查询词典 neither...nor

This standby letter of credit is neither assignable nor transferable.

本信用证既不可分配也不可转让。

Due to historical reasons, note that the alternate VarAdd syntax listed above matches neither the syntax for variable assignment within an expression, nor the syntax for variable addition within an expression.

由于历史原因，注意上面列出的VarAdd可代替语法既不能将变量赋值用于表达式内，也不能将变量加用于表达式内。

It's in favor of neither rigidity nor the exercise of right at random.

孔子的中庸教育哲学具有重要的理论价值与实践意义。

However, neither pre-existing atopy nor new atopy as measured by skin prick tests was associated with adult-onset asthma.

然而，无论是预先存在的过敏症还是由皮肤点刺试验判定为新发的过敏都与成人哮喘发病不相关。

It is concluded that, for Chinese, the use of long and complex attributive is neither a general tendency of evolution, nor an optimal way of translation.

本文的结论是：长且复杂的定语不是汉语发展的方向，也不应该是翻译时首选的处理方式。

How often I think neither I know, nor any man knows, aught of them

我时常觉得我一点也不认识、任何别人也不认识它们

The occasional anonymous tipster and the eminent autobiographer may each claim to be serving the cause of truth. There's the rub, for it is a claim that can be neither wholly admitted nor wholly dismissed.

偶尔出现的匿名泄密者和显赫的自传作家可能都自称从事诚实的事业，这就是问题所在，因为这既不可能完全接受，也不可能完全否认。

In Li Jikai's work, we can neither see the cultural background nor historical traces of mankind. What we can see is his autobiographic imagination and formation of his own mentality. No matter in the sense of content or form, his work has been always connected to solitude and meditation.

在李继开的绘画中，我们既无法看到人的文化背景，也无法看到人的历史痕迹，而更多看到的是他的自传体式的想象和自我心理的塑造，无论是内容还是形式，李继开的绘画从个人到他者的表现过程中总是联系到孤寂和冥想。

In Li Jikai's paintings, we can neither see the cultural background nor the historical traces of mankind but rather his own autobiographic imagination and formation of his own mentality.No matter what the content or form is, his work is always connected with solitude and meditation while displaying himself or the others. He then takes us into a world that is completely remade by Li Jikai himself.

在李继开的绘画中，我们既无法看到人的文化背景，也无法看到人的历史痕迹，而更多看到的是他的自传体式的想象和自我心理的塑造，无论是内容还是形式，李继开的绘画从个人到他者的表现过程中总是联系到孤寂和冥想，进入一个自我重新编织的世界。

Regarding the second issue, I will compare the semantic meanings of various autonyms used by all major subgroups who are generally referred under the Chinese transliteration "苗族" in China and the English transliteration "Hmong" outside China. Neither the Chinese "苗族" nor the English "Hmong" has been a perfect transliteration of any subgroup autonym of the Hmong People proper, in spite of the fact that both of them partially reflect some semantic meanings of these autonyms.

关于第二个问题，我将对中国"苗族"这个汉文通称转写形式下和境外"Hmong"这个英文通称转写形式下所包涵的各个不同方言支系自称及其语义作一个比较分析：尽管这两种外来语言对苗族的统称转写形式，多多少少也可能与一些苗族支系自称的语义有着某种联系，但是，其实无论是用"苗族"还是用"Hmong"作为统称转写形式，对任一苗族自称形式而言，都不是理想的表达。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。