查询词典 narration

The shallow thing doesn't have the position in the narration structure of historical research.

浅薄的东西在历史研究的叙事结构中是没有位置的。

Among them, the most outstanding one is his narration glamour with strong character.

其中，最突出的是他富有个性的叙事魅力。

Fries also embarks from the person and the natural isomorphism relations, summarizes summarizes the myth four kind of narration patterns.

弗莱还从人与自然的同构关系出发，总结概括出神话的四种叙述模式。

Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

The third part mainly focuses on common points and differences on research of national interests between Neorealism and Neoliberalism,and based on criticism of rationalistic research paradigm originated from synthesis of Neorealism and Neoliberalism,focuses on research agenda on national interests promoted by constructivism,Through this study we can draw a main conclusion,which is no matter how to construct a new and withstand tests international political theory through any patterns, the narration about interests especially national interests surely located on the centre position of its theory deduction.So,to construct China's international relations theory, take research of national interests as the starting point may be a good choice.

通过考察，本文得出这样一条基本结论，即无论以何种模式构建一种新的、要经得起考验的国际关系理论，关于利益特别是国家利益的论述，必将处于其理论演绎的核心位置，因此，构建中国的国际关系理论，以对国家利益的研究为起点，或许是一个不错的选择。

In this superb video production Muay Thai is brought to you with an easy-to-follow narration, and every move demonstrated by a master of this ancient and noble art .

此精品碟将泰拳技术用简单易懂的叙述方式展现在你面前，每一个招数都由一位技法精湛的大师亲自示范。

Thus, different audience would see nonidentical narration course, enjoying completely new experiences and feelings from the story.

以多媒体互动的形式打乱故事原有的顺序，非线性的表述同一个故事，不一样的观众看到不一样的叙述过程，获得不一样的感受。

Gorgeous, impenetrable images contrast sharply with Spacek's nostalgically artless narration, serving as ironic counterpoints, blurring concrete meaning, and stressing that nothing this horrific is simple.

华丽，坚不可摧的图像对比度与斯帕切克的怀旧天真叙事急剧下降，因为具有讽刺意味的反差服务，模糊具体含义，并强调这没有什么可怕的是简单的。

The present of death noumenon configuration gives prominence to the art light of death in the narration.

死亡本体形态的呈现，叙述中突出死亡的艺术之光。

However, Chi Zi-jian's nouvelle All Nights in the World chooses it as the narrative theme, which makes us understand the literary value of the narration of death.

迟子建的中篇小说《世界上所有的夜晚》却选择了死亡叙事，让我们领略了死亡叙事的文学价值。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。