查询词典 narration

Accordingly , the relater has accomplished the transformation from conformity to abruption . The united authoritative narration gesture has been broken , and becomes complex and compound .

20世纪家族小说的叙述方式经历了一个从全知叙述到限制叙述的转换，相应地，叙述者完成了从整合到分裂的转变，统一的权威的叙述姿态被打破并逐渐走向复合多元。

Different medium narration, also had reflected the inherent laws about story needing to iterate unceasingly, also manifests the relater and the receiver relies on the narrative way.

不同媒介的叙事，既反映了故事需要不断重述的内在规律，也体现了讲述者与接受者依赖于叙事方式的故事活动特征。

Taking this into consideration,the author attempts to analyse the unique existing way and the function of the relator-"I"in this article by using the angle of vision of narratology from the feature of prose genre and then explains the unique narration structure of Lotus Pond in the Moonlight,hopes to seek a relatively clear research way.

从散文文体特征入手，运用叙述学的视角解析叙述者"我"在该文中独特的存在方式与作用，并进而阐释《荷塘月色》特有的叙述结构，可寻出一条相对清晰的研究路径。

With respect to the narration of the novel demeanour looks, it presents the attitude that gives traditional realism fiction morely it seems that, relator stands in the perspective of omniscient and omnipotent that is exactly like Chinese classic novel even, told to wait for married girl to condense in as dotal " shoe " the story that go up.

就小说的叙述风度来看，它似乎更多地呈现出传统写实主义小说的姿态，叙述者甚至站在酷似中国古典小说的全知全能视角，讲了一个待嫁的少女浓缩在作为嫁妆的"鞋"上的故事。

This part first summarized the"Literary Self-image"theory three characteristics: author﹑relator﹑leading character trinity narration pattern; Does not ask the complete plot, stressed that surges take the mood as the master line; Like to use literature styles and so on diary, diary body and letters body.

本部分首先概括出了"自叙传"理论的三大特征，作者﹑叙述者﹑主人公三位一体的叙述模式；不求完整的故事情节，强调以情绪涌动为主线；偏爱使用日记、日记体和书简体等体裁。

This feature is examined from the aspects such as the reportorial narration of events, the use of hybrid language, and the diverse carriers.

由于他们切肤的移民生活体验，相当多的新移民作者选择了以纪实报道的方式表述自己的经验。

To explore the writers' self-consciousness, it is inevitable to analyze lots of works and to apply Chinese and Western psychoanalytic theories. I will present the harmony of the writers and the birds' images. Through the birds' narration of their feelings, the writers skillfully communicate the grief and the resentfulness of human nature. Also, I will discuss how mankind transcends the melancholy by reading the articles.

至於探讨的面向有三个，第一是「互诉关怀」，说明对於对方的思念、祝福与慰勉；第二是「唱和争胜」，经由唱和的过程，禽鸟所关涉的旨趣不仅彰显，彼此的感情与写作也有加分效果；第三则是「干谒求职」，这对唐人而言其实是司空见惯的，而禽鸟在这当中所扮演的当然就是作家自己；虽然对於禽鸟选择各有巧思，但都是极力推销的手法。

This has revealingly foreshadowed the return of myths to modern literature, of which narration of myth functions as an eminent element.

而现代主义也从神话中找到了现代理性批判这一契合点，使神话叙事成为现代主义文学的一个显要特质，发挥着其在现代语境下的隐喻和救赎功能。

Author passes on narration of an episode. Wild dogs (22) treed the narrators near a tiger's sambar kill, and surrounded the tree, still as silent can be, and fully coordinating with each other.

一群豺将作者逼到一棵旁边有一只被老虎杀死的水鹿的树上，豺群包围了这棵树，整整齐齐的蹲在树下面，四周死一般寂静。

Han Shan's popular poems are provided with the features of secularity and narration.

寒山诗分为雅、俗两类，俗体诗表现出世俗性与叙事性的特点。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。