困境发出慈悲，爱和严重制约我们避免永恒的阵痛。

No. 3, with its glimpses of mazurka, followed by a solemn chorale section that suddenly curtails the piece without the expected return to the opening material ---- evidently a late inspiration, since an early manuSCRIPT fragment of the piece assumes the conventional da capo return.(the other side of the same manuSCRIPT contains the study op. 10 no. 9, suggesting that this nocturne was at least partly composed well before the date of 1833 usually ascribed to it.) chopin is said to have associated the piece with hamlet ---- one of many literary images prompted by his music.

最为典型的例子是op.15no.3，在它中间有着玛祖卡舞曲的惊鸿一瞥，之后是肃穆的赞美诗部分，这一部分突然缩减了这一篇章，而不是象预期的那样回到开始之处，而早期的手稿中这里是采用了传统的da capo返回（这篇手稿的另一面还写有op.10no.9，这表明这部夜曲至少有一部分是在1833年以前创作的）据说肖邦把这个乐章和哈姆雷特——在他的音乐中提及的众多文学映像之一——联系在了一起。

Secondly,* The legislative, or supreme authority, cannot assume to itself a power to rule by extemporary arbitrary decrees, but is bound to dispense justice, and decide the rights of the subject by promulgated standing laws, and known authorized judges: for the law of nature being unwritten, and so no where to be found but in the minds of men, they who through passion or interest shall miscite, or misapply it, cannot so easily be convinced of their mistake where there is no established judge: and so it serves not, as it ought, to determine the rights, and fence the properties of those that live under it, especially where every one is judge, interpreter, and executioner of it too, and that in his own case: and he that has right on his side, having ordinarily but his own single strength, hath not force enough to defend himself from injuries, or to punish delinquents.

第二，立法权力或最高权力，不能自认为是通过即兴的肆意的法令来统治的权力，而只能局限于衡量正义（衡量罪行与惩罚是否相当，衡量伤害与补偿是否相当），并由公布的恒定法律和已知被授权的法官来裁定臣民之间的权利：因为自然法并非成文，所以只能在人们的思想中找到它们，在没有设立法官的地方，由于人们充满了激情或利益的考虑便会错误引证或应用自然法，从而就不能那么容易的确定他们的错误了：这样一来立法权力就不是服务于——它本来应该如此——裁定权利，保护生活于其下的臣民的财产，特别是在他自己的事件中，每个人都是审判者，解释者和执行者：有权利的一方，通常仅仅只能依靠他自己的力量，没有足够的力量来保护自己免于伤害，或者去惩罚犯罪者。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。