查询词典 nineteenth

Charles Gounod, born in France in June 1818, was one of the country's best composers of the late nineteenth century.

古诺(Gounod，1818-1893)是19世纪法国著名的作曲家，他的成名作《浮士德》给抒情歌剧带来了新生。

Charles Francois Gounod (1818—1893) is one of the great French opera composers in the nineteenth century. In his operas he insisted the tenet that thoughts of roles should be expressed by the music that was plain and truehearted. He created the kind of opera named"lyric opera", which broke through the"grand opera"in France in the period of 1830s and pointed out the direction of the French opera.

夏尔·弗朗索瓦·古诺(Charles Francois Gounod，1818——1893)是19世纪中、下叶法国的一位杰出的歌剧作曲家，在歌剧创作中他强调用朴实真挚的音乐语言来表达人物情感，他创作出一种被称之为"抒情歌剧"的歌剧类型，打破了自19世纪30年代以来形成的大歌剧浮华夸张风格的传统，为法国歌剧的发展指明了道路。

Later versions include the long and famous poem Faust by the nineteenth-century Romantic writer Johann Wolfgang von Goethe, as well as operas by Charles Gounod and Arrigo Boito and a symphony by Hector Berlioz.

更新版本包括长期和著名的诗浮士德的十九世纪浪漫主义作家约翰沃尔夫冈冯歌德，以及歌剧由查尔斯古诺和萨基博伊托和交响乐的埃克托尔柏辽兹。

After the middle of the nineteenth century land-grant colleges were established, and they disseminated information and technology through governmentally financed extension services.

十九世纪中期以后，土地赠与学院纷纷建立，这些学院通过政府资助的延伸服务传播信息和技术。

Nineteenth-century composers with an international reputation Gemei Si that is Brazilian, his work with the Italian style, including one under Alencar's "Guarani people" written opera.

十九世纪具有国际声望的作曲家哥梅斯即是巴西人，其作品具有义大利风情，包括一出根据阿伦卡尔的《瓜拉尼人》写成的歌剧。

Hemingway did so by trimming the often excessive language of the nineteenth century into a spare, hard-edged prose.

海明威这样做修剪过度的语言往往是在19世纪成为一个备件，硬边的散文。

It was created by Henri Poincare when he studied the three-body problem in the late nineteenth century.

它是由庞加莱时，他研究了19世纪后期的三体问题。

Modern scholars regard nineteenth-century scholarship as a hotchpotch of truth and error. But this realisation came too late to avert a tragedy.

现代学者认为19世纪的学术界是充满真理和谬误的大杂烩，但是这种认识来的太晚了。

For this reason, it became the favorite household instrument of the nineteenth century.

你能迅速理解这句话的中文意思并把握其核心结构吗？

These two artists were linked to a nineteenth century group of painters known as the Hudson River School.

这两位艺术家与19世纪被称为哈德森河流学校的画家团体有关。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。