查询词典 narration

The primary problems were following: 1 the bequeathal stock did not disclose or renew the narration of raising capital by floating shares when they issued incremental stocks; 2 the rules of content and format on information disclosure of listed companies defined careless and simple special risk items. All the flaws did not benefit investors and others who needed external information to distinctly evaluate the risk factors and the risk degree.

那么笔者利用第三章的篇幅，重点介绍和分析了我国上市公司特别风险披露的现状，主要表现在历史遗留股增发股票操作时未尽披露或者补充披露招股说明书义务和"信息披露准则"对要求披露的特别风险项目界定过于粗略和笼统，不利于投资者和其他外部信息利用者准确评估上市公司的风险因素及风险度等。

The paper mainly expounds Wang Anyi's novels and her theories on novels and elaborates the situation of conversion of their binary opposition from the point of narration around the mutual relationship between record of actual events and fiction in novel's nature.

本文对王安忆的小说及其小说理论进行论述，围绕纪实与虚构在小说文本中的相互关系，从叙事角度来阐述它们二元关系的转化。

On the day of Uhad when people retreated and left the Prophet, I saw 'Aisha bint Abu Bakr and Um Sulaim, with their robes tucked up so that the bangles around their ankles were visible hurrying with their water skins (in another narration it is said,"carrying the water skins on their backs").

在当天的uhad时的人，撤退，离开先知，我看到了'的Aisha宾特阿布巴克尔和UM sulaim ，与他们的长袍藏了，使该手镯靠近自己的脚腕被有形又把自己的水皮（在另一叙事，它是说，"携带水皮就背"）。

But since even in tragedy, which is in its very nature stately and prone to bombast, tasteless tumidity is unpardonable, still less, I presume, will it harmonise with the narration of fact.

但我们由此看出，即便在情感易于爆发的悲剧中，毫无品味的语意含混也是不可饶恕的；我想，这种句子就更不能与陈述事实的文本相协调了。

VO 1 NARRATION The jungles of Borneo are one of the last wild places left on the planet.

解说 1 婆罗洲热带丛林是地球上仅存的原生态自然区之一。

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

The narration can read the callout text entered, or an optional alternate message can be spoken.

讲解可读入注解文字，或一个候选的讲解信息。

In respect of image group, the thesis focuses on analysizing the philosophical implication and aesthetical connotation of the wildness, the grape garden, and the animal images; the thesis holds that those images express Zhang Wei's expectation of ideal life and his castigation of the unequitable reality. In respect of stylistic feature, the thesis focuses on elaborating the poetic style of narration; the thesis holds that the strong lyric flavor, the rich philosophical connotation, the conciseness and vividness in language, and the originality in conception are the key factors in making of the poetic traits. The thesis also points out the identical inclination in his novels in the respect of the art conception.

在意象群体方面，重点分析了野地、葡萄园和动物意象的哲理意味和美学内涵，本文认为这些意象更多寄托了作者对理想生活的期待和对不合理现实的鞭挞；在文体特征方面，重点阐述了"诗化"叙述方式，文章认为小说所具有的浓厚抒情色彩和哲理内涵以及语言上的凝练生动、构思上的推陈出新都是构成其"诗性"特征的重要因素，对作者在艺术构思上的雷同化倾向，本文也进行了揭示。

Love narration was not only mentioned about chase of classical love, but confusion of modern love after lust was studied, with both of which transmutations of human essence from old times to modern were embodied.

爱情叙事既写到了对古典爱情的追求，也写到在欲望面前对现代爱情的迷惘，并以此表现"传统人性"向"现代人性"的嬗变。

This value orientation is embodied not only in Zhang Yang's theme selection, but also in his application of languages. First, Zhang Yang's experimental chippy narration takes on the personal style. But furthermore it implies traditional linear narrative structure, respecting people's Ying-xi mentality.

首先在叙事层面，与第六代的多数导演不同，张杨的电影叙事在表层上的先锋化实验化的碎片叙事使影片呈现个人化风格，但在更深层次上却隐含着传统的线性叙事结构，尊重大众的"影戏"心理。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。