查询词典 narration

The former is a narration which deifies and heroizes revolutionary history, the latter is to secularize and mortalize revolutionary history. But there has long been a historical narration which tries its best to reconcile or...

其实，在这两种"极端化"的历史叙事中，一直潜隐着一种试图将两者加以调和，或者说试图超越的历史叙事，那就是出自部分女作家之手的作品，项小米的《英雄无语》就是其中的代表作，它展示了女性对历史的检讨和战争的反省。

As a major nineteenth century English novelist, Thomas Hardy occupies an unusual and prominent position in the age of literary transition from realism to modernism His structure of narration illustrating itself in "square dance","coincidence"and symbol of the four seasons in his novels,could be regarded as his great invention, a new writing approach which has enriched the writing style of novel The unusual structure of narration has endowed Hardy 's novels with a special charm and distinguish...

英国 1 9世纪小说家托马斯？哈代生活于小说创作的现实主义和现代主义交界时期，他以独特的创作手法在英国文坛上赢得了一席重要的地位。叙事结构可谓是他的一大独创，为小说创作提供了崭新的创作手法。这种结构具体体现在"方阵舞"的阵型、"巧合"的运用和四季的象征中，赋予了哈代的小说一种独特的魅力，也使他迥异于 1 9世纪英国其他的小说家。

Since the new century, many masterpieces on understratum narration reach considerable height and depth, we can find from them the new potentiality and wider space of humanitarianism and great vigor of realism in understratum narration.

新世纪以来，许多底层叙述的优秀作品让我们看到了底层叙述可以抵达的高度与深度，看到了人道主义在当代语境中进行底层叙述的新的发展可能和越来越宽广的空间，同时也看到了现实主义底层叙述的巨大力量。

Nowadays, it is essential for us to reconstruct the standpoint of intellectuals, to emphasize the importance of humanitarianism in understratum narration. Thus we can observe common people of the understratum with a horizontal angle of view, and reveal the spirit of the understratum to the inner sides of human nature and individual value in many aspects, reflecting the reality, ideas, and spirit of the understratum and the contemporaries as well. The aim is to safeguard the spiritual belief of the understratum, and to make humanitarianism the spiritual sustentation of the understratum narration.

所以在今天，我们有必要重建知识分子立场，重提人道主义关怀在底层叙述中的重要性，以一种平视的视角来观照当代中国底层民众的生存境况，以人本主义的关怀和同情，全方位展示底层民众的精神面貌，进而上升到人性、个体价值等层面，折射出底层以及这个时代的人们的生活现实、思想状态和精神实质，最终达到对底层精神信仰的呵护，让人道主义真正成为底层叙述的精神支撑。

Beginning with the controversy over the concept of understratum ,this article reveals the essence of understratum involved in modernistic discourse, and then expounds on the humanitarian solicitude and realistic standpoint which understratum Narration should stick to,by analyzing the object and misunderstanding of Understratum Narration.

本文首先从"底层"概念的论争入手，揭示现代性话语笼罩下"底层"的实质，进而通过对底层叙述主体和叙述误区的分析和阐释，阐明底层叙述所应当坚守的人道主义关怀和现实主义立场。

Literary narration is the foundation of filmic narration.

文学叙事是电影叙事的基础，本文以贾樟柯的&故乡三部曲&为例，对华语游民电影独特的文学叙事特征进行了较为详尽的分析和批评，总结出贾樟柯的游民电影之文学叙事的六个特点，分别是：貌合神离的三幕剧结构；无悬念的叙事设计；开放式的结局；无明确的第三者指向；隐喻的应用；无隐性英雄因素。

In the second part, taking some typical Tibetan movies of different stage as examples, such as The Serf, the Red River Valley and the Cocoxili, the author discusses the demonstrations of ethnic consciousness , folkloristic event of Han nationality and other ethnic minorities in film and television narration in the : context of globalization. Based on this, the author attempts to throw light on the particular and anti-traditional techniques of narration.

第二部分通过对不同时期典型藏族影片：《农奴》、《红河谷》、《可可西里》等的个案分析，探讨当前全球化语境中，主流文化大背景下，汉族与少数民族、东方与西方等民族意识，民俗事项在影视叙事中的表现，尝试揭示在影视叙事视野中的特殊的，反传统的叙事手法。

The reports of anthropologist's fieldwork also indicate that the facts of nonliterate society defiladed and distorted by literate society need a new cognition. The school of New Historism regards that there is no essential difference between historical narration and literatural narration, and something defiladed by narrative discourse will be ascertained, if a critical reflection could be hold.

来自人类学的田野报告也表明，无文字社会被文字社会的权力话语所遮蔽和扭曲的真相有待重新体认。20世纪80年代深受人类学影响而兴起的新历史主义学派认为历史叙事和文学叙事并无本质区别，只有带着高度警觉的批判眼光深入分析，才可以探查到被叙事话语所遮蔽的东西。

Ancient Chinese novels in the vernacular evolve from oral literature,have literary features of oral account such as the same pattern of narration,the same style of narration and the same style of individual authors;therefore,the monologic structure of narrative expression and close and complete plot composition are similar.

植根于说话艺术的中国古代早期白话小说的叙事艺术也不能不带有口叙文学的特征：叙述人的模式化及由此造成的作者个性的消失，叙述语式的独白型结构和封闭性完成式的情节构成。明中叶以后，这种模式发生着缓慢的变化。首先是叙述人的个性化与角色化及由此造成的作者与叙述人的分离。

The former is a narration which deifies and heroizes revolutionary history, the latter is to secularize and mortalize revolutionary history. But there has long been a historical narration which tries its best to reconcile or...

其实，在这两种&极端化&的历史叙事中，一直潜隐着一种试图将两者加以调和，或者说试图超越的历史叙事，那就是出自部分女作家之手的作品，项小米的《英雄无语》就是其中的代表作，它展示了女性对历史的检讨和战争的反省。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。