查询词典 narration

The second chapter focuses on the formal study of narration and focalization to find out their distinctive features in the four novels.

这四个文本叙述了主人公在成长过程中的心理意识发展，以及主人公对个人身份的探寻。

The fourth chapter adopts the theory of autobiography to interpret the features of narration and focalization.

第四章从作品本身的自传性特征出发，分析所涉作品中的反常规叙述及叙事伦理，探讨叙述聚焦方式如何影响自传体小说中真实与虚构。

The consumption symbol and the narration of love pattern with strong foreignness are strongly influenced by post-colonial culture.

作品中经常出现的消费符号和异国情爱叙事特点有浓郁的后殖民文化色彩。

Lu Xun and Sherwood Anderson are very sensitive to writing techniques, adopting and creating many modernist writing techniques such as, symbolism, psychoanalysis, stream of consciousness, grotesqueness and expressionism, colloquial and prose style, the first person narration etc.

鲁迅与安德森对写作手法和技巧十分敏感，吸纳创造了现代主义的写作手法，如象往主义、心理分析、意识流、荒诞手法、表现主义、口语和散文风格文体的运用、第一人称叙述方式等等。

NARRATION This conservation program has become a half-way house for such elephants.

这个自然保护项目已经为这些无家可归的幼象提供了一个中途栖息地。

CUT BACK TO ADDITIONAL FOOTAGE OF ELEPHANTS IN THE SANCTUARY NARRATION This conservation program has become a half-way house for such elephants.

把镜头转向其余的庇护所里的大象叙述这个保护计划已经成为这类象的半个老家了。

NARRATION "This conservation program has become a half-way house for such elephants. By capturing these rogue young elephants and bringing them back to the sanctuary, they can now grow up in a safe environment, and gradually be re-introduced back into other areas where they won't threaten villages"

解说 "这个自然保护项目已经成为这种遗弃大象的中转站，那些性情暴戾的幼象，被捕获后就会被送到该保护区，他们可以在这个安全的环境中长大，然后逐渐被放归到其他地区，不再对人类构成威胁。"

Hereinbefore I have given a brief narration of the literature development of China in the past 3, 000 years.

以上是我对三千年中国文学发展所作的简略的陈述。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

At the beginning of this paper the study and the utilization of the domestic and foreign HRA were reviewed briefly, and the brief narration to the basic theory of HRA as well as this paper's research background, knowledge economy, was made.

本文首先对国内外人力资源会计理论的研究及运用作了简要的回顾，并对人力资源会计的基础理论以及本文的研究背景——知识经济，作了简要的叙述。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。