查询词典 narration

All of these successfully make Caryl Churchill avoid authority of linage narration.

按照这种创作方法诞生的作品使邱吉尔有效地摆脱了线性叙事的&权威叙述&方式。

The literary view of traditional social history criticism was based on its historical view,so literature is historicalized and literary narration has some characterist...

传统社会历史批评的文学观基于它的历史观，文学因此被历史化了，文学叙事具有历史元叙事的特征。

Under the presupposition of being lost,Hiller reflects the desperation of American youth after World War II much more profoundly. After the cinereous satire,the irony and catharsis of downfallen feelings have been deepened,whose humor is full of fugitive feelings of escaping narration.

他是在迷惘的前提下，更深刻反映了第二次世界大战后美国青年的绝望情绪；在灰色的讽刺后，加深了对社会黑暗强烈的反讽和没落情绪的宣泄，其幽默所指，充满逃离叙述主流的逃亡情绪。

The introduction also introduced this dissertation's research goal, research motive, research methods, analysis overhead construction, the correlative theories, carried on a narration and commentation on the correlative literature.

导论对&新时期&、&党报&、&定位&、&功能&等概念作了界定，介绍了本文的研究目的、研究动机、研究方法、分析架构、相关理论，对相关文献进行了述评。

According to Ernst idea of artistic creation, he applied Freud's "The Interpretation of Dreams" and the theories of "Unconscious". In the meanwhile, due to the influence of old Alchemy, internal rebellion genes, random consciousness of creation, contradictious thoughts, displacement, the rules of narration and the sarcasms to sex, religion, politics, society all above produced his beliefs and wonderful creations.

恩斯特之创作理念，应用了佛洛伊德《梦的解析》与「潜意识」原理，同时受到古老炼金术的影响，体内叛逆的因子，创作的随机意识，矛盾的思维，转移作用，叙事法则，以及对於性、宗教、政治、社会等的讽刺，都是其创作的来源与信念。

According to Ernst idea of artistic creation, he applied Freud's "The Interpretation of Dreams" and the theories of "Unconscious". In the meanwhile, due to the influence of old Alchemy, internal rebellion genes, random consciousness of creation, contradictious thoughts, displacement, the rules of narration and the sarcasms to sex, religion, politics, society all above produced his beliefs and wonderful creations.

恩斯特之创作理念，应用了佛洛伊德《梦的解析》与&潜意识&原理，同时受到古老炼金术的影响，体内叛逆的因子，创作的随机意识，矛盾的思维，转移作用，叙事法则，以及对于性、宗教、政治、社会等的讽刺，都是其创作的来源与信念。

The poetic interpretations of Zhao Shuli's literary creation of the advanced productive forces are stated by means of two layers: one is to state vividly the facilitative or debilitative role of relations of production in productive forces by narration; the other is to state vividly the facilitative or debilitative role of superstructure in productive forces.

赵树理文学创作对先进生产力发展要求的诗意言说，主要通过两个层面加以表述：一是通过讲故事的方式形象述说生产关系对生产力的阻碍抑或促进作用；二是通过讲故事的方式形象言说上层建筑对生产力的阻碍抑或促进作用。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, diffěrance, la dissěmination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance.

本文重点结合法国德里达的解构主义理论和前苏联巴赫金的狂欢化诗学理论，从&延异&、&播撒&、&文字学&等几个解构主义重要概念，以及作品的艺术思维、人物形象、体裁修辞、作品世界几方面的狂欢化特色来具体分析无厘头影片喜剧性的的解构与狂欢特征。

With respect to the narration of the novel demeanour looks, it presents the attitude that gives traditional realism fiction morely it seems that, relator stands in the perspective of omniscient and omnipotent that is exactly like Chinese classic novel even, told to wait for married girl to condense in as dotal " shoe " the story that go up.

就小说的叙述风度来看，它似乎更多地呈现出传统写实主义小说的姿态，叙述者甚至站在酷似中国古典小说的全知全能视角，讲了一个待嫁的少女浓缩在作为嫁妆的&鞋&上的故事。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。