查询词典 narration

It elaborates on the characteristics of Lin Lan Xiang's narrative structure, mainly looking at the intervention of prose narration into poetic narration and its elimination effect, the"sentiment and truth perplexity"issue between"brilliant scholars and fair maidens' novels"and"romantic love fictions", the delicacy and complex gesture of narrater when relating the story, the overall significance of'8'structure and so forth..

主要针对诗性叙事对散文叙事的介入和消解作用、&才子佳人小说&和&艳情小说&之间的&情、理困惑&问题、著述者讲述故事时所持有的微妙复杂的叙述姿态、&8&在结构上的整体意义等方面阐述了《林兰香》在叙事结构方面的特点。

The text redefine narration model of TV talk show, by analyzing narration establish characteristic of narrative model of TV talk show. At the same time,the text analyse polt construct, narrative time, narrative arrangement, narrative strategies and so on .It hope that can to be a certainty degree drive theoretics development and inventive practices of TV talk show.

本文重点通过对谈话节目中叙事类节目的故事建构特色进行分析，重新定义了叙事类谈话节目，同时，用全新的视角分析了节目的情节构建、叙述时间、叙述层次，叙述策略，以期能在一定程度上推动谈话节目的理论发展和创作实践。

Her narration is unflustered,有棱有角, is exquisite but does not reveal trivially, but in the book transforms completely carries on " tells the story " the different narration angle by the first person, lets me experience similarly is one kind of mind relaxes with is free (lets me remember childhood, winter night gathers round stove, our whole family listens to father to tell story scene).

她的叙述从容不迫，有棱有角、细腻而不显琐屑，而书中变换着的完整由第一人称进行&讲故事&的不同叙述角度，让我体验到的同样是一种心灵的放松与自由（让我想起小时候，冬夜里围着火炉，我们全家人听父亲讲故事的情景）。

Her narration is unflustered,有棱有角, is exquisite but does not reveal trivially, but in the book transforms completely carries on " tells the story " the different narration angle by the first person, lets me experience similarly is one kind of mind relaxes with is free (lets me remember childhood, winter night gathers round stove, our whole family listens to father to tell story scene).

她的叙述从容不迫，有棱有角、细腻而不显琐屑，而书中变换着的完全由第一人称进行&讲故事&的不同叙述角度，让我体验到的同样是一种心灵的放松与自由（让我想起小时候，冬夜里围着火炉，我们全家人听父亲讲故事的情景）。

She has completed a qualitative leap in the novel idea. This kind of poem history's narration pattern causes the great history to narrate narration which with feminine unique angle of view, fictionalizes with between the poetry which expresses feelings to form the perfect union.

这种诗化历史的叙述模式使一种宏大的历史叙事与女性的独特视角、虚构的叙事与抒情的诗歌之间形成完美的结合，为王安忆探索一种智、史、诗平衡的叙事美学铺平了道路。

The article deals with narration including the content, the structure and the paroles. What I made is a systematic study of the theme, the figure, the structure and the paroles. My work is trying to get a conclusion of the narrative of Zhang Yi-Mou's creation in the field of film in order to provide a vivid case of the narration analysis.

本文尝试从叙事学的角度，综合运用电影叙事学、电影语言学的知识对张艺谋导演的电影作品加以梳理和分析，从叙事内容、叙事结构、叙事话语等三大方面，将张艺谋电影的题材选取、人物塑造及其叙事模式和基本话语进行了比较系统的论说；试图总结出张艺谋在叙事方面的优长与缺失，并希冀自己的工作会为电影叙事学的分析和研究提供一个生动的案例。

He revalues the romantic generation in May 4th movement. He draws the outline of the romantic tide in modern Chinese literature, pointing out the romantic exposure in it. He forms a set of narration through unearthing"decadence", which opposes that of May 4th movement and left wing narration.

他重估&五四&浪漫一代作家，指出现代中国文学的浪漫主义方向，勾勒浪漫主义的潮起潮落；他发掘&颓废&文学理路，形成了一套与&五四&和左翼对立的中国现代文学史叙事。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

Narration about secrets of childhood naturally put hope and growing-up at the point of fall with its'guidance and supervision , which is the basic groundings of narration about secrets of childhood.

童年秘密叙事在监督和引导中自然而然将叙事的落点放在成长与希望上，这也是童年秘密叙事的基本底色。

All of these factors brought "dual crisis"in movie narrations: the crisis between authority narration and convention narration, the crisis between narrative language and narrative standards.

这些特殊的境遇导致了电影叙事的双重危机，即为权威叙事与常规叙事的危机、叙事语言与叙事规范的危机。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。