查询词典 narration

The second reason is that Alai carries up the narration told by the disfigurement person,"the simpleton" who has the characters of JiaRong Tibetan nationality, which brings up the modern literary form for text, at the same time casts off the traditional Tibetan novels' narrative model.

其二在于阿来通过&傻子&这样一个有着嘉绒藏族意味人物来进行&有缺陷的人&讲述，这为文本带来一种现代的文学形式，摆脱了传统藏族本土小说述说的套式。

The second reason is that Alai carries up the narration told by the disfigurement person,"the simpleton" who has the characters of JiaRong Tibetan nationality, which brings up the modern literary form for text, at the same time casts off the traditional Tibetan novels' narrative model.

其二在于阿来通过&傻子&这样一个有著嘉绒藏族意味人物来进行&有缺陷的人&讲述，这为文本带来一种现代的文学形式，摆脱了传统藏族本土小说述说的套式。

"Dust Falls Down" written by Alai who is a Tibetan nationality writer, is an uncommon and excellent river novel in new period. The novel is called "an affectionate coronach to history" sung by JiaRong Tibetan nationality by it's vivid clime features and warm narration.

阿来的《尘埃落定》是新时期难得的一部优秀长篇小说，以其鲜明的地域色彩及温情的叙说成为嘉绒藏族&唱给历史的一曲深情的挽歌&。

The story alternates between Henry and Clare's points of view, and so does the narration.

这个故事的视角在亨利和克莱尔之间进行着变换，而讲述方式亦是如此。

By the narrative of the drama, the two factors mentioned before could be embodied and showed in the narration. What the audience apperceived is the realistic level of the drama.

舞台性、诗性通过叙事性层面显现出来，前两者会物化、体现在叙事层中，观众所直接感知到的即是经过舞台性、诗性&改造&后的艺术现实层。

Revolutionary narration structured a "small history", desalted ideology, removed sanctity of revolution, and questioned the essence of revolution.

革命叙事建构了&小历史&，淡化了意识形态，消解了革命的神圣性，质疑了革命的意义。

As a result of the scattered structure, the drama is so prolix that the mythos has to be weakened; the visualization of Do Bao looks incongruous, whose character arises ruptures; in the space of realistic narration page, optional alteration to the content desalts "realism".

结构松散，导致全剧篇幅过长，冲淡了戏剧的主题；杜宝的形象前后不一，存在断裂现象；在现实主义的故事情节的板块上，随意编构内容，淡化了&真实性&。

In the form of narration, some changes have taken place , they use curtail scene and detail depiction, besides summary and abbreviation With intricate details, they embody more doughtier fictional consciousness than pre-Tang fantasies, showing original legendary consciousness.

在叙事形式上，这些作品也有一定变化，除了概述、省略之外，融入了简略场景，增衍了细节描写，使故事情节曲折生动、跌宕有致，体现了较强的虚构意识，已初具传奇笔意。

The reader of The Sound and the Fury participates in the construction of the text as well as the interpretation of the text. Classical narratology could not depend on its interpretation of reliability to reveal the real character of Caddy. Caddy does not have her own persona. She lives in the narration of the three first-person homodiegetic narrators. The complexities of her identity are foreshortened. The reader cannot see her portrait clearly even when the whole narrative ends.

喧哗与骚动》的读者，不仅要参与文本的阐释而且要参与文本的建构，经典叙事学关于不可靠性的解释无法充分说明凯蒂这一中心人物的真实形象：凯蒂没有自己的叙述声音，她存在于三位第一人称同故事叙述者的叙述里，被简化为一种身份的代表，直到叙事结束，读者也无法看清她的外表肖像。

The research method is combining historic happening with scientific research.This paper is composed of seven chapters. The preface explains briefly the reason of choosing this topic and its significance, as well as the existent research situation in the academic circle.The first chapter presents the subjective and objective historical condition of the formation and development of his view about population quality in four aspects.The second chapter gives a full play to its evolution: it gestates and germinates before the failure of the revolution in 1911, takes shape and develops in the period of Base Area. The following period after the founding of People's Republic of China is its mature time. This view also experiences twisty developments in China's exploring period of socialism.The third part focuses on its major connotations, including Mao's narration on the connotation of Population quality, his analysis of contradiction between population quality and Chinese revolution and construction and of their significance, and the way to enhance Chinese population quality.The fourth chapter makes analyses of philosophical support of Mao's view from three "adherences": adherence to basic principle of seeking truth from facts;adherence to the common acknowledged fact that the people is the main part of history;adherence to the dialectical relation between being and consciousness.

全文共分七个部分：前言部分概述了本文选题的由来及意义，以及目前学术界对这一问题的研究现状；第一部分主要从四个方面论述毛泽东人口素质观形成和发展的主客观历史条件；第二部分描述了毛泽东人口素质观的演变轨迹：大革命失败前人口素质观的孕育和萌芽；根据地时期人口素质观的形成和发展；建国初期人口素质观的成熟以及全面探索社会主义建设时期的曲折发展；第三部分重点介绍了毛泽东人口素质观的主要内涵，包括毛泽东对人口素质内涵的论述，对人口素质与中国革命和建设的矛盾性分析，人口素质与中国革命和建设的重要性分析，以及如何提高中国人口素质等；第四部分分析了毛泽东人口素质观的哲学依据，主要有三个方面：坚持实事求是的基本原则；坚持人民群众是历史的主体；坚持存在与意识的辩证关系。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。