查询词典 nineteenth

At the close of the eighteenth century and the beginning of the nineteenth century the most earnest thinkers in England about legal and social problems and the architects of great reforms were the great Utilitarians.

18世纪末19世纪初，英格兰最严肃诚恳的法律和社会思想家以及伟大改革的设计师是功利主义者。

Zionism has been aided in the nineteenth and twentieth centuries by Christian Zionists.

&犹太复国主义一直资助的19世纪和20世纪的&基督教犹太复国主义者。

"Economics is a study of mankind in the ordinary business of life." So wrote Alfred Marshall, the great nineteenth-century economist, in his textbook, Principles of Economics .

十九世纪伟大的经济学家阿尔弗雷德·马歇尔在其教科书《经济学原理》中如是写道：&经济学是一门研究人类一般生活事务的学问。&

The style of the figures is characteristic of sculpture of the later years of the Eighteenth Dynasty, around the reign of Amenhotep III (1390-1352 BC), and the early years of the Nineteenth Dynasty (begins 1295 BC).

这些数字王朝风格的特点是第十八年的雕塑后，周围）的阿蒙霍特普三世统治时期（公元前1390至1352年），19王朝（早年和1295年的开始。

To 4500 B.P. However, similar styles were in use elsewhere in western North America and Australia into the nineteenth century.

然而，相似类型的箭头也曾在别处分布，包括十九世纪的美洲西北部和澳洲。

Bellini is one of the important representatives of Italian opera in the early nineteenth century.

贝利尼是19世纪早期，意大利歌剧的主要代表人物之一。

Hence Huxley admits that this position is no longer tenable (The Nineteenth Century, Feb., 1889), and in fact there is no longer a Tübingen School at Tübingen.

因此，赫胥黎也承认，这一立场不再是站不住脚的（十九世纪， 2月， 1889年），并在事实上已不再是一个蒂宾根大学学院蒂宾根大学。

As far as I know, this kind of art, from Caravaggio to the nineteenth century, had occupied a considerable proportion in European art.

我认为这样的艺术，从卡拉瓦乔起，一直到19世纪，欧洲艺术的一个相当的成分是这个成分。

Virtually all forms of organ injury start with molecular or structural alterations in cells, a concept first put forth in the nineteenth century by Rudolf Virchow, known an the father of modern pathology.

从根本上说，任何形式的器官损伤都起源于细胞内的分子改造或结构重塑。这一观念由现代病理学之父Rudolf Virchow，早在十九世纪就已提出。

Let me take a typical example, the painting of Vermeer was almost a complete imitation and depiction on the objects. This kind of art had reached its peak in the nineteenth century.

我举个典型的例子，维米尔的绘画，它几乎是对事物的一个透镜般的模写，这种艺术在19世纪到了顶峰。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。