查询词典 neither...nor

Neither fish nor fowl Having no specific characteristics; indefinite.

非驴非马的，不伦不类的：没有明显的特征的；不确定的

In Chinese painting,"WM" Many works appear in the status quo is neither fish nor fowl, sufficient to prove this truth.

在中国画"中西结合"的许多作品中出现的不伦不类的现状，足以证明了这个道理。

The cross between North American English and the British version called mid-Atalntic-is neither fish nor fowl and should be banned.

北美英语和英语的混合体——叫做中大西洋英语——不论不类，应该禁止使用。

This proposal is neither fish nor fowl.

这个建议''。'不伦不类'。

Previous understanding of the residential towers is often, on the Floor, while Uhn International Village is a "neither fish nor fowl" products, but also a unique product, it tells us that this house can be built.

前理解的住宅大厦，往往是，在地板上，而Uhn国际村是一个"四不像"产品，但也有独特的产品，它告诉我们，这所房子才能建立。

Maybe later, I would draw an image of an animal neither fish nor fowl. I have always respected my own true feelings in the process. I will not draw something without truly experiencing it.

可能下一步，我会画一个四不像的动物形象，在这个过程中我始终是尊重我自己的真实感受，没有真实体会过的东西我是不会画的。

I feel no need to Garmisch powder, and neither fish nor fowl, as long as a good point to eat dinner at night to eat twice enough milk.

我觉得不必加米粉了，不伦不类，只要晚饭吃得好点，夜里吃两次奶就足够了。

He reluctantly said : Research results of a suit with Westerners live, neither fish nor fowl creatures.

他无奈地说道：花大钱的结果弄成了西服配瓜皮帽，非驴非马四不像。

If lost their own style, neither fish nor fowl play, even when the characteristics to correct shortcomings, then lost their presence on the value and location, there will be no vitality.

如果丢掉自己的风格，打得不伦不类，甚至把特点当缺点来改正，那么，就失去了自己存在的价值和位置，也就没有生命力。

Life is the tragedy of first-class, the result is small-time comedy... The string up is neither fish nor fowl soap operas.

人生，过程是一流的悲剧，结果是三流的喜剧……整个串起来是出不伦不类的肥皂剧。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。