查询词典 narration

As the representative of the second-generation director, Hou Xiaoxian is creative in his treatment of the film preamble, making it the best footnote to a film. This footnote either expresses the dream about harmonious nature, or becomes a plot metaphor with striking meta-narrative feature, or forms a hologram construction of scatter perspective, etc. Li An, a representative of the third-generation directors, once lived in the U.S. and influenced by Hollywood films, attaches great importance to plot and rhythm in his treatment of film preambles, and favors classical narration. All this is clearly manifested in his "father" trilogy. Cai Mingliang, another famous third generation director, sticks to the artistic philosophy of modernism and displays an arbitrary style.

作为第二代导演代表，侯孝贤创造性地处理片头，使之成为影片的最佳注脚：或传达和谐的自然理想，或成为一个情节隐喻而颇具&元叙事&特征，或构建散点透视的全息式结构；第三代导演的李安因置身异域文化，借助好莱坞电影在中产阶级中的优势，对片头进行了一种重情节、重节奏的剪辑处理，积极靠近古典叙事，这在他的&父亲三部曲&中尤为明显；同为第三代导演的蔡明亮执着于现代主义的艺术理念，透露出个人专断的风格。

Firstly, from the angle of demonstration, this paper confirms Yuji's primary identity in traditional culture context by differentiating and analyzing all parlances of the death of Yuji. Secondly, by selecting and reading classical texts, and combining gender narration theory, it describes how the texts produced female gender, in the other word, how the social identity of Yuji was constructed. Finally, it analyzes the essential reasons of the identity construction of Yuji as the representative of confucian women and her self-identity by the intertextuality of text and history-culture context.

本文首先从文本实证的角度，对&霸王别姬&故事中&虞姬之死&的种种说法进行辨析，确定其在文化语境中的主流社会身份为儒家女性；然后选取经典文本，结合性别叙事理论进行文本细读，描述虞姬的社会身份建构史；最后通过对文本与历史-文化的互文指涉来分析虞姬身份建构及身份自我认同的根本原因。

It inherits Chinese traditional aesthetic ideology of regarding people as the basic matter,gets away from "the grand narration",and reveals the neorealist style,shaping the unique aesthetic features of the televised news .

它继承了中国传统文化中的民本思想，远离传统新闻的&宏大叙事&，并体现出新写实主义风格，形成了电视民生新闻的独特的美学特征，体现了其独特的审美价值。

Some of the participating artists use "small" artistic mediums to express their motif: Huixin reveals "cultural invasion" by toy-sized sculptures and in a jocular way; Panyue's 'Sagittarius" portrays an absurd stage play with dainty and detailed images; Zeng Suchai's canvas dolls bring a breath of freshness; Li Zan and Chen Weiwei reflect their unique impression of social life through depicting fictitious characters; Li Zhiyin's exquisite youth romance is fully embodied in her small dreamlike sculptures; Nano Warsono's comic-strip-like pictorial narration triggers philosophical thoughts; while Takehiro Yoshimitsu expresses the prowess of "small and the possibility that resides in fragility.

在参展的艺术家当中，有的是以&小&的创作形式来表达他们某一创作主题：惠欣以玩具大小的雕塑、戏谑的方式提示出&文化侵略&的现实；潘钺的&人马座&以精巧玩味的画面演绎了一出荒诞的舞台剧；曾素钗的画布玩偶让人耳目一新；李赞和陈薇薇则通过对虚拟角色肖像的刻画反映出对社会生活的独特体会；刘知音细腻的青春浪漫在她小巧梦幻的雕塑作品上充分体现；Nano Warsono 连环画般的画面叙述引发小小哲思；Takehiro Yoshimitsu表达出一种&小&的力量以及脆弱中潜在的可能性。

Various kinds of narrative strategies were useed in the story, such as narrative time, narrative situation , the self-experienced viewpoint and the self-narrated viewpoint in the reviewing narration of the first person alternatively.

作者运用了各种叙事策略，如叙述时间，叙事情境及其转换，第一人称回顾性叙述中的经验自我视角与叙述自我视角交替使用。

Chaplin re-edited film in 1942; that version, with his narration and music, runs 72m.

卓别林重新编辑电影在 1942年，该版本，他的解说和音乐，运行72分。

Classical novels, as the most important part in the vernacular literary history, could prompt the construction and popularization of the new literature with their vernacular narration.

而作为白话文学史最重要组成部分的章回小说，其白话叙事功能可以促成新文学的建设与传播。

" VO 3 NARRATION "The Asian elephant is one of 3 living species of elephants and can grow to 4 meters tall and weigh over 5,000 kilos.

& 叙述&亚洲象是存活下来的三种大象中的一种，能够长到4米高，5000多公斤重。

" VO 3 NARRATION "The Asian elephant is one of 3 living species of elephants and can grow to 4 meters tall and weigh over 5,000 kilos.

& Vo 3 解说&亚洲象是现存的三种大象之一，身高可达4米，体重超过5000公斤，大多发现于南亚和印度尼西亚。

VO 3 NARRATION The Asian elephant is one of 3 living species of elephants and can grow to 4 meters tall and weigh over 5,000 kilos.

亚洲象是世界上仅存的三种大象之一，能长到四米多高、五吨多重。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。