查询词典 nineteenth

H. R.: I do not claim that the Jewish mafia controls most of the international illegal drug trade, since there are no statistics on the subject, but it does not appear incredible to me, judging by all information I could gather. The fact is that from the Chinese opium traffic of the nineteenth century to the present day, this mafia has been quite active in this field. In the traffic of ecstasy, one can say for certain that the Jewish mafia holds a monopoly. Today, ecstasy is the drug that is most harmful to European young people. A pill of ecstasy gives a feeling of strength and well-being for a few hours, but it is above all a veritable chemical garbage bin. Its long-term effects are alarming because irreversible: memory loss; behavioral, sleep, and concentration problems; brain lesions in the children of druggie mother. The premier producer is Holland, but the big traffickers who were arrested ten years ago in France, Belgium, the United States, or Australia, all have Israeli passports. The business of ecstasy is 100% in the hands of Jewish gangsters, not all of whom come from Russia, since there are Sephardic traffickers as well. If you buy a pill of ecstasy, in every instance, you can be certain you are financing the Jewish mafia.

我没有说犹太黑帮控制了大多数的国际贩毒非法贸易，因为根本就没有这方面的统计数据，但是根据我所收集的所有资料显示，这对我来说，也不是难以置信的，事实上自从19世纪中国的鸦片运输到现在，此黑帮在这方面的业务是挺活跃的，在贩卖摇头丸，人们可以肯定犹太黑帮掌握了垄断地位，今天，摇头丸是最为毒害欧洲年青人的，一片摇头丸首先给人在数小时内有一种力量和顺当的感觉，但它是一种名副其实的化学垃圾箱，它的长期影响是惊人的，因为这些后果是不可逆转的：包括失忆，在行为，睡眠和集中注意力都有问题；有药瘾的孕妇可能会导致生下来的孩子脑损伤，主要的生产者是荷兰，但是10年前在法国，比利时，美国和澳大利亚逮捕到的毒贩全都是持以色列护照的，摇头丸的生意百份之一百掌握在犹太帮派手上，不是全部都是来自俄国的，因为那里也有塞法迪裔的犹太毒贩，在任何情况下，如果您摇头购买丸，你可以肯定你的钱进贡了犹太黑帮。

This nineteenth-century painting shows a Druidess holding both the sickle and a sprig of mistletoe.

这幅十九世纪的绘画描绘了一位女祭司手拿着镰刀和一些槲寄生的枝叶。

John Dudgeon was one of the most prolific European writers on the hygienic conditions of China in the nineteenth century.

伦敦传道会在一八六三年派到中国的苏格兰医疗传教士德贞，是十九世纪最勤於研究中国卫生状况的西方医师之一。

Several more brightly clad people met me in the doorway, and so we entered, I, dressed in dingy nineteenth-century garments, looking grotesque enough, garlanded with flowers, and surrounded by an eddying mass of bright, soft-colored robes and shining white limbs, in a melodious whirl of laughter and laughing speech.

几个穿着更漂亮的人在门口迎接我，于是我们走了进去。我身上穿的是19世纪暗色的长衫，样子十分古怪，脖子上还戴着花环，身旁簇拥着一大群人，他们身着色彩鲜艳又柔和的袍子，四肢洁白光亮，沉浸在一阵阵欢声笑语中。

One might add, for the sake of completeness, a fourth type of composer - the pioneer type: men like Gesualdo in the seventeenth century, Moussorgsky and Berlioz in the nineteenth, Debussy and Edgar Varese in the twentieth.

为完整起见也许还应加上第四种作曲家--先锋型，诸如17世纪的杰苏尔多、19世纪的穆索尔斯基和柏辽兹，以及20世纪的德彪西和瓦雷兹。

Pride and Prejudice is an enduringly popular novel published in 1813 by the English writer Jane Austen (1775-1817), one of the most important novelists of the nineteenth century.

傲慢与偏见》是19世纪英国著名小说家简。奥斯汀一部经久不衰的作品。

"Evolution" was first used in Preformationism and then in Epigenesis, respectively, to describe the unfolding of preexisted organic structure and the recapitulation of the forms of lower animals by the embryo of higher animals. Then the meaning of species change was added to it in the beginning of the nineteenth century.

"Evolution"一词先后被用在胚胎学的预成论和后成论中，分别用来描述预先存在的有机体结构的展开以及高等动物胚胎对低等动物形式的重演。19世纪初它又被添加上了物种改变的含义。

"Evolution" was first used in Preformationism and then in Epigenesis, respectively, to describe the unfolding of preexisted organic structure and the recapitulation of the forms of lower animals by the embryo of higher animals. The n the meaning of species change was added to it in the beginning of the nineteenth century.

"Evolution"一词先后被用在胚胎学的预成论和后成论中，分别用来描述预先存在的有机体结构的展开以及高等动物胚胎对低等动物形式的重演。19世纪初它又被添加上了物种改变的含义。

It is made in the nineteenth century, an epoch-making achievements.

它在十九世纪取得了划时代的成就。

This is the most famous of many esoteric groups that grew out of nineteenth century romanticism.

这是最有名的许多深奥的群体生长出十九世纪浪漫主义。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。