查询词典 nineteenth

The technique of direct carving was a break with the nineteenth-century tradition in which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble.

6，第二个层次：在传统的做法中，有这样两件事情：1 制作粘土模型被认为是一种创造性的艺术，2 这些作品被交到了助手那里，(这里有两个 or，分别连接谁和谁，谁和谁并列)要么被铸造成石膏或青铜。

Technique of direct carving was a break with the nineteenth-century tradition in The which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble.

6，第二个层次：在传统的做法中，有这样两件事情：1 制作粘土模型被认为是一种创造性的艺术，2 这些作品被交到了助手那里，(这里有两个 or，分别连接谁和谁，谁和谁并列)要么被铸造成石膏或青铜。

Cara Gillespie and her family are visiting Harpley Historical Village, an open-air heritage museum devoted to showing a slice of rural life in the nineteenth century.

Cara Gillespie和她的家人正在参观Harpley 历史村庄，一个让人们能了解19世纪乡村生活的露天遗产博物馆。

Until the nineteenth century, archaeologists unearthed the ancient city of Troy, as well as others such as Egypt, the West, in Taiwan people After the discovery of the historical evidence, only to clarify some of the history of doubt, and confirmed that this is a Achaean Greeks, Thracians north-west over the small Central Asian campaign.

直到十九世纪，考古学家发掘出古代的特洛伊城，以及其他如埃及，西台人的历史证据的被发现之后，才厘清了一些历史上的疑点，证实这是一场亚该亚希腊人，战胜小亚西亚西北部色雷斯人的战役。

In the nineteenth century the goddess quality of the work inspired many writers but particularly the English aesthete Walter Pater.

19世纪时，这幅作品的女神般品质给了许多作家、尤其是英国美学家沃尔特·佩特以灵感。

As a consequence, by the late nineteenth century the aether was assumed to be an immovable rigid medium.

如此一来，由已故的19世纪不动产乙醚假定为刚性中等。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

China's economy saw a great retrogress in the nineteenth century. It was going down from the eighteenth-century prosperity to the nineteenth-century crisis.

中国经济在19世纪出现重大逆转，从18世纪的长期繁荣转入19世纪中期以后的长期哀退，中国社会也出现了"19世纪的危机"。

It tells how the civilisation that gave us Marx, Freud and Einstein, Süsskind von Trimburg and Franz Kafka, Moses Mendelssohn and Heinrich Heine, Isaac Babel, Boris Pasternak and Alfred Schnittke, found in eastern Europe a Goldene Medine, a Golden Land—until the invention of the ethnic nation state in the nineteenth century made it impossible for two civilisations to share the same territory.And finally, it recounts how mass emigration to the USA at the close of the nineteenth century and the opening of the twentieth carried many of its beliefs, values and traditions to the other side of the Atlantic, where they served among the contributors, through film, music, literature and the arts, not to speak of commerce and enterprise, to what we think of as the American way of life—and therefore, in this era of globalisation, to the way of the entire world.

依地文明：一个被遗忘的国家的兴衰》讲述了一个哺育出马克思、弗洛伊德、爱因斯坦、海涅的文明国都如何在东欧建立起那个金色国都----这种状况一直持续到19世纪，那时出现了群体民族国家的概念，从那以后两种不同的文明就可以共同分享同一个领地了。

These historians contend that nineteenth-century suffragism was less radical and, hence, less important than, for example, the moral reform movement or domestic feminism - two nineteenth-century movements in which women struggled for more power and autonomy within the family.

译文1：这些历史学家坚持认为十九世纪的妇女参政主义，不如，比如，道德改革运动或家庭女权主义--十九世纪妇女为争取在家庭中的权力和独立而斗争的两个运动那么激进，因此，也就不如它们重要。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。