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Click graphic for enlargement About four items down from the top of the Fast Color Corrector, you'll see a little white square with an eye dropper next to it with a label to the left called White Balance. All you need to do to correct the shot that's not properly white balanced is to sample something in the shot that is, or is supposed to be, white.

，从上到下基本上由四个方面组成Fast Color Corrector调色器，你会看到一个白色的方块，边上还有一个吸管工具，在左边有一个标签，上面写着White Balance，所有你需要做的就是纠正视频里不恰当的白平衡，只要用吸管工具选择视频画面中的某一点，这一点在你认为原来应该是白色的（或是灰色的，即不偏色区域），这个举动就告诉调色工具你选择的这个区域应该是白色的，对于其他一切的校色都是基于这一步开始的。

Click graphic for enlargement About four items down from the top of the Fast Color Corrector, you'll see a little white square with an eye dropper next to it with a label to the left called White Balance. All you need to do to correct the shot that's not pro perly white balanced is to sample something in the shot that is, or is supposed to be, white. What you're doing is telling the software that this is white, correct everything else based on this.

，从上到下基本上由四个方面组成Fast Color Corrector调色器，你会看到一个白色的方块，边上还有一个吸管工具，在左边有一个标签，上面写着White Balance，所有你需要做的就是纠正视频里不恰当的白平衡，只要用吸管工具选择视频画面中的某一点，这一点在你认为原来应该是白色的（或是灰色的，即不偏色区域），这个举动就告诉调色工具你选择的这个区域应该是白色的，对于其他一切的校色都是基于这一步开始的。

Click graphic for enlargement About four items down from the top of the Fast Color Corrector, you'll see a little white square with an eye dropper next to it with a label to the left called White Balance. All you need to do to correct the shot that's not properly white balanced is to sample something in the shot that is, or is supposed to be, white. What you're doing is telling the software that this is white, correct everything else based on this.

，从上到下基本上由四个方面组成Fast Color Corrector调色器，你会看到一个白色的方块，边上还有一个吸管工具，在左边有一个标签，上面写着White Balance，所有你需要做的就是纠正视频里不恰当的白平衡，只要用吸管工具选择视频画面中的某一点，这一点在你认为原来应该是白色的（或是灰色的，即不偏色区域），这个举动就告诉调色工具你选择的这个区域应该是白色的，对于其他一切的校色都是基于这一步开始的。

Though unusual in the Dublin area he knew that it was not by any means unknown for desperadoes who had next to nothing to live on to be abroad waylaying and generally terrorising peaceable pedestrians by placing a pistol at their head in some secluded spot outside the city proper, famished loiterers of the Thames embankment category they might be hanging about there or simply marauders ready to decamp with whatever boodle they could in one fell swoop at a moment's notice, your money or your life, leaving you there to point a moral, gagged and garrotted.

尽管这在都柏林区是罕见的，然而还会有缺衣少食的亡命之徒埋伏在荒郊僻野处，把手枪顶在安分守已的路人头部加以威胁。他们可能像泰晤士河堤岸上那些饥饿的穷流浪汉似的到处荡来荡去，对你进行突然袭击，逼你交出钱来，否则就要你的命。把你抢个精光之后，还往你嘴里塞上东西，脖子用绳索勒起，把你丢在那儿，以便警告旁人，他们就逃之夭夭。

Although unusual in the dublin area , he knew that it was not by any means unknown for desperadoes who had next to nothing to live on to be about waylaying and generally terrorising peaceable pedestrians by placing a pistol at their head in some secluded spot outside the city proper , famished loiterers of the thames embankment category they might be hanging about there or simply marauders ready to decamp with whatever boodle they could in one fell swoop at a moments notice , your money or your life , leaving you there to point a moral , gagged and garotted

尽管这在都柏林区是罕见的，然而还会有缺衣少食的亡命之徒埋伏在荒郊僻野处，把手枪顶在安分守已的路人头部加以威胁。他们可能像泰晤士河堤岸上那些饥饿的穷流浪汉似的到处荡来荡去，对你进行突然袭击，逼你交出钱来，否则就要你的命。把你抢个精光之后，还往你嘴里塞上东西，脖子用绳索勒起，把你丢在那儿，以便警告旁人，他们就逃之夭夭。

Maleic Anhydride is important organic raw material and the third biggest acid anhydride next to benzene anhydride and acid anhydride. In recent years, Maleic Anhydride is esterified and hydrogenised under pressure to make 1,4- butanediol butylene glycol, and it is also hydrogenised to tetrahydrofuran, which enables Maleic Anhydride to become the raw material for producing high-value-added products and to be more widely applied.

顺酐是重要的基本有机原料，也是世界上仅次于酸酐和苯酐的第三大酸酐，近年来，顺酐脂化低压加氢制1.4-丁二醇和顺酐加氢制四氢呋喃技术的开发成功，是顺酐成为生产高附加值产品的原料，应用领域有了更进一步的拓展。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

The first thing I did, was to recompense my original Benefactor, my good old Captain, who had been first charitable to me in my Distress, kind to me in my Beginning, and honest to me at the End: I shew'd him all that was sent me, I told him, that next to the Providence of Heaven, which disposes all things, it was Owing to him; and that it now lay on me to reward him, which I would do a hundred fold: So I first return'd to him the hundred Moidores I had receiv'd of him, then I sent for a Notary, and caused him to draw up a general Release or Discharge for the 470 Moidores, which he had acknowledg'd he ow'd me in the fullest and firmest Manner possible; after which, I caused a Procuration to be drawn, impowering him to be my Receiver of the annual Profits of my Plantation, and appointing my Partner to accompt to him, and make the Returns by the usual Fleets to him in my Name; and a Clause in the End, being a Grant of 100 Moidores a Year to him, during his Life, out of the Effects, and 50 Moidores a Year to his Son after him, for his Life: And thus I requited my old Man.

然后，又请来了一位公证人，请他起草了一份字据，把老船长承认欠我的四百七十块葡萄牙金币，以最彻底、最可靠的方式全部取消或免除。这项手续完成之后，我又请他起草了一份委托书，委任老船长作为我那种植园的年息管理人，并指定我那位合股人向他报告账目，把我应得的收入交给那些长年来往于巴西和里斯本的船队带给他。委托书的最后一款是，老船长在世之日，每年从我的收入中送给他一百葡萄牙金币；在他死后，每年送给他儿子五十葡萄牙金币。这样，我总算报答了这位老人。我现在该考虑下一步的行动了，并考虑怎样处置上天赐给我的这份产业了。说实在话，与荒岛上的寂寞生活相比，现在我要操心的事更多了。

After I had solac'd my Mind with the comfortable Part of my Condition, I began to look round me to see what kind of Place I was in, and what was next to be done, and I soon found my Comforts abate, and that in a word I had a dreadful Deliverance: For I was wet, had no Clothes to shift me, nor any thing either to eat or drink to comfort me, neither did I see any Prospect before me, but that of perishing with Hunger, or being devour'd by wild Beasts; and that which was particularly afflicting to me, was, that I had no Weapon either to hunt and kill any Creature for my Sustenance, or to defend my self against any other Creature that might desire to kill me for theirs: In a Word, I had nothing about me but a Knife, a Tobacco-pipe, and a little Tobacco in a Box, this was all my Provision, and this threw me into terrible Agonies of Mind, that for a while I run about like a Mad-man; Night coming upon me, I began with a heavy Heart to consider what would be my Lot if there were any ravenous Beasts in that Country, seeing at Night they always come abroad for their Prey.

我自我安慰了一番，庆幸自己死而复生。然后，我开始环顾四周，看看到底我到了什么地方，想想下一步该怎么办。但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

After I had solac'd my Mind with the comfortable Part of my Condition, I began to look round me to see what kind of Place I was in, and what was next to be done, and I soon found my Comforts abate, and that in a word I had a dreadful Deliverance: For I was wet, had no Clothes to shift me, nor any thing either to eat or drink to comfort me, neither did I see any Prospect before me, but that of perishing with Hunger, or being devour'd by wild Beasts; and that which was particularly afflicting to me, was, that I had no Weapon either to hunt and kill any Creature for my Sustenance, or to defend my self against any other Creature that might desire to kill me for theirs: In a Word, I had nothing about me but a Knife, a Tobacco-pipe, and a little Tobacco in a Box, this was all my Provision, and this threw me into terrible Agonies of Mind, that for a while I run about like a Mad-man; Night coming upon me, I began with a heavy Heart to consider what would be my Lot if there were any ravenous Beasts in that Country, seeing at Night they always come abroad for their Prey.

但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。