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Multicoloured, shaded, painting-like patterns as we know t he m today are a recent development, deriving from similar shaded patterns of Berlin wool work of t he mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, painting-li ke patterns as we know them today are a recent development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, painting-like patterns as we know them today are a recent development, deriving from si milar shaded patterns of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-li ke patterns as we know them today are a recent development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-like patterns as we know them today are a recent development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth century.

彩色的，阴影和绘画形式的都是近期发展起来的，它们都是起源于与其相似的出现于19世纪中叶的柏林木制工艺（天知道原来十字绣的起源是从德国。。。。

Multicoloured, shaded, painting-like patterns as we know them toda y are a recent development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth centur y .

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-like patterns as we know them toda y are a recent development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth centur y .

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, shaded, paintin g -like patterns as we know them today are a recent development, derivin g from similar shaded patterns of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛类似的工作模式所产生的阴影。

Multicoloured, shaded, painting-like patte rn s as we know them today are a recent development, deriving from similar shaded patte rn s of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

Multicoloured, s haded, painting-like pattern s a s we know them today are a recent development, deriving from s imilar s haded pattern s of Berlin wool work of the mid-nineteenth century.

五彩，阴影，绘画等方式，正如我们今天所知的是最近的发展，从柏林的19世纪中叶羊毛的工作模式产生类似的阴影。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。