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I doubt you've ever dared to love anybody that much. I look at you. I don't see an intelligent, confident man. I see a cocky, scared shitless kid. But you're a genius, Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine.

我怀疑你敢那样爱人，看着你，我没看到聪明自信，我看到被吓傻的狂妄孩子，但你是天才，没人能否认，没人能了解你的深度，但你看我的画就认定了解我，你把我的人生撕裂了。

I doubt you've ever dared to love anybody that much. I look at you; I don't see an intelligent, confident man; I see a cocky, scared shitless kid. But you're a genius, Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine and you ripped my fuckin' life apart.

我怀疑你敢那样爱人，看着你，我没看到聪明自信，我看到被吓坏的狂妄孩子，但你是天才，没人能否认，没人能了解你的深度，但你看我的画就认定了我，你把我的人生撕裂了。

So far as he knows, no one has yet said it; so far as he knows, no one else can say it.

并且据他所知，没有任何人曾经写过这些，也没有任何人有能力来表述。

The works exhibited this time is the production under this thinking. I will not limit myself in such an abstract or traditional label. The direct or indirect calligraphy, Taiji, sculpture, poem and philosophy, aesthetic thoughts absorbed from paintings allow me to realize that the form of paintings is not just a key problem, no one shall find the freedom exit as when Duchamp's works were completely destroyed. And there is no one who is as frank and smart as Picasso to change the form game into the local snack. In some history phases, a kind of thinking ways and a kind of language styles may gain the upper hand. But comparing to stable accumulation of the history of culture and aesthetic, the pure quality of painting spirant will forever be an important premise of painting criticism.

这次展览的作品，便是这样的思考前提下的产物，我不会把自己定身在抽象或者传统这样的标签之下，我在绘画过程中所吸收的书法、太极、雕塑、诗歌和哲学、美学思想的直接和间接的营养，让我体会到，绘画作品的形式远不是一个最关键问题，没有人可以在杜桑完全彻底的破坏面前找到自由的出口，也没有人可以像毕加索那样把形式游戏变成地方小吃一般的率性和机灵，在某一个历史阶段，一种思想方式，一种语言风格或许会占上风，但相对于文化史、美学史坚实的积淀，绘画精神性的纯粹质量将永远是绘画批判的一个重要前提。

So grab your Wooden Stake, stuff some shot in that Musket, and hold on to your Tri-corn Hat; no one is safe from the creatures of the night and no one can be trusted...for inside everyone lies A Touch of Evil.

争取你的筹码，荷枪实弹，戴上你的三角帽；从黑夜降临的那一刻开始，没有人将会是安全的，没有人可以被完全信任，因为每一个人都在进行着"邪恶触觉"

No one knows where it rises and no one knows where it ends, but all the Lower Planes know the River Styx.

虽然所有低层位面的生物都知道冥河，但却无人能说出它的发源地与它的尽头。

You may elect, in negotiation, to subsume your behavior to the will of another, and you may work to train your thoughts and beliefs in the same direction if you choose, but no one can give what s/he does not possess, and no one can subsume whatever in him- or herself s/he cannot reliably govern.

在协商中，你可以选择让自己的行为服从对方的意志，你也可以朝着这个方向训练你的思维和想法。但你只能给予你有的东西，你不能完全控制的东西当然不在此列。

No one can exceed him, no one can subvert him.

没有人能超过他，没有人能颠覆他。

No, no one's going to swallow that one.

没有人会有意见的

Where the flock would go was anyone's guess; no one Swarmer directed the others; no one steered it.

人人都在猜蜂群会往哪里去；任何一只蜂都没法改变别的蜂的行迹；也没有人控制任何一只蜂的行迹。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。