查询词典 neck and neck

MethodThe expander on fat layer of the neck,upper chest,acromion and back were implanted,the flap was designed and the scar was reconstructed,and 20% saline was injected into the expander.

将扩张器置于颈部、上胸部、肩峰、背部等处真皮下血管网下含3mm厚的脂肪层，充分分离腔隙，术中注水量为扩张容量的20%。

They were the voices of boys, hoarse and half grown and seized with terror, and now instantly I saw them: half a dozen black boys trapped neck-deep in a bog of quicksand, crying aloud for rescue as their arms waved frantically in the dim light and as they sank deeper and deeper into the mire.

现在一瞬间，我看明白他们了：那原是五六个黑孩子陷在沼泽的流沙中，深及颈部，当初他们愈来愈深地沉下到那泥淖中去时，他们在幽暗的夜色中，疯狂地舞动手臂，高声呼喊救命。

It develops a static way to analyze passenger flows in bottle neck, queues and delaysIt then presents a pedestrian mustering and evacuation model based on the behavior studied, a conversely improved A star algorithms was developed, such famous problems as decision synchronize conflict and cross deadlock was solved using new concepts with dynamic games and exchange mechanism. The proposed model combines the advantage of the multi-agent systems, cellular automata,"social force" and steering behavior, and makes it more flexible and powerful.

基于对乘客复杂的集散行为的认识，本文对其中的关键行为—路径选择行为、移动行为和碰撞规避行为建立了乘客集散模型，提出了一种逆向改进型A*路径选择模型，并运用动态博弈和交换机制的方法解决了同步决策和交织死锁问题，该模型集多智能体(multi-agent)、元胞自动机、社会力、驾驶行为的优势于一体，具有更加广泛的适应性和更强的处理能力。

On the proposals of certain ministers at the Committee for Propagation of the Gospel Cromwell, our chief of men, who through a cloud Not of war only, but detractions rude, Guided by faith and matchless fortitude, To peace and truth thy glorious way hast plough'd, And on the neck of crowned Fortune proud Hast rear'd God's trophies, and his work pursu'd, While Darwen stream with blood of Scots imbru'd, And Dunbar field, resounds thy praises loud, And Worcester's laureate wreath; yet much remains To conquer still: peace hath her victories No less renown'd than war.

赠克伦威尔将军克伦威尔将军，我们的领袖呵，看你信仰虔诚，刚强无此，终于冲过了战云与流言的暗影，在坚苦卓绝中，取得了和平与真理；你能控制住骄盈王室的气运，为神展开了事功，取得了胜利；苏格兰鲜血染红的达汶流水，敦坝的战场，渥斯特光荣的战役，都在高声歌唱你。但你的工作还不曾完结；平时和战时同样能创造不朽的事业：新敌人又出现，想把政治的锁链给心灵带上。

Outer coat firm and resilient, neither coarse nor silky, lying close to body; may be straight or wavy. Untrimmed natural ruff; moderate feathering on back of forelegs and on underbody; heavier feathering on front of neck, back of thighs and underside of tail. Coat on head, paws, and front of legs is short and even.

外层被毛竖硬而有弹性，既粗糙，也不柔软，紧密平铺于体表，呈直形或波纹形和不整齐的自然环状；前肢后部和身体下部生有适度的绒毛；颈前部、腿后部和尾下部主要有浓密的绒毛；头部、脚部和腿前的被毛短而平。

When they were close up with one another, the son of Atreus missed his aim, and Iphidamas hit him on the girdle below the cuirass and then flung himself upon him, trusting to his strength of arm; the girdle, however, was not pierced, nor nearly so, for the point of the spear struck against the silver and was turned aside as though it had been lead: King Agamemnon caught it from his hand, and drew it towards him with the fury of a lion; he then drew his sword, and killed Iphidamas by striking him on the neck.

现在，他将在此迎战阿伽门农，阿特柔斯的儿男。他俩相对而行，咄咄逼近，阿特柔斯之子出手投枪，未中，枪尖擦过他的身边，但伊菲达马斯却出枪中的，打在胸甲下，腰带的层面，压上全身的重量，自信于强有力的臂膀。尽管如此，他却不能穿透闪亮的腰带，枪头顶到白银，马上卷了刃尖，像松软的铅块。阿伽门农，统治着辽阔疆域的王者，抓住枪矛，抵捅回去，狂烈得像一头狮子，把枪杆攥出他的手心，然后举剑砍进脖子，松软了他的肢腿。

In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

在这方面的形象，我用13个灯： 4全方位的灯作为环境照明，二要强调形式的引擎， 3射灯，以突出后面的引擎， 3突出强调，镜面和油腻的作用，对蚬壳，一聚光灯背后的蜗牛颈部为小组表面散射中，除了太阳与地区的树荫和天空与hdri与气氛，类似照片的道路，为全球照明，我用了一个表面上与一沥青纹理为楼和黄线只反映对发动机，并添加一些辐射，以蜗牛身体和服务。

I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

Lighting灯光I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

Secondly, two physical models were constructed, which could model rough surface and describe the features of the earth surface, such as chine, neck, valley and hill, etc. According to difference method, the ""true"" volume of the physical models were measured, which was 13260cm3 and regarded as the analysis foundation of the precision of the volume that was calculate by DEM. The discrete dada of the models on a regular spacing of 1cm were collected by 3SPACE FASTRAK and the DEM was obtained by interpolating the discrete dada through GIS software. Based on the volume of the models calculated by DEM, different interpolating methods (IDW, Spline, Natural Neighbor, and Kriging) and variation of grid spacing of data were compared and their effects on precision of volume calculation were analyzed.

构建了可模仿凸凹不平地形表面的实体模型，该模型能够表征山脊、山尖、山涧、丘陵等地形特征；根据体积差减法测量实体模型的体积作为数据精度分析的体积&真值&，该值为13260cm~3，作为采用DEM进行体积计算的基准值；利用精度为0.08cm的三维数字化仪采集间距为1cm的离散数据点，对离散数据点用GIS软件进行内插处理生成DEM模型，通过DEM计算出模型的体积，探讨不同内插方法(IDW、Spline、Natural Neighbor和Kriging)和数据格网间距变化对体积计算精度的影响。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。