查询词典 new era

However, in an era when digital camera markets are embracing rapid growth, only by repositioning the products based on future market demands and developing new products by means of creative designs can markets be expanded and nitch markets be created successfully.

而在数位相机市场走向快速成长阶段时，若能以未来市场需求将产品重新定位，经由创新设计的手法来开发产品，才能成功拓展市场并创造利基。

The organosilicon family is considered as one of the new materials that can meet the needs of era and are with the fastest development.

有机硅被认为是最能适应时代要求和发展最快的新材料之一，其应用遍及国防、科技、国民经济乃至人们日常生活、医疗保健各个领域。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

But in an era of integration and interdependence, it is also my responsibility to lead America into recognizing that its interests, its fate is tied up with the larger world; that if we ne gl ect or abandon those who are suffering in poverty, that not only are we depriving ourselves of potential opportunities for markets and economic growth, but ultimately that despair may turn to violence that turns on us; that unless we are concerned about the education of all children and not just our children, not only may we be depriving ourselves of the next great scient is t who's going to find the next new energy source that saves the planet, but we also may make people around the world much more vulnerable to anti-American propaganda.

但是在现在这个各国相互依存相互融合的时期，我的另一个职责就是带领美国人民认识到：我们国家的利益和命运和世界是紧密相连的。如果我们忽视或者放弃那些遭遇贫穷的国家和人民，我们将不但放弃了经济和市场发展的潜在机遇，而且最终失望会转变为暴力的冲突反过来伤害我们。如果我们只关注美国的下一代，而不是全世界所有下一代的教育问题，那么我们将不仅仅会失去某一个探索到新能源来拯救地球的伟大科学家，我们会使全世界的人民更易于陷入反美的情绪。

The Shilla Jeju resort, the premier destination in Jeju, is at the forefront of a new tourism and conference era attracting world-class conferences to being the address for thousands of VIPs.

与多次获奖的姐妹酒店首尔新罗大酒店一样，济州新罗大酒店也是许多高水准国际盛事和会议的举办地。

This proposition ferreted out unsympathetically the various melodies of our country\'s issue on the intellectuals, especially exposed Linbiao and:"Gang of Four " \'s fallacies on the issue of the intellectual and has serious tone of criticism. This proposition also proposed that the mass line must be followed on the practices, the range and the channel of choosing the intellectuals and on the checking of the cadres, and has profound mass character. At the same time, as this proposition came into being in the new period of our country\'s reform and opening to the world as well as the period of the Socialist modernization construction, and it is firmly connected with the era theme, it has distinct epoch character.

针对我国人才问题上的种种(来源：ABC论文a4网www.abclunwen.com)弊端，尤其是林彪、&四人帮&在人才问题上的种种谬论，进行了无情揭露，具有严肃的批判性；在选用人才的具体实践、在选用人才的范围和渠道方面、在干部人才考核方面，主张要走群众路线，具有深厚的人民性；产生和形成于我国改革开放和现代化建设的新时期，同时代主题密不可分，具有鲜明的时代性；在干部队伍建设、识别人才、选用人才、培养人才方面，坚持一分为二的观点，具有丰富的辩证性。

There would not be busy, either. The visitorial amount of miss Xujinlei's blog has been a hundred million. The visitorial amount of my blog has only been thirty thousand. The blog is not a new thing in this era.

我既无从政前提，也不是影视明星，博客里用的还是个笔名，估计不会再有什么莫名其妙的事找上门来了，热闹也热闹不到哪里去。

In the era ruled by industrial production lines, a new needlecraft vocation including making high-class garments ordered by customers, re-making old items, upgrading lifestyles and creating art is rising gradually.

在工业生产线，一个新的职业，包括刺绣工艺品制作高档服装的客户订购，再制造的旧项目，提升生活方式和艺术创作统治时代逐渐上升。

Our era has witnessed the continuous increase of individual independence, the recovery of subject consciousness, the popularisation of critical thinking, and the emergence of new ethnical principles.

在个人独立性不断增强、个人主体意识复苏、批判性思维不断增长、新的道德特质不断涌现的时代，要克服知行分裂现象，一方面，应进行伦理转型和创新，重塑伦理权威，培育知行统一的理性基础。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。